Really solid film with a spectacular plot and great performances. However, this could have been much better if not for using an easy plot device to tie things together and an atrocious soundtrack. Still, this more than kept my attention and made my heart beat a little faster than its used to.

Quite possibly the best thriller I've seen these last two or three years. Tense, dynamic, energetic, well-acted and surprising without resorting to randomness.

Great movie, well done, decent pace. Only issue I have is with the Deus Ex Machina with Bruno's friends.

The film had a very promising first few minutes. After that there was hardly any suspense and the plot developments were embarrassingly infeasible (considering how seriously the film seemed to take itself) or simply not very interesting.

Clever story, well directed and strong acting all around. Bonus points for a great chase scene, small demerit for a too typical "let's have a character explain everything"-ending.

A standard, derivative thriller, receiving extra points for a well-handled, downplayed chase and losing them again for one of those silly "one man talking for five minutes" explanatory endings. And I applaud the filmmakers for removing the book's incredibly ridiculous final twist.

A film can thoroughly outsmart its audience only to reveal its cards at the end, but that doesn't make it a more enjoyable experience. The vast majority of this film is like every second cop movie you see: the lead character, accused of the murder of a loved one, is the only person looking for the real killer. Kristin Scott Thomas is always great, but the lead in this is very unappealing, and the thug buddies who keep materializing to save the day are absurd.

"Hitchcock's "Wrong Man" scenario gets an invigorating French update in Tell No One, a long-winded but gripping thriller based on American author Harlan Coben's bestseller." - Nick Schager

A tight thriller with a love story on top of that. Story is a bit far fetched, but the direction, editing and cinematography are so good that it all works out great. Some little bits like gangster sidekick or bad guys bothered me, but hey, if you watch a thriller by Hitchcock you'll see some of that too.

Great thriller starring the french version of Dustin Hoffman!

Being a little too complicated hinders the enjoyment a bit, but still an engaging and suspenseful mystery. Loved it.

French women are simply delectable.

An intriguing story drives a good-but-not-great French thriller.

This movie has a solid "wrong man" premise going for it and a great chase to go with that. Once the wrong man stuff tapers off, so does the movie. The exposition at the end was certainly one way to tie the plot together - I submit that it was also the worst and most annoying possible means of doing so.

If your finale consists of little more than a 30 minute exposition dump, then you should probably try to rework the script. Disappointing ending aside, this is a intermittently engaging thriller that will appeal to fans of the genre. Some nice use of Jeff Buckley and U2.

One of the most exciting, intelligent and nerve-wracking thrillers I've seen in years. Some incredible action scenes, mixed with a clever conspiracy and mystery. A lot of fun.

A psychological thriller with plenty of action and even bloody violence. An everyman is drawn into a complex intrigue centering on his wife's murder 8 years ago -- or was she murdered at all? Structural fourth-act problems involving excess exposition, but there is still room for another twist to make you re-evaluate much of the story, and cheat you of the seeming resolution you expect. Often blunt and creative, although stretching at points. The title turns out to be quite apt.

A very human thriller with wonderful (and believable) twists. Highly recommended.

The French do this kind of intellectual thriller so well. Think *Cache*, or *With a Friend Like Harry*, or *Swimming Pool* . *Tell No One* is the best of the lot, smart, involving, and suspenseful. It also is complex; it rewards patience and attention with a climax in which all questions are answered, all secrets revealed. Stick with it, and you may not see a more intriguing film this year.

Thriller mysteries have died in recent years. Some have become too predictable, while others give away too much in the beginning. This film does neither of these things, and keeps what I loved from the book intact. The acting from the entire cast is spot on. The plot and screenplay are perfect. Every scene is interesting and the mystery keeps you guessing until the very end. The camera work is exceptional, as well as the soundtrack. I felt like I was watching a film of high quality all around.

Engaging, sure, but there are som flawed elements, here and there. When the cheesy gets beyond cheesy. The lead actor would have benefited from a more subtle approach at times. A lot of things keeps this from being really good.

Too long, too much exposition at the end of the film tying up all loose ends. By that point, I no longer cared anymore.

Wonderful film, doesn't telegraph the ending, and has characters that feel like people rather than puppets.

The story gets kind of convoluted, and the narrative suffers from third act uber-exposition, but the direction and acting make it really worthwhile.

Regular thriller. Nicely done but kind of ridiculous.

Wow. Immensely entertaining. Well-directed and acted, always a treat to see Kristin Scott-Thomas as well. And who knew Dustin Hoffman was such a natural-sounding french-speaker?