Abigail's Party
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Episode 3

Abigail's Party

Abigail's Party

1977
Drama
TV Episode
1h 42m
A TV play based on the Hampstead Theatre production. Beverly has invited her new neighbours, Angela and Tony, over for drinks. She has also asked her divorced neighbour, Sue, because Sue's fifteen year-old daughter, Abigail, was holding a party in their house. Beverly's husband, Lawrence comes home late from work, just before the guests arrive. The gathering starts off in a stiff insensitive British middle class way with people who do not know each other, until Beverly and Lawrence start sniping (Will Gilbert, imdb)

Directed by:

Mike Leigh
Mike-Leigh
47 total credits
Often compared to Ken Loach, Mike Leigh also makes social realism-orientated films that focus on the banal conflicts of the everyday life of regular people. Most of his films are set amidst the blighted urban decay of the inner city, or amid the soulessness of suburbia. He begins projects without a script; instead, he sets out a basic premise, and lets the ideas develop through improvisation by the actors. (Wikipedia)

Writer:

Mike Leigh
Mike-Leigh
47 total credits
Often compared to Ken Loach, Mike Leigh also makes social realism-orientated films that focus on the banal conflicts of the everyday life of regular people. Most of his films are set amidst the blighted urban decay of the inner city, or amid the soulessness of suburbia. He begins projects without a script; instead, he sets out a basic premise, and lets the ideas develop through improvisation by the actors. (Wikipedia)

Starring:

Alison Steadman
Alison-Steadman
44 total credits
Alison Steadman has 44 credits at Criticker, including: Pride and Prejudice, Life Is Sweet, Topsy-Turvy, Clockwise and The Singing Detective
,
Janine Duvitski
Janine-Duvitski
12 total credits
Janine Duvitski has 12 credits at Criticker, including: Dracula, Abigail's Party, Grown-Ups, One Foot in the Grave and Benidorm
,
John Salthouse
John-Salthouse
3 total credits
John Salthouse has 3 credits at Criticker, including: Abigail's Party, Those Glory Glory Days and The Turnaround
,
Tim Stern
Tim-Stern
2 total credits
Tim Stern has 2 credits at Criticker, including: Abigail's Party and Old Chums
,
Harriet Reynolds
Harriet-Reynolds
1 total credit
Harriet Reynolds has just 1 credit at Criticker: Abigail's Party

Genre:

Drama

Country:

UK

Language:

English

Abigail's Party

1977
Drama
TV Episode
1h 42m
Avg Percentile 71.15% from 141 total ratings

Ratings & Reviews

(141)
Compact view
Compact view
Rated 03 Sep 2022
5
73rd
whoever submitted this was stuck on the fence between comedy and horror for hours until they finally wimped out and chose drama. as someone with working-class-and-proud-of-it types on one side of the family and pseudo-middle class snobs on the other, i'm leaning toward horror. man, the use of diegetic music here is pretty much peerless, and the performances are so perfectly annoying with just enough underlying humanity, and the ending is so harrowing and grotesque it avoids feeling pat.
Rated 06 Sep 2013
91
95th
Steadman's character goes from somewhat unlikeable to deliciously hateable in record time, the rest of the cast is only a step behind, and that's what makes this so incredibly great. Lots of interesting social commentary underlying the conversations, but it's the biting text and tone that shines brightest. Not as great as its most obvious comparable, Who's Afraid of Virginia Woolf, but it comes very close and the British slant gives it a unique perspective.
Rated 22 Jan 2025
91
94th
Pulls off something genuinely incredible with how it presents most of these characters as pathetic in their attempts to put on airs and present themselves as belonging to a higher class than they actually do yet is never mocking them, instead, without any overt political commentary, making it clear the society that led to this want to begin with is the problem, and finding the humanity at the core of this group. Steadman is amazing as an absolutely insufferable jackass. Reputation very deserved.
Rated 01 Jul 2014
55
22nd
I have no idea why this is one of Leigh's more iconic films. It looks and feels lazily put together (it is very much a tv production and never manages to escape that), descends in to silliness at the end and though the petty bickering is quite amusing at times for the most part I'm left wishing the film would have a bit more compassion. It has some laughs in it, is solidly acted and is perfectly watchable, but...
Rated 02 Jan 2014
88
89th
If all you really want out of a film is pure, concentrated, masochistic awkwardness, then this film would be a 100 for you. It's so damn cringe-worthy, it's horrifying to look at. Pretty great film, but I don't know when I'll be able to bring myself to see it again.
Rated 28 Aug 2012
24
78th
A lot of alcohol and a lot of frustration with your current station, just a movie that gets more and more awkward and uncomfortable as it goes on. The dialogue is key to defining these critically flawed yet sympathetic people as its repetitions and omissions (no one can ever say "No") reveal each character's deficiencies. And when people touch each other, even in a tender embrace, there's always a linger of pain behind it. Abigail, this is what you have to look forward to.
Rated 30 Nov 2010
83
86th
Ack this film dude had to transgress and get led (lead?) astray into tvLand again. (well, bbcland) The only misgiving I had with this is the ending. Besides that, I dig the ridiculously petty bickering, the mesmerizing ugliness of '70's decor, fashion, and social trends, and, above all - the ICONIC image of wimpy Lawrence dancing with gigantic, self-conscious Susan, on par with Ford's Monument Valley shots or Antonioni's "Passenger" shot. Alison Steadman ROCKS in this, as she does in EVERYTHING.
Rated 04 Oct 2010
30
12th
Maybe it's because it's largely improvised by the cast but Abigail's Party doesn't quite head down the road you're expecting it to, failing to deliver on its early promises and eventually becoming really rather silly. I've no doubt it was seminal in its day, but the whole uncomfortable-situation black humour approach has been done many times and much better since.

Cast & Info

Directed by:

Mike Leigh
Mike-Leigh
47 total credits
Often compared to Ken Loach, Mike Leigh also makes social realism-orientated films that focus on the banal conflicts of the everyday life of regular people. Most of his films are set amidst the blighted urban decay of the inner city, or amid the soulessness of suburbia. He begins projects without a script; instead, he sets out a basic premise, and lets the ideas develop through improvisation by the actors. (Wikipedia)

Writer:

Mike Leigh
Mike-Leigh
47 total credits
Often compared to Ken Loach, Mike Leigh also makes social realism-orientated films that focus on the banal conflicts of the everyday life of regular people. Most of his films are set amidst the blighted urban decay of the inner city, or amid the soulessness of suburbia. He begins projects without a script; instead, he sets out a basic premise, and lets the ideas develop through improvisation by the actors. (Wikipedia)

Starring:

Alison Steadman
Alison-Steadman
44 total credits
Alison Steadman has 44 credits at Criticker, including: Pride and Prejudice, Life Is Sweet, Topsy-Turvy, Clockwise and The Singing Detective
,
Janine Duvitski
Janine-Duvitski
12 total credits
Janine Duvitski has 12 credits at Criticker, including: Dracula, Abigail's Party, Grown-Ups, One Foot in the Grave and Benidorm
,
John Salthouse
John-Salthouse
3 total credits
John Salthouse has 3 credits at Criticker, including: Abigail's Party, Those Glory Glory Days and The Turnaround
,
Tim Stern
Tim-Stern
2 total credits
Tim Stern has 2 credits at Criticker, including: Abigail's Party and Old Chums
,
Harriet Reynolds
Harriet-Reynolds
1 total credit
Harriet Reynolds has just 1 credit at Criticker: Abigail's Party

Genre:

Drama

Country:

UK

Language:

English
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