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Block-notes di un regista

Block-notes di un regista

Block-notes di un regista

1969
Documentary
TV Episode
54m
Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help. (imdb)

Directed by:

Federico Fellini
Federico-Fellini
80 total credits
Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in Dolce vita, La (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Roma, città aperta (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisà (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.

Writers:

Federico Fellini
Federico-Fellini
80 total credits
Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in Dolce vita, La (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Roma, città aperta (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisà (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.
,
Bernardino Zapponi
Bernardino-Zapponi
29 total credits
Bernardino Zapponi has 29 credits at Criticker, including: Deep Red, Fellini Satyricon, Roma, City of Women and Spirits of the Dead

Starring:

Marcello Mastroianni
Marcello-Mastroianni
123 total credits
Marcello Mastroianni has 123 credits at Criticker, including: 8½, La Dolce vita, La Notte, Divorce Italian Style and A Special Day
,
Federico Fellini
Federico-Fellini
80 total credits
Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in Dolce vita, La (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Roma, città aperta (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisà (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.
,
Giulietta Masina
Giulietta-Masina
23 total credits
Giulietta Masina has 23 credits at Criticker, including: La Strada, Nights of Cabiria, Juliet of the Spirits, Paisan and The White Sheik
,
Caterina Boratto
Caterina-Boratto
18 total credits
Caterina Boratto has 18 credits at Criticker, including: 8½, Salò, or The 120 Days Of Sodom, Juliet of the Spirits, Danger: Diabolik and Footprints on the Moon
,
Ennio Antonelli
Ennio-Antonelli
27 total credits
Ennio Antonelli has 27 credits at Criticker, including: Block-notes di un regista, Fantozzi contro tutti, I pompieri, Febbre da cavallo and Scuola di ladri
,
Marina Boratto
Marina-Boratto
1 total credit
Marina Boratto has just 1 credit at Criticker: Block-notes di un regista
,
Nino Rota
Nino-Rota
2 total credits
Nino Rota has 2 credits at Criticker, including: Block-notes di un regista and Nino Rota: Between Cinema and Concert
,
Alvaro Vitali
Alvaro-Vitali
49 total credits
Alvaro Vitali has 49 credits at Criticker, including: I Clowns, Block-notes di un regista, La liceale, Romanzo popolare and L'insegnante

Genre:

Documentary

AKA:

Fellini: A Director's Notebook

Country:

Italy

Languages:

English, Italian

Block-notes di un regista

1969
Documentary
TV Episode
54m
Avg Percentile 45.81% from 32 total ratings

Ratings & Reviews

(32)
Compact view
Compact view
Rated 13 Apr 2025
68
83rd
Rated 30 Aug 2024
70
53rd
Rated 25 Feb 2021
90
59th
Rated 10 Feb 2021
83
74th
Rated 22 Oct 2020
80
73rd
Rated 08 Mar 2020
68
12th
Rated 04 Oct 2019
40
7th
Rated 28 Apr 2019
11
59th
Rated 28 Dec 2018
55
24th
Rated 10 Jun 2018
40
14th
Rated 09 Mar 2018
60
37th
Rated 11 May 2017
67
68th
Rated 09 Jan 2017
15
1st
Rated 30 Oct 2016
65
48th
Rated 18 Oct 2016
65
51st
Rated 04 Jul 2016
80
55th
Rated 25 Aug 2015
60
28th
Rated 17 Aug 2015
43
14th
Rated 22 Jul 2015
65
21st
Rated 18 May 2015
50
10th
Rated 03 Mar 2015
5
54th
Rated 28 Oct 2014
55
47th
Rated 28 Nov 2013
73
76th
Rated 10 Jun 2012
80
81st
Rated 23 Apr 2012
85
85th
Rated 28 Feb 2012
70
46th
Rated 26 May 2011
44
7th
Rated 14 Mar 2011
37
18th
Rated 13 Mar 2011
95
96th
Rated 06 Mar 2011
65
52nd
Rated 07 Feb 2011
75
49th
Rated 20 Jan 2011
50
0th

Cast & Info

Directed by:

Federico Fellini
Federico-Fellini
80 total credits
Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in Dolce vita, La (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Roma, città aperta (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisà (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.

Writers:

Federico Fellini
Federico-Fellini
80 total credits
Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in Dolce vita, La (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Roma, città aperta (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisà (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.
,
Bernardino Zapponi
Bernardino-Zapponi
29 total credits
Bernardino Zapponi has 29 credits at Criticker, including: Deep Red, Fellini Satyricon, Roma, City of Women and Spirits of the Dead

Starring:

Marcello Mastroianni
Marcello-Mastroianni
123 total credits
Marcello Mastroianni has 123 credits at Criticker, including: 8½, La Dolce vita, La Notte, Divorce Italian Style and A Special Day
,
Federico Fellini
Federico-Fellini
80 total credits
Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in Dolce vita, La (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Roma, città aperta (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisà (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.
,
Giulietta Masina
Giulietta-Masina
23 total credits
Giulietta Masina has 23 credits at Criticker, including: La Strada, Nights of Cabiria, Juliet of the Spirits, Paisan and The White Sheik
,
Caterina Boratto
Caterina-Boratto
18 total credits
Caterina Boratto has 18 credits at Criticker, including: 8½, Salò, or The 120 Days Of Sodom, Juliet of the Spirits, Danger: Diabolik and Footprints on the Moon
,
Ennio Antonelli
Ennio-Antonelli
27 total credits
Ennio Antonelli has 27 credits at Criticker, including: Block-notes di un regista, Fantozzi contro tutti, I pompieri, Febbre da cavallo and Scuola di ladri
,
Marina Boratto
Marina-Boratto
1 total credit
Marina Boratto has just 1 credit at Criticker: Block-notes di un regista
,
Nino Rota
Nino-Rota
2 total credits
Nino Rota has 2 credits at Criticker, including: Block-notes di un regista and Nino Rota: Between Cinema and Concert
,
Alvaro Vitali
Alvaro-Vitali
49 total credits
Alvaro Vitali has 49 credits at Criticker, including: I Clowns, Block-notes di un regista, La liceale, Romanzo popolare and L'insegnante

Genre:

Documentary

AKA:

Fellini: A Director's Notebook

Country:

Italy

Languages:

English, Italian
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