Eddington
Wow, this film was a lot to take in. I don’t even know where to start once the credits rolled. Honestly, for most of the runtime, this was easily a 10/10 movie, but I really can’t make sense of the ending or why it went that way. I suppose that’s a discussion for a spoiler review, but I just think it could have been handled better.
Anyways, this was a very interesting contemporary look back at the events of May 2020 (minus the toilet paper crisis, haha). It’s an extremely politically charged film, but I felt it kept things mostly respectable and grounded. It was honestly insane how well it captured so many different elements of that time, and it’s the first movie I think truly handled Covid properly. Scream (2022) just tossed in a goofy throwaway line, and Knives Out: Glass Onion had one of the most asinine excuses to sidestep Covid when it didn’t even need to be addressed. This film benefits from hindsight, but it still feels very true to the moment.
The ramping paranoia and the way the tension slowly built to some genuinely shocking moments is commendable. It was a stressful watch! I had no idea what would happen next, and I was engaged for the entire runtime. In fact, I wish it had been even longer. Like I said earlier, the ending is the only real issue I have.
The acting is phenomenal, with both big names and newcomers to the silver screen. (Emma Stone is in this, and she was much better here than in Bugonia, which, honestly, is worse than this film in every metric!) The cinematography is excellent, with creative use of the camera throughout. There were a few silly choices in the final act, but those are mostly forgivable. The music, too, is subtle yet suits the film wonderfully.
Overall, this is a really solid film. I don’t know if I should give it a 9 or a 10/10. It really is just the ending holding me back, so I’ll call it a 10/10 but lower on my personal scale. Consider this a 9.5/10 that definitely deserves a rewatch. What an interesting movie!
Anyways, this was a very interesting contemporary look back at the events of May 2020 (minus the toilet paper crisis, haha). It’s an extremely politically charged film, but I felt it kept things mostly respectable and grounded. It was honestly insane how well it captured so many different elements of that time, and it’s the first movie I think truly handled Covid properly. Scream (2022) just tossed in a goofy throwaway line, and Knives Out: Glass Onion had one of the most asinine excuses to sidestep Covid when it didn’t even need to be addressed. This film benefits from hindsight, but it still feels very true to the moment.
The ramping paranoia and the way the tension slowly built to some genuinely shocking moments is commendable. It was a stressful watch! I had no idea what would happen next, and I was engaged for the entire runtime. In fact, I wish it had been even longer. Like I said earlier, the ending is the only real issue I have.
The acting is phenomenal, with both big names and newcomers to the silver screen. (Emma Stone is in this, and she was much better here than in Bugonia, which, honestly, is worse than this film in every metric!) The cinematography is excellent, with creative use of the camera throughout. There were a few silly choices in the final act, but those are mostly forgivable. The music, too, is subtle yet suits the film wonderfully.
Overall, this is a really solid film. I don’t know if I should give it a 9 or a 10/10. It really is just the ending holding me back, so I’ll call it a 10/10 but lower on my personal scale. Consider this a 9.5/10 that definitely deserves a rewatch. What an interesting movie!
Mini Review: Wow, this film was a lot to take in. For most of the runtime it felt like a 10/10, but the ending left me confused and unsatisfied. Still, it’s a fascinating, politically charged look back at May 2020 (minus the toilet paper crisis). Unlike other movies that awkwardly dodged Covid, this one captured the paranoia, tension, and atmosphere of the time with authenticity. The acting is phenomenal, cinematography sharp, and the subtle music fits perfectly, even if the finale stumbles.
More Reviews of Eddington
decatur555
Eddington struck me as an engaging, unsettling, and very uneven film. It holds your attention because Ari Aster knows how to load the atmosphere, tighten scenes, and create the ...
griggs79
I don’t think a film has stayed with me like this in years—I’ve already reworked my review three times, still chasing what unsettles me.
Undoubtedly, Aster is at his ...
Undoubtedly, Aster is at his ...
moraesfelipe
Undeniably powerful satire in the sense of how it manages to convey so many recognizable shit from our damned time into the screen as organized chaos filtered by straightforward...
Obdurate
- So you're going through the movie and it's about a sheriff running for mayor, and then he starts killing people and it becomes an entirely different movie, with shootouts and ...
See all 5 reviews of Eddington
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