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Shuji Terayama

Shuji Terayama
Country: Japan
Total Credits at Criticker: 1 (Actor), 22 (Director), 19 (Writer)
Picture submitted by d.salomao.r
Titles you haven't rated - Actor (1) | Director (22) | Writer (19)
Emperor Tomato Ketchup
This cult B&W Japanese film from the 1970s analyzes the result of a colony in which children overthrow the control of their parents and attempt to form a new society. Their plan spirals out of control and they are soon lost in a web of sexual deviation and violence... (IMDB Comments)
Pastoral: To Die in the Country
The film is about a young Terayama who appears in whiteface along with his mother. The young Terayama deals with his sexual hang-ups due to the onset of puberty. He also slowly drifts away from his clinging mother. (imdb)
The Cage
The Cage (1964) - Short Film
Finished shooting in 1962, the movie's cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of time. (imdb)
The Fruits of Passion
A girl loves an older man. He demands that she goes in a brothel, as evidence that she loves him. (imdb)
Throw Away Your Books, Rally in the Streets
In this highly political Japanese film, a family's disintegration is shown as an analogy for the Japanese descent into heartless materialism. Though his family members have resigned themselves to their downward spiral both socially and economically, the son of the household has not. He is ambitious to attain something and to strike out on his own. What happens instead is that he grows increasingly disillusioned about his life and his world. (allmovie.com)
Private Collections
Three controversial arthouse/erotic film directors come together to make an anthology. (imdb)
Grass Labyrinth
In this 40-minute avant-garde film based on a story by the surrealist writer Kyoka Izumi, director Shuji Terayama uses the pretext of a young man's determination to recover the lyrics and music to a song he loved in his childhood in an exploration of widely variant perceptions of reality..... (Eleanor Mannikka)
Farewell to the Ark
In a tale that is visually stunning in certain segments, director Shuji Terayama (who died before this movie was released) has woven a spell of magic and social reprobation around the forbidden love of two cousins. Su-e and her cousin Sutekichi, a descendant of one of the village clans, live together but have been forbidden by her father to have sexual contact. Like other villagers, he believes that if cousins have children together, the children will suffer serious birth defects. (All Movie Guide)
Paper-Scissors-Rock War
A segment of Emperor Tomato Ketchup.
Hoso-tan
Hoso-tan (1975) - Short Film
Presents different images in which the idea of the cinema collapses on the screen. (BFI)
Meigu-tan
Meigu-tan (1975) - Short Film
An eastern flavor of avant-garde surrealism.
The Boxer
In mid-career, while he is on a winning streak, and in the middle of a fight he is winning, a young boxer is revolted by the violence of the game. He allows himself to be beaten up and quits the match and the sport. He also leaves his wife and child and lives alone with his moth-eaten old dog, all the while losing his sight. Years later, he is hunted down by a young man who is ambitious to become a prize-winning boxer.... (KG)
Young Person\
Originally made for the 100 Feet Film Festival hosted by Image Forum. However, to test the limits, Terayama Shuji willfully made use of 3 projectors to project 300 feet of film at the same time. (imdb)
Butterfly
Butterfly (1974) - Short Film
In the heady and extremist Japanese art scene of the late '70s, Terayama created a number of unforgettable and highly controversial short films. This is a short movie Terayama's Experimental Image World. (MUBI)
Chichi
Chichi (1977) - Short Film
This 3 min short film is a portrait of Terayama's missing father who died at the end of Pacific War in Indonesia in September 1945 when the author was 10 years old. The film runs as a one-take silent superimposition of images.
Rolla
Rolla (1974) - Short Film
The girls are insulting the audience, constantly saying things like "You pretend to watch art films, but we know you're here for tits & ass, fuck you" etc. (ubu.com)
Shimpan
Shimpan (1975) - Short Film
A man is seen driving a nail through the middle of a town square, the film ends with nails being driven through the screen. (BFI)
Keshigomu
Keshigomu (1977) - Short Film
Navy, waves, a woman, and the eraser...
Marudororu no uta
Shūji Terayama's 27-minute attempt to visualize the Comte de Lautreamont's "Les Chants de Maldoror", a series of hallucinatory and disturbing prose-poems which were a big influence on the Dada-ists and early Surrealists... (letterboxd.com)
Issunboshi o kijutsu suru kokoromi
A fantasy of a man falling in love with a woman.
Nito-onna: Kage no Eiga
In the beginning, the film is a cosmos made of light and shadow. (arsenal-berlin.de)
Shokenki
Shokenki (1977) - Short Film
A tiny book, a massize book that requires a machine to operate, and many normal sized books. Somebody walks with a book attached to his face. (deeperintomovies.net)