Celluloid Junkie - 3109 Film Ratings
Member Since: Jun 30, 2007
Location: Los Angeles, California, USA
Bio: After a fairly Lynchian childhood in an American suburb, I moved to Japan at 13, saw foreign film, and it destroyed my fragile little mind. Now forever damaged, I live in LA, have degrees in Cinema and Religion, a Masters in Information Science, and watch too many films in between writing projects. Life goals: direct a film, and see a UFO.
Check out Mentaculus's...
|100 99%||A Serious Man (2009) - Feb 20, 2010
"A modern-day Job, but in this variation, despite the same pleading and anger due to surreal happenstance, God has no voice to rebut either the 3 rabbis or poor Larry. What does that mean? I dunno. Jefferson Airplane."
|99 98%||My Darling Clementine (1946) - Apr 17, 2017
"Kurosawa once said My Darling Clementine is a template for what films can be - and it's hard to disagree with the sensei. Bridges myth and history, allegory and humanity, in a way only the great foundational fables can. Intervening years of romanticism and cynicism have not diluted its power in the slightest. "
|30 8%||The Fate of the Furious (2017) - Nov 10, 2018
"Possibly the douchiest movie in the history of douchebaggery. The first F&F was The Favorite Movie of my wife’s boyfriend before we dated, and he was a douchebag. Every plot point - from Charlize as a dreads-wearing crocodile at the world’s wettest watering hole to some contrived second Cuban Missile Crisis - is so desperate to appeal to his divine level of doucheness it can’t even succeed at full douche-attainment. It’s a Catch-22 of douche. I hope he enjoys it."
|86 83%||eXistenZ (1999) - Sep 10, 2008
"Watching this launches me into an embarrassing eXistenZial rant on philosophical spiritualism: the grotesquerie of material forms upon layers of physical condeCenZion; the fractal, analogous nature of interpretive time; the arcane mystery of our degree of free will, us as the architects or pawns of our condition as our consciousness leaps. A Word for God is the missing "Y" in the world of illusion and tranCendenZ (un)veils an End to things. It's gross and gorgeous, brilliant and psychotic."
|90 89%||Kuruizaki sanda rodo (1980) - Jun 02, 2015
"One can easily name off the film's clear progeny: Miike, Otomo, Kitano, Anno, Tsukamoto, Sono, Kurosawa, Yukisada. And it's easy to see why. From its opening moments, its raw, unrestrained, angsty energy is viral, and ultimately, its primary theme. Yet despite the pedigree it inspired and left in its wake, Crazy Thunder Road is its very own stray and rabid dog, and ultimately a sensation, requiring Western rediscovery."
|96 96%||Winstanley (1975) - Jul 12, 2012
"After a long hiatus, this film reaffirmed my love in cinema's potency and power, brevity and universality. The film is as much a love letter to the people it depicts as it is to film structure and economy, and it shows remarkable depth and respect for both. An underrated masterpiece."
|84 80%||Jacob's Ladder (1990) - Jan 12, 2010
" "It is easy to go down to hell; Night and Day the Gates of Dark Death stand wide; But to climb back up again, to retrace ones steps to the open air, there lies the problem, the difficult task." -Virgil, The Aeneid, Book VI. Yet, "The mind is its own place, and in itself Can make a heaven of hell, a hell of heaven." -John Milton. The film's pluses and minuses lie in the contradiction."
|53 27%||Alien: Covenant (2017) - May 24, 2017
"It's as if Ridley took the feedback from Prometheus and Fox and said, "Fine, I'll make an Alien movie for those Plebes." The result may just have mild contempt on all of us - like we're being served from the kids menu although we damn well know there's a wine list somewhere. Three or so action set pieces are extraordinary in their execution, and Fassbender is a God among men. But as the credits rolled I could almost hear Scott quoting from another of his own films: "Are you not entertained?!""
|80 72%||House (1977) - Mar 16, 2010
"I'm not going to pretend this is a good movie. It's not. It actually has to remind you at the beginning, "A Movie! House!" in case you get confused. But what it is is audiovisual insanity of the highest order: the absolute contempt for genre and script (horror/Toei Pink) creates an onslaught of editing and directorial experimentation not seen since the days Nikkatsu kicked Suzuki out on his ass for doing something new. Not a film; an experience."
|91 90%||The Other One (1946) - Nov 26, 2017
"A masterpiece of cinematic perversion. One (good?) twin murders her (evil?) sister to take her place, a place full of security and luxury - only to fall victim to her sister's lifestyle of sex and violence. Her slow debasement is difficult to watch - rightly so - but del Rio gives a nuanced, empathetic performance, the twists come quickly, and the inky cinematography is shockingly beautiful. An underappreciated noir classic."