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The Cut

The Cut

2014
Drama
History
2h 18m
Based on the Armenian Genocide. A young man by the name of Nazareth Manoogian gets deported from his native village of Mardin. After the deportations, Manoogian learns that his daughters may be alive. He travels to various parts of the world in search for them (en.wikipedia.org)
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The Cut

2014
Drama
History
2h 18m
Your probable score
Avg Percentile 33.63% from 143 total ratings

Ratings & Reviews

(143)
Compact view
Compact view
Rated 09 Dec 2014
25
5th
9 Aralik 2014, Yesilcam Sinemasi, Sarp ve Hazal ile & Filmin icerigi ile ilgili bir derdim olmadan sadece bicimi uzerinden konusuyorum; bu kadar senaryo, mizansen ve en onemlisi de ritim yoksulu bir film beklemiyordum.
Rated 25 Dec 2014
65
55th
filmin çoğu sahnesi bir western filmini andırıyor. karakterle beraber seyirciye de yolculuk yaşatan, etkileyici bir film.
Rated 24 Sep 2019
74
52nd
Em honra de Mardik Martin (1934 - 2019). Apesar de de normalmente receber notas ruins, é um belo filme cheio de simbolismos, o único pecado realmente inaceitável ao meu ver é ser falado em inglês que reduz o impacto das diferentes culturas e países por onde o protagonista passa. BlurayRip no MakingOff.
Rated 15 Dec 2014
24
4th
Akasya Cinemaximum: Politik içeriğini bir kenara bırakırsak, ki o politik içerikte ancak bunu hak eden bir şekilde işleniyor, gerçekten kötü bir Hollywood macera/dram filmi. Ne olmak istediği kadar masalsı olabiliyor, ne de inandırıcı. Tam bir "küçük hacimli iyi filmler yapan yönetmen"in ilk büyük projesini elini yüzüne bulaştırması vakası.
Rated 23 Jul 2015
10
4th
It's hard to fathom the legendary Mardik Martin lending his name to this as a co-writer. "My main contribution was making the story simpler, more cinematic, and rewriting the last third", he told an interviewer, but I choose to believe that Akin is to blame for how abysmally trite and fake this movie is.
Rated 26 Apr 2015
68
69th
Just in time for the centennial of the Armenian genocide there's Fatih Akin's new film, and it's an admirable one, but besides the epicness of its travel cinematography the narrative is mostly unengaging, and I assume this could be because it tries too hard for a universality (and that includes the distracting English being spoken). But it has faith in people, despite all the barbarity on display. And the story is archetypal enough to matter.

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