On Twitter as a system, not of meaningful communication, but instead of the exchange of digital pheromones, whose non-pollinating toxicity produces an autophagous digital anthill, in which thought is reduced to reaction and affect is reduced to the drives. Seems fair, but here the focus is on the ants (that is, users), who are really the victims of this system, rather than on the anthill (that is, the system itself). See Bernard Stiegler, Automatic Society, Volume 1, "Conclusion".

This felt like watching a Christopher Nolan movie, especially The Dark Knight. It just keeps burning until the reveal of what's happening which it explodes. Also, Kelly MacDonald is dope af.

Holy shit! What a script. That scared the shit out of me. Everything is so close.

Seen: 2. Too slow through the first half, but the energy and excitement get ratcheted up, resulting in a stellar addition to Black Mirror.

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Not great but at least interesting even if it's also kind of dumb. This could've easily been 30 minutes shorter.

A real hero. A real human bee.

Kelly Macdonald was worth to see.

Not my favorite entry but well made, well acted and fitting for the series.

I won't look at bees and wasps in the same way again. Chilling stuff, but shame about the tacked-on ending

The story was good, but there wasn't a lot of panache to it.

Excellent.

A tight cop drama with a few good twist and turns. Acting is around the best in the series. 90 minute episodes really help the series build the world more. The trade-off is that the episodes are way slower paced. This might put off some. Also the focus of the episode after the first death is, different, to say the least and might instantly make some people doubt the seriousness of the episode. It doesn't hurt the episode. Just might make this one hit or miss.

Now everyone is allergic to bee stings!

You know you have a good screenplay when the characters ask the questions you know they are capable of asking and make comments you know they aren't beneath making (the Chancellor), without aggravatingly brushing over the topic to allow for the plot to continue down an inconsistent tangent. It takes a true cynic to avoid these errors & Brooker is that type. I honestly would have preferred the film to have finished five minutes earlier, leaving the true antagonists taken care of by that point.

Decent, but somewhat dull. Where's Nic Cage when you need him?