Jenjira Pongpas

This film focuses on a Burmese refugee whose fate has linked him to the lives of two Thai women in a border town. (Kick the Machine)

Set 40 years ago in a small town's hospital, juxtaposed with a similar hospital in the present day. It is a fictional recollection of the love and work of the filmmaker's parents before they finally became lovers, exploring both memories and everyday lives in two eras where a painfully shy young man is courting Dr. Aroon, and a young monk has an unexplained attraction to a dentist.

On his deathbed, Uncle Boonmee, recalls his many past lives.

Mekong Hotel is a portrait of a hotel near the Mekong River in the north-east of Thailand. The river there marks the border between Thailand and Laos. In the bedrooms and terraces, Apichatpong held a rehearsal with his crew for a movie that he wrote years ago called Ecstasy Garden. The film shuffles different realms, fact and fiction, expressing the bonds between a vampire-like mother and her daughter, the young lovers and the river. (mubi.com)

Cactus River is a diary of the time I visited the couple--of the various temperaments of the water and the wind. The flow of the two rivers--Nach and the Mekong, activates my memories of the place where I shot several films. Over many years, this woman whose name was once Jenjira has introduced me to this river, her life, its history, and to her belief about its imminent future. (Apichatpong Weerasethakul)

Cemetery of Splendour is a 2015 Thai drama film directed by Apichatpong Weerasethakul. The plot revolves around a spreading epidemic of sleeping sickness. Spirits appear to the stricken and hallucination becomes indistinguishable from reality.

An insomniac lies in bed as theatrical backdrops unveil themselves and her sheet catches aflame. (imdb)