Celluloid Junkie - 2747 Rankings
Member Since: Jun 29, 2007
Location: Los Angeles, California, USA
Bio: After a fairly Lynchian childhood in an American suburb, I moved to Japan at 13, saw foreign film, and it destroyed my fragile little mind. Now forever damaged, I live in LA, have degrees in Cinema and Religion, a Masters in Information Science, and watch too many films in between writing projects. Life goals: direct a film, and see a UFO.
|96 T10||Winstanley (1975) - Jul 12, 2012
"After a long hiatus, this film reaffirmed my love in cinema's potency and power, brevity and universality. The film is as much a love letter to the people it depicts as it is to film structure and economy, and it shows remarkable depth and respect for both. An underrated masterpiece."
|76 T7||Lethal Weapon (1987) - Feb 17, 2017
"Perhaps 80's action films were all self-aware? Beginning as a rather reflective police procedural, the action and logic soon jump into ludicrous speed in a manner that seems purposeful and reflexive: a comment on the American Banal, allowing regular joes an outlet to blow shit up. The use of sound - background sounds always commenting on the characters - seems to point this way. It's practically magical realism for working stiffs."
|8 T1||High School Musical (2006) - Sep 11, 2008
"Music that wants to be a musical. Works surprisingly well as a horror film."
|10 T1||Highlander II: The Quickening (1991) - Nov 03, 2010
"Writer to Studio Exec: "OK, so the Immortals are actually Aliens." Exec: "What about the first movie?" W: "What first movie? Anyway, it's the future, and McLeod is old, but he has to fight an evil corporation from hiding the ozone layer from them." Exec: "He's old? Isn't he immortal?" W: "He is immortal!" Exec: "OK, I'll give you $35 million. Just steal more ideas from Blade Runner and Logan's Run if you need anything.""
|83 T8||Kingsman: The Secret Service (2015) - Jun 23, 2015
"Like the best satires, it's slyly written, and in absolutely terrible taste. A dizzying pastiche of Bond and modern actioners with a vicious populist message that is as wacky and culturally primed as Cooper's Behold A Pale Horse. As nasty and unrestrained as this film was, I immediately wanted to rewatch it. I think there's more being said here - in script, tone and especially its self-aggrandizing violence - than is immediately let on. Just like the best conspiracy theories."
|82 T8||Martha Marcy May Marlene (2011) - Dec 10, 2012
"Too many "cult" films focus on propaganda as if there are keywords that cause all who listen to them to fall prostrate at a masochist's feet. MMMM rightly revolves around three elements instead: emotion, ambiguity, & their intersection. A difficult subject, but Durkin makes it work because, like Hawkes' character, you feel immediately as if you are in good hands, and then it messes with you in deep and frightening ways. It's a beautiful debut film that will continue to say more with time passing"
|88 T9||Jane Eyre (2011) - Mar 20, 2011
"The first filmed version of the novel that thoroughly understands the Gothic in its source. By turns frighteningly romantic and sublimely atmospheric - everything about the production is so solid the deep complexities in the story appear effortless. What deserves an even more honorable mention is the cinematography that lingers in the dark corners of the castle and the bags under Rochester's eyes more than the charm of Victorian gardens."
|94 T10||Samurai Rebellion (1967) - Jan 24, 2009
"I'll have to disagree with most here and say that the social dilemma of the film - beauracratic traditionalism vs. the sanctity of the family unit - is just as heartbreaking and wraught as Kobayashi's other works. This is Sirk with katanas; this heightened family melodrama is underscored by the incredible B&W cinematography, and showcases one of society's most universal follies. The extended-family-encounter scene is as brilliantly staged and handled as the more action-heavy ending."
|53 T3||Alien: Covenant (2017) - May 24, 2017
"It's as if Ridley took the feedback from Prometheus and Fox and said, "Fine, I'll make an Alien movie for those Plebes." The result may just have mild contempt on all of us - like we're being served from the kids menu although we damn well know there's a wine list somewhere. Three or so action set pieces are extraordinary in their execution, and Fassbender is a God among men. But as the credits rolled I could almost hear Scott quoting from another of his own films: "Are you not entertained?!""
|84 T9||Jacob's Ladder (1990) - Jan 11, 2010
" "It is easy to go down to hell; Night and Day the Gates of Dark Death stand wide; But to climb back up again, to retrace ones steps to the open air, there lies the problem, the difficult task." -Virgil, The Aeneid, Book VI. Yet, "The mind is its own place, and in itself Can make a heaven of hell, a hell of heaven." -John Milton. The film's pluses and minuses lie in the contradiction."