Female Convict Scorpion 701

Female Convict Scorpion 701

2008
Action
1h 41m
A ruthless pack of thugs force mild-mannered..Nami to murder her fiance's sister, decidedly ruining her pending marriage and landing the poor girl in the most brutal women's prison ever seen. Inside the hellblocks, she decides to stop being a victim at all costs..She eventually escapes in a most unusual way, gets valuable fight training from a mysterious mountain man and returns to the streets in order to make the thugs who ruined her life pay. By this time, Nami [goes] by the name of Sasori. (imdb - Mitch Davis (really shortened))
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Female Convict Scorpion 701

2008
Action
1h 41m
Your probable score
Avg Percentile 25.66% from 12 total ratings

Ratings & Reviews

(12)
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Rated 27 Dec 2017
30
2nd
The fight scenes - relatively few - are intermittently cool when they're not being broken by the jump-in-time edits & overdone "style". The whole film is far more concerned w/ "style" in fact w/ every scene draped in dark atmosphere & jittering w/ minor effects. It's both a simplistic revenge tale & women in prison film that guys are presumably meant to get off on but this is ugly throughout, almost torture porn in its languorous pans over every hurt the heroine suffers. I fast-forwarded it all.
Rated 23 Jun 2022
40
19th
The camerawork and editing had a decidedly early 2000s TV feel to them. This tried to be both a gritty HK film and a Japanese exploitation film and failed at both. The movie commits two of the biggest movie sins in my opinion. They wasted a surprisingly good cast and the movie itself was strangely dull considering the number of fights and violence.
Rated 20 Dec 2010
0
2nd
This is what happens if some money worshipping non-artists free of any talent rape one of Toei's greatest franchises ever created. Whilst the original SASORI movie was a grim yet beautiful piece of art and definitively one of the better or maybe even the best movies of the pinky violence/wip-genre, the "remake" inversed all of the Original's qualities. This is a sacrilege and an offence to Shunya ITO, Meiko KAJI as well as the Women in prison film in general.

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