GLOW

The first season was great and fresh and entertaining, the second one was fun and wild and dramatic, but the third one was uh... horny season? Dragged the show down so hard that it got cancelled. The whole point of talking about women's wresting in the 2010s is to show that GLOW were ahead of their time by not being just horny stuff for horny dudes. But then the show got so absurdly horny like daym everything was about sex where's the wrestling and acting and drama at?

Really entertaining. I'm surely in the minority on this, but I think this is Maron's career highlight, as well. He's just so perfect in the role. I'm definitely worried that it will follow in the steps of Jenji Kohan's other shows and immediately decline after its initial great season.

By no means a top tier show, it is however pretty funny. Top two highlights, Marc Maron and Annie's boobs.

Think I liked the first season of this but can't for the life of me recall what happened to this show lol

Slow

S1 - 70 / S2 - 80 / S3 - 75 vale um final

I hated wrestling, but then I watched this and absolutely fell in love with GLOW's brand of campy 80s aesthetic and over-the-top soap opera storytelling. And while it's not that the cast of wrestlers aren't compelling, the show dips in quality once the show focuses more on their personal lives outside the ring, (because let's face it, your life will never be as exciting as pro wrestling.) The show was clearly set up for a fourth & final season, and it's a shame that Netflix cancelled it early.

This show has a unique setting, and the characters are interesting. I have to admit I'm a big fan of ALison Brie since Community, and she doesn't disappoint here, but the rest of the cast also does an equally great job.

Worries in the first couple with 'ironic' sexist and the worst kind of 'some boobs so guys will watch it' shite but that disappeared and left plenty of goofy fun.

Partivo prevenuta visto il mio totale disinteresse per il wrestling, ma quest'ultimo è solo il pretesto per mettere in scena una brillante commedia al femminile, che racconta con ironia e leggerezza gli anni '80. Si mantiene su ottimi standard fino alla fine (a parte la mia idiosincrasia per le smorfie di Betty Gilpin), purtroppo però la cancellazione a causa del Covid lascia tutto in sospeso e non posso non tenerne conto.