Episodes 1-6 are a 85, 85, 80, 80, 60, 50. High Artistic Quality all around the clock again and some very funny dialogs. Cant touch TOTDY but i wouldn’t expect that, especially not rated 16+ on Netflix. The supernatural element is where it lost me a little. If there are no rules, and everything is possible, nothing is really amazing anymore and you're essentially watching modern art installations where narrative takes the backseat. Good art though, that’s for sure!

Gets steadily worse as it goes, starts at maybe an 80 and literally loses the plot in the last couple of episodes. I don't give a shit about the Chinese gang boss doing kung fu or the guy from Pusher III, I want that weird neanderthal viking guy giving psychotic monologues. This is great is you're a fan of bisexual lighting though.

Simply totally f*cked up, but in a positive way!

It's NWR through & through, & I loved the character of Mui, but the suspense & grittiness that defines his prior work just doesn't feel as present here. Even worse is that it’s on Netflix, so a 2nd season is a pipedream. Sad!

Pretty NWR vignettes but the plot was never engaging enough and the superhero touch killed any emotional resonance. Mildly entertaining but ultimately irrelevant. TOTDY had more impact and didn't feel so automatic pilot.

Kendine her yerde belli eden çekim tekniği ve görselliğiyle sinemasını özgünleştiren Nicolas Winding Refn'in Netflix'te çıkardığı son projesi David Lynch, Lars Von Trier, Gaspar Noe, Stanley Kubrick gibi ustalara hafif bir saygı kuşağı olmuş. Visual ve score yine mükemmel ama hikaye anlatımı/karakter gelişimi mini dizi olmasının avantajına rağmen zayıf. Refn'in çoğu yapımında olduğu gibi teknik daldan alınan keyif müthiş, sıkılma sayacı da o kadar ters orantılı. Gotik noir havası yine hoştu..

NWR doesn't miss