Celluloid Junkie - 3066 Film Ratings
Member Since: Jun 29, 2007
Location: Los Angeles, California, USA
Bio: After a fairly Lynchian childhood in an American suburb, I moved to Japan at 13, saw foreign film, and it destroyed my fragile little mind. Now forever damaged, I live in LA, have degrees in Cinema and Religion, a Masters in Information Science, and watch too many films in between writing projects. Life goals: direct a film, and see a UFO.
Check out Mentaculus's...
|8 1%||The Sweetest Thing (2002) - May 28, 2019
"“Thus” (points laser at screen) “‘Baby Got Back’ alludes to the innate desire in man to attain the unattainable. A threshold of man’s creative powers, seeking always the potentiality.” (Next slide.) “‘You’re Too Big to Fit in Here’ represents the same allusion, but embraces the destructive power - women destroying men’s creative aspect by assimilating it - yet it also features a sapphic car gag for male laughs and gaze, negating any subversive potential” (Receives PhD)."
|87 85%||Starship Troopers (1997) - Sep 09, 2008
"Starship Troopers is an open question: childish and violent, but swimming in subtext about appropriation of war, propaganda, The Other, and so forth. Why does it cast all white actors as Spanish characters from Buenos Aires? What does it say about engendering violence in our schools, or how the war splits the characters apart (for a common goal)? Verhoeven's brilliance is so in-your-face, it flies under the radar."
|68 49%||9 (2009) - May 29, 2011
"A movie for 13 year old philosophers, regressed Marxist sociologists, or Taoist paranoid schizophrenics. The story's simplicity of narrative and character was refreshing, as was its brutally frank depiction of death. But it felt like it was far too broad for what was clearly going to be a niche story with a small audience - and ultimately the film pleases no one."
|90 89%||Dracula (1992) - Jul 05, 2017
"In my 30 years of living, I have never before finished this - I always turn it off somewhere, disgusted. After finally forcing myself through, I firmly believe this is one of the most vile and evil films ever made, hyperbole duly noted. The film's logic - as if in a fever dream of a terminal patient, or in the last involuntary synapses of a man dying mid-coitus - shuns all Good in service of Love. The film's "deficiencies", I think, are distractions for the subversive moral. It's mad genius."
|82 77%||Martha Marcy May Marlene (2011) - Dec 10, 2012
"Too many "cult" films focus on propaganda as if there are keywords that cause all who listen to them to fall prostrate at a masochist's feet. MMMM rightly revolves around three elements instead: emotion, ambiguity, & their intersection. A difficult subject, but Durkin makes it work because, like Hawkes' character, you feel immediately as if you are in good hands, and then it messes with you in deep and frightening ways. It's a beautiful debut film that will continue to say more with time passing"
|90 89%||Kuruizaki sanda rodo (1980) - Jun 02, 2015
"One can easily name off the film's clear progeny: Miike, Otomo, Kitano, Anno, Tsukamoto, Sono, Kurosawa, Yukisada. And it's easy to see why. From its opening moments, its raw, unrestrained, angsty energy is viral, and ultimately, its primary theme. Yet despite the pedigree it inspired and left in its wake, Crazy Thunder Road is its very own stray and rabid dog, and ultimately a sensation, requiring Western rediscovery."
|86 83%||eXistenZ (1999) - Sep 10, 2008
"Watching this launches me into an embarrassing eXistenZial rant on philosophical spiritualism: the grotesquerie of material forms upon layers of physical condeCenZion; the fractal, analogous nature of interpretive time; the arcane mystery of our degree of free will, us as the architects or pawns of our condition as our consciousness leaps. A Word for God is the missing "Y" in the world of illusion and tranCendenZ (un)veils an End to things. It's gross and gorgeous, brilliant and psychotic."
|98 98%||Simon of the Desert (1965) - Dec 07, 2008
"SOTD is truncated, incomplete, and barely known - but it is the one Bunuel film I continually return to. This has something genuine to say about the falseness of altruism, the relationship between Man and God, and the death of the Enchanted Age. Or I'm reading too much into it. God bless Bunuel."
|53 27%||Alien: Covenant (2017) - May 24, 2017
"It's as if Ridley took the feedback from Prometheus and Fox and said, "Fine, I'll make an Alien movie for those Plebes." The result may just have mild contempt on all of us - like we're being served from the kids menu although we damn well know there's a wine list somewhere. Three or so action set pieces are extraordinary in their execution, and Fassbender is a God among men. But as the credits rolled I could almost hear Scott quoting from another of his own films: "Are you not entertained?!""
|76 64%||Stone (2010) - Oct 15, 2011
"The conceit - the effects on a man's soul when regret, pride, arrogance and faith get thrown into a blender and set on 'puree' - is absolutely singular for a studio film. Especially one as expertly acted and well crafted as this. Yet the ending just ends. And whatever the reason (probably a weighty, pretentious one), it leaves a bad taste in your mouth. But I still want to recommend it as a bizarre, obscure film about the effects of faith on the faithless, which is a rare thing."