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I Clowns
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I Clowns

I Clowns

I Clowns

1971
Comedy, Documentary
TV Movie
1h 32m
The culmination of filmmaker Federico Fellini's lifelong love affair with circus folk. Fellini's alter ego this time is a young boy, taking in his first circus... (All Movie Guide)

Directed by:

Federico Fellini
Federico-Fellini
80 total credits
Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in Dolce vita, La (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Roma, città aperta (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisà (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.

Writers:

Federico Fellini
Federico-Fellini
80 total credits
Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in Dolce vita, La (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Roma, città aperta (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisà (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.
,
Bernardino Zapponi
Bernardino-Zapponi
29 total credits
Credits include: Deep Red, Fellini Satyricon, Roma, City of Women and Spirits of the Dead

Starring:

Federico Fellini
Federico-Fellini
80 total credits
Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in Dolce vita, La (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Roma, città aperta (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisà (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.
,
Gigi Reder
Gigi-Reder
25 total credits
Credits include: I Clowns, White Collar Blues, Il secondo tragico Fantozzi, Fantozzi contro tutti and Fantozzi va in pensione
,
Dante Maggio
Dante-Maggio
23 total credits
Credits include: Variety Lights, I Clowns, My Dear Killer, Capriccio all'italiana and Under the Olive Tree
,
Tino Scotti
Tino-Scotti
10 total credits
Credits include: Strategia del ragno, I Clowns, Todo modo, La famiglia Passaguai and Gastone
,
Riccardo Billi
Riccardo-Billi
18 total credits
Credits include: I Clowns, The Marquis of Grillo, Onorevoli, Gli, Primo amore and Arrivano i dollari!
,
Fanfulla
Fanfulla
10 total credits
Credits include: Fellini Satyricon, I Clowns, Risate di gioia, Ninì Tirabusciò la donna che inventò la mossa and Toto and Marcellino
,
Galliano Sbarra
Galliano-Sbarra
5 total credits
Credits include: Roma, I Clowns, A Policewoman in New York, Frau Wirtins tolle Töchterlein and L'insegnante al mare con tutta la classe
,
Alvaro Vitali
Alvaro-Vitali
49 total credits
Credits include: I Clowns, Block-notes di un regista, La liceale, Romanzo popolare and L'insegnante
,
Carlo Rizzo
Carlo-Rizzo
6 total credits
Credits include: I Clowns, When in Rome, Imputato, alzatevi!, Quel fantasma di mio marito and Il pirata sono io!

Genres:

Comedy, Documentary

AKA:

The Clowns

Countries:

France, Italy, West Germany

Languages:

French, Italian, German

I Clowns

1971
Comedy, Documentary
TV Movie
1h 32m
Your probable score

Ratings & Reviews

Compact view
Compact view
Average Percentile: 49.92%
08 Jul 2017
60
48th
(Viewed on 19/03/14):Fellini's docufiction film about clowns/circuses was a somewhat missed opportunity to explore a dying art form that obviously influenced his craft. It's clearly a personal project, made at the peak of his powers, but it's an ostensibly minor entry that doesn't provide much insight into the unique lifestyle or performance aspects of these entertainers, nor does it offer much historical perspective.There are a few poetic moments that make it worthwhile for Fellini fans though.
22 Aug 2012
1
8th
It's about clowns.
03 May 2025
61
54th
Fellini’s ode to the circus starts strong: visually enchanting, playful, and full of wonder. The interviews with aging clowns are fresh and amusing. But in the final act, it slips into a flat closing number that pales next to what came before. The tribute lacks depth: what do clowns still say about us today? Still, it’s mostly entertaining.
30 Aug 2020
78
59th
Os Palhaços estreava há 50 anos no Festival de Veneza. Toda a sequência final é absolutamente deslumbrante, mas demora demais até chegar nisso. Box Versátil Fellini 100 anos: Edição de aniversário.
26 Dec 2014
60
60th
Some of the sequences are absolutely brilliant. The parallels with the clownship in life is great too. The last long clown sequence, however, is too over the top and too slapstick (ahem, even for a clown sequence), too long and too boring. Decent film, wouldn't watch it again.
26 Mar 2011
86
83rd
An idiosyncratic documentary about circus clowns. Fellini has fashioned an homage that is sincere, entertaining, and personal. Contains some truly poignant sequences.
26 Mar 2011
0
8th
Fellini has always had a "circus" flavor to his work, so here, naturally, he makes a movie featuring a circus. The circus is as boring as hell. Being Fellini, he makes lengthy detours to other places and other characters, which are all also as boring as hell, and pointless besides. Oh, mercy, what a grim reminder of why I detest most Fellini films, as this wraps up in one little package all the worst things about them: crass, dull Nino Rota music, pointless, not pretty, not funny...

Cast & Info

Directed by:

Federico Fellini
Federico-Fellini
80 total credits
Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in Dolce vita, La (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Roma, città aperta (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisà (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.

Writers:

Federico Fellini
Federico-Fellini
80 total credits
Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in Dolce vita, La (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Roma, città aperta (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisà (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.
,
Bernardino Zapponi
Bernardino-Zapponi
29 total credits
Credits include: Deep Red, Fellini Satyricon, Roma, City of Women and Spirits of the Dead

Starring:

Federico Fellini
Federico-Fellini
80 total credits
Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in Dolce vita, La (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Roma, città aperta (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisà (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.
,
Gigi Reder
Gigi-Reder
25 total credits
Credits include: I Clowns, White Collar Blues, Il secondo tragico Fantozzi, Fantozzi contro tutti and Fantozzi va in pensione
,
Dante Maggio
Dante-Maggio
23 total credits
Credits include: Variety Lights, I Clowns, My Dear Killer, Capriccio all'italiana and Under the Olive Tree
,
Tino Scotti
Tino-Scotti
10 total credits
Credits include: Strategia del ragno, I Clowns, Todo modo, La famiglia Passaguai and Gastone
,
Riccardo Billi
Riccardo-Billi
18 total credits
Credits include: I Clowns, The Marquis of Grillo, Onorevoli, Gli, Primo amore and Arrivano i dollari!
,
Fanfulla
Fanfulla
10 total credits
Credits include: Fellini Satyricon, I Clowns, Risate di gioia, Ninì Tirabusciò la donna che inventò la mossa and Toto and Marcellino
,
Galliano Sbarra
Galliano-Sbarra
5 total credits
Credits include: Roma, I Clowns, A Policewoman in New York, Frau Wirtins tolle Töchterlein and L'insegnante al mare con tutta la classe
,
Alvaro Vitali
Alvaro-Vitali
49 total credits
Credits include: I Clowns, Block-notes di un regista, La liceale, Romanzo popolare and L'insegnante
,
Carlo Rizzo
Carlo-Rizzo
6 total credits
Credits include: I Clowns, When in Rome, Imputato, alzatevi!, Quel fantasma di mio marito and Il pirata sono io!

Genres:

Comedy, Documentary

AKA:

The Clowns

Countries:

France, Italy, West Germany

Languages:

French, Italian, German
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