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Summary: Set in a tranquil town on the coast of Maine, In the Bedroom tells the story of a couple (Spacek, Wilkinson) whose only child is involved in a love affair with a single mother (Tomei). When the relationship comes to a sudden and tragic end, each person must face the intensely difficult decision of how to respond. (Miramax)
Quite simply a modern-day masterpiece. The acting on all fronts is pitch perfect (both Spacek and Wilkinson deserved Oscars, without a doubt). Field's exceptional and profoundly unique directing style sets a tone of silent suspense that creeps through every minute of the film. It hits me so hard every time I watch it.
While the story itself is rather simple, the multilayered performances and the way Field resists exploitation makes this a complex masterpiece that doesn't hide the moral questions or seek to thrill with violence.
All of the performances are very good, especially Wilkinson. However, In The Bedroom is too slow storywise, which doesn't mean it's necessarily boring, but it does hurt the film's already formulaic and predictable plot.
Would have been a better film had the first half of the movie not been a slow, dull crawl. The second half is much better and builds to a good climax, but the ending after that climax was very disappointing. The performances were good, but nothing great. If you want to see a film that succeeds in the areas where this failed I'd recommend House of Sand and Fog.
Simmering, intense drama; provides a welcome showcase for Spacek and Wilkinson. Both turn in career-best performances, with excellent support work by Tomei. Field's oddball direction mines unexpected humour from unlikely situations (the door-knocking girl guide) and the story itself is rich with literary symbolism, with more than a dose of MACBETH, especially in the disturbing conclusion, which grows even more troubling on reflection. A quite extraordinary film, if somewhat austere at times.