Que Bom Te Ver Viva

everyday signs of state terrorism in the lives of women who survived torture by a dictatorship and found through the artistic expression of one of them -- lúcia murat also got tortured for being a member of the armed resistance -- a reliable place -- because journalism definitely failed them, as the script emphasizes more than once -- to share their stories just a few years after experiencing the most hideous and unforgiving acts of violence. the fact that this came out slightly before brazilian cinema was pretty much killed for at least half a decade is sheer evidence of its unique memorial voice. its blend of interviews and fiction is not always as sharp as intended, but it leads to a poweful conclusion.