Criticker.com uses cookies to recognize visitors and provide a better experience. Learn more about how we use cookies in our privacy policy. By continuing to use the site, or by pressing agree, you are giving your consent to our use of cookies.
login | register
0 film ratings
Armilio

Film Freak - 659 Film Ratings

Member Since: Dec 21, 2014

Location: Milan, Italy

more Featured Reviews
85 94% Bicycle Thieves (1948) - Dec 21, 2014
"Remember: this film, and neo-realism, start from a marxist point-of-view, opposed to the unrealistic fascist propaganda-movie where Italy laid for 20 years. Antonio is a proletarian, with even a sympathy for communism. So, all that journey throughout Rome is not useless, is a "society picture" of a post-war Italy. The end, is the cry of pain of the people. The guilty is the social injustice. I think that in the mind of De Sica, all this came first, above the eternal story of a father and a son. "
70 62% A Most Violent Year (2014) - May 21, 2015
"It's a better "American Hustle". A film about the illusions of the American Dream & Values, but this is not the best part. It's incredibly tense from start to finish, Morales always carry a burden, litterally: a bag of money, a contract, a baseball's mace, a gun. Well, not always, often, but i think it's a part of the costruction of suspense. Stylish directing, with a gorgeous images composition, some good ideas in the few action scenes, and a love for the '70s classics in the heart."
90 97% Seven Samurai (1954) - Dec 21, 2014
"The point where should start every director that want make an action/war/epic movie. A cornerstone in film history. It's all brilliant, but i think that the best thing is the perfect pacing: we have time to know people introduced to ourself, care about them, and then feeling sadness or happiness for them in the end. K. is like a farmer that let grow epicness before harvesting."
80 90% eXistenZ (1999) - May 06, 2016
"What many people don't understand it's that the cheesy lines, the unlikely situations, it's because your are watching a twisted and self-ironic RPG game. It's Cronemberg, so it's not simply a film that play on virtual reality plot-twists, but on what define life, what makes us enjoy disconnect from reality and why we feel it like a taboo (see the asshole - bioport ref.), why we can't really disconnect from our eXistenZ even if we call it transCendenZ. The impotence of humans and cinema. "
73 74% Tale of Tales (2015) - Nov 19, 2016
"A patchwork of its parts more than an all, for sure. Three fairy tales with a common theme (women, love, desire) mixed together by the editing but ending up necessarily having three disjointed ends. That said it's marvelous to watch, with a visual style that tries to find a third way for the fantasy different from the colourful or the gothic; more painterly, realistic, barocco; and has very fascinating moments, especially visually speaking, but not only. Occasionally boring, but it's art."
99 99% A Clockwork Orange (1971) - Dec 21, 2014
"Homo homini lupus: Kubrick shows a world where the state practice the same violence that it fight, only in legalized way; Where the homeless man who asked order and respect not hesitate to retaliate on its own if it can; where the intellectual who suffered the same fate mask his thirst for vengeance under ideological necessity; Where the priest is actually "good" just because it fear another kind of violence, in this case otherworldly: the hell. You can control violence, not erase it."
55 17% Mommy (2014) - May 14, 2015
"It's like Boyhood. Few great ideas in a ocean of cliches (Oedipus? really?). But, more than anything else, there is the Dolan's style: naif; that doesn't leave you an emotional break until you feel 'Fremdschämen', with obsessive close-up; that always try too hard to involve you; that put pop music in the movie like a fastidious caption for retards. The 1:1 ratio it's a smart but overall annoying move. Or you love it or you hate it, and i hate it, Dolan is kitsch: excess without good taste. "
65 43% Her (2013) - Dec 21, 2014
"Well, my review may start and end with only one adjective: "kawaii", or "pretty" if you prefer. Too much pretty for a film that try, sometimes, to be dystopic. And i'm not talking about the pastelly design that is great, but about a relationship between a human and an AI that not create nothing interesting except a likeable love-story, and end up saying a mommy "stop play videogames, go outside!". I understand the will of don't use "AI-humans" cliches, but the film lack of real conflicts."
80 90% Miller's Crossing (1990) - Dec 07, 2016
"What hits the viewer here is not the mastermind character of Tom: we already saw masterminds, and masterminds in noir. It's how fresh sounds the citationism of this film: so noir, so classic, and so refreshing in its characters study, in its over-the-top scenes that never cross the line inside a parody for one seconds only, but actually are a parody. It's manneristic, yes, but without became heavy-handed. Simply classy crafting by the Coens, a showcase of talent."