Celluloid Junkie - 2779 Film Rankings
Member Since: Jun 29, 2007
Location: Los Angeles, California, USA
Bio: After a fairly Lynchian childhood in an American suburb, I moved to Japan at 13, saw foreign film, and it destroyed my fragile little mind. Now forever damaged, I live in LA, have degrees in Cinema and Religion, a Masters in Information Science, and watch too many films in between writing projects. Life goals: direct a film, and see a UFO.
|84 T9||Jacob's Ladder (1990) - Jan 11, 2010
" "It is easy to go down to hell; Night and Day the Gates of Dark Death stand wide; But to climb back up again, to retrace ones steps to the open air, there lies the problem, the difficult task." -Virgil, The Aeneid, Book VI. Yet, "The mind is its own place, and in itself Can make a heaven of hell, a hell of heaven." -John Milton. The film's pluses and minuses lie in the contradiction."
|100 T10||A Serious Man (2009) - Feb 20, 2010
"A modern-day Job, but in this variation, despite the same pleading and anger due to surreal happenstance, God has no voice to rebut either the 3 rabbis or poor Larry. What does that mean? I dunno. Jefferson Airplane."
|90 T9||The Dark Knight Rises (2012) - Jul 30, 2012
"An overwhelmingly oppressive film on many different levels. Its penchant for melodrama over supreme logic makes sense for a film of its masked caliber - what was surprising for a comic opera, then, was every characters' recurring self-acknowledgement that they are acting out of very specific ideals, representing them, becoming walking synecdoches of some larger puzzle that generations from now will be piecing together for us. That it's also somehow a blockbuster makes this a frightening success."
|42 T2||Noah (2014) - May 11, 2015
"The entirety of my viewing I kept asking myself Why this was made. It's too off-script for a Christian audience, too religious for the blockbuster audience, too mystical for the Jewish audience, too campy for the adults and too adult for the kids. Luckily time will wash this one away as a mistake. On the plus side, Nick Nolte has finally been typecast as a rock. "
|92 T10||Bringing Out the Dead (1999) - Dec 06, 2009
"Probably Scorsese's most underrated film. And considering the collaboration of all those involved, that's rather confusing. Yes, it's a spiritual successor to Taxi Driver, but since when is that a bad thing? BotD has some of Scorsese's most beautiful cinematography (partially thanks to Dante Ferretti), bolstered by Schrader's religious wit and some great performances, especially by Cage and Rhames (and Cliff Curtis!)"
|90 T9||Dracula (1992) - Jul 05, 2017
"In my 30 years of living, I have never before finished this - I always turn it off somewhere, disgusted. After finally forcing myself through, I firmly believe this is one of the most vile and evil films ever made, hyperbole duly noted. The film's logic - as if in a fever dream of a terminal patient, or in the last involuntary synapses of a man dying mid-coitus - shuns all Good in service of Love. The film's "deficiencies", I think, are distractions for the subversive moral. It's mad genius."
|98 T10||Videodrome (1983) - Sep 09, 2008
"All of Cronenberg's fascinations/obsessions, predominately his anxiety about society's influence over the body, only become more significant and horrifying in hindsight. My favorite films (of which this is one of them) leave me feeling as if it is a complete entity; nothing should or could be added or excised to make a more compelling feature. You could write books over what happens in this 80-min film."
|99 T10||The Magician (1958) - Sep 12, 2010
"A black comedy mocking, of all things, the post-Reformation debate between reason and superstition - but here told through sex, drag, a ghost who won't quite die, a Papageno wannabe and a 220-year-old witch. While the Magician's facades (and the cinematic trappings that help him along) all dissolve by the film's end, does that mean reason wins? Kinda. Not really. Sometimes all you can do is laugh."
|81 T8||Ancient Aliens (2009) - Oct 26, 2015
"COULD IT BE [insert hand gesture] that, hidden away from the furthest reaches of respectable scientific inquiry [pan to ruins of Puma Punku], this show piques SOME... KIND... of legitimate interest in real archaeology, linguistics, classics, & history? Some Ancient Astronaut theorists say Yes. [Insert CGI UFO over Giza Plateau] Further proof can be found by looking at the renewed interests in ancient artifacts [insert CGI glowing Ark of the Covenant], & the editing techniques... of other shows."
|80 T8||House (1977) - Mar 16, 2010
"I'm not going to pretend this is a good movie. It's not. It actually has to remind you at the beginning, "A Movie! House!" in case you get confused. But what it is is audiovisual insanity of the highest order: the absolute contempt for genre and script (horror/Toei Pink) creates an onslaught of editing and directorial experimentation not seen since the days Nikkatsu kicked Suzuki out on his ass for doing something new. Not a film; an experience."