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The Beatles: Get Back
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The Beatles: Get Back

The Beatles: Get Back

The Beatles: Get Back

2021
Documentary, Music
TV Mini-Series
Documentary about the music group The Beatles featuring in-studio footage that was shot in early 1969 for the 1970 feature film 'Let It Be' (imdb.com).

Directed by:

Peter Jackson
Peter-Jackson
46 total credits
Sir Peter Robert Jackson, KNZM is a New Zealand film director, producer, actor, and screenwriter, known for his Lord of the Rings film trilogy, adapted from the novel by J. R. R. Tolkien. He is also known for his 2005 remake of King Kong and as the producer of District 9. He won international attention early in his career with his "splatstick" horror comedies such as Bad Taste and Braindead, before coming to mainstream prominence with Heavenly Creatures...(Wikipedia)

Starring:

Paul McCartney
Paul-McCartney
59 total credits
Paul McCartney has 59 credits at Criticker, including: A Hard Day's Night, Yellow Submarine, Help!, George Harrison: Living in the Material World and Sound City
,
Ringo Starr
Ringo-Starr
47 total credits
Ringo Starr has 47 credits at Criticker, including: A Hard Day's Night, Yellow Submarine, The Last Waltz, Help! and George Harrison: Living in the Material World
,
Peter Sellers
Peter-Sellers
79 total credits
Richard Henry Sellers, OBE (8 September 1925 - 24 July 1980), known as Peter Sellers, was a British comedian and actor best known as Chief Inspector Clouseau in The Pink Panther film series, for playing three different characters in Dr. Strangelove, as Clare Quilty in Lolita, and as the man-child and TV-addicted Chance the gardener in his penultimate film, Being There. Leading actress Bette Davis once remarked of him, "He isn't an actor -- he's a chameleon." ... (Wikipedia)
,
John Lennon
John-Lennon
52 total credits
John Lennon has 52 credits at Criticker, including: A Hard Day's Night, Yellow Submarine, Help!, George Harrison: Living in the Material World and The Beatles Anthology
,
George Harrison
George-Harrison
36 total credits
George Harrison has 36 credits at Criticker, including: Life of Brian, A Hard Day's Night, Yellow Submarine, Help! and George Harrison: Living in the Material World
,
Yoko Ono
Yoko-Ono
32 total credits
Yoko Ono has 32 credits at Criticker, including: George Harrison: Living in the Material World, The Beatles: Get Back, The U.S. vs. John Lennon, Imagine: John Lennon and Diaries, Notes and Sketches
,
Mal Evans
Mal-Evans
3 total credits
Mal Evans has 3 credits at Criticker, including: The Beatles: Get Back, Let It Be and The Beatles at Shea Stadium
,
Michael Lindsay-Hogg
Michael-Lindsay-Hogg
19 total credits
Michael Lindsay-Hogg has 19 credits at Criticker, including: The Beatles: Get Back, Let It Be, Waiting for Godot and Brideshead Revisited
,
Linda McCartney
Linda-McCartney
7 total credits
Linda McCartney has 7 credits at Criticker, including: The Beatles: Get Back, Give My Regards to Broad Street, Rockshow, The Cooler and Rupert and the Frog Song
,
Billy Preston
Billy-Preston
5 total credits
Billy Preston has 5 credits at Criticker, including: The Beatles: Get Back, Let It Be, St. Louis Blues, The Rolling Stones: From the Vault - L.A. Forum (Live In 1975) and Saturday Night Live: George Carlin #1
,
Denis O'Dell
Denis-ODell
2 total credits
Denis O'Dell has 2 credits at Criticker, including: The Beatles: Get Back and Tread Softly Stranger

Genres:

Documentary, Music

Country:

UK

The Beatles: Get Back

2021
Documentary, Music
TV Mini-Series
Avg Percentile 77.86% from 229 total ratings

Ratings & Reviews

(228)
Compact view
Compact view
Rated 30 Nov 2021
90
92nd
Holy fuck Yoko Ono lol Just always lurking Watching all 8ish hours sitting there in silence ... "Chapman should've brought another gun."
Rated 11 Dec 2021
100
98th
A perfect eight hours but I never want to hear "Get Back" again. Ringo is now our sleepy, laidback King. Eight hours and I didn't see Yoko Ono express one emotion.
Rated 08 Dec 2021
92
92nd
Jackson went from 3-film fantasy epics to 3-episode documentary epics - this is the Die Nibelungen on collaborative creativity. I loved how this experience starts with these godlike mammoths of musical form and reduces them to the moment where Ringo blows a fart and lets everyone know. Every stealed moment feels like a privilege, humanizing the music even more and frankly elevating the art achieved - the end result is no longer just a social watershed but a deeply personal one.
Rated 28 Mar 2022
88
96th
Of course the creative dynamics in the band are the main focus, but it's impossible to ignore the sartorial struggle going on in the background between flamenco warlock George Harrison and proto-glam pioneer Glyn Johns, with a slack-jawed Ringo serving as the dark horse candidate for the throne.
Rated 26 Dec 2021
82
91st
Any sane person could be forgiven for assuming the world didn't need another Beatles documentary, but it turns that this is the one we needed. An outstanding achievement exceeding all expectations. Jackson apparently spent 4 years putting this together and it shows. It seems every single shot and audio clip either forces a re-evaluation of preexisting Beatles lore or foreshadows a future reveal.
Rated 20 Dec 2021
91
95th
Paul McCartney's reaction when he sees the police is more than Yoko Ono shows throughout.
Rated 23 Dec 2023
84
63rd
Very interesting documentary that is must-see for Beatles fans. That said, it's also a typical Peter Jackson film in that it's just too long; dude never has and apparently never will know how to edit down a film. John's self-indulgent prattle and reading of the British press lies about them, Yoko's wailing, and Paul's 20 attempts to get "Get Back" just right get old after a while. It sure does shine when Billy Preston shows up though.
Rated 26 Jul 2023
60
26th
first part best cuz set up, yoko/george/flower pot truth. 2 is nice cuz they get into a better groove but gets less and less interesting, more and more listening. 3 is just the roof and the stupid cops lol
Rated 30 Apr 2023
88
91st
You get a really incredible insight into the creative process of the most influential band of all time. You can see all the cracks emerging in their relationship, but at the same time there's still so much play and love between them. However, this did not need to be 9 hours long, with 427 versions of Don't Let Me Down with Lennon pissing about and Yoko staring blankly at the side of his greasy head. Having so much footage does not mean you need to show all of it for christ sake.
Rated 06 May 2022
75
75th
while it is a fantastic insight it is also hopelessly overlong. why would we need nearly 9 hours of this?
Rated 07 Feb 2022
90
96th
This is the fly on the wall providing genuine insight into the creative lives and creative times of The Bottles. Hypnotising, if you're into it.
Rated 30 Dec 2021
75
50th
If you aren't a huge fan of the Beatles, I would recommend watching key moments from the film on youtube and skipping the full documentary. Jackson should've made this version 2 - 3 hours shorter and released an ultra long director's cut for the superfans. However, for an honest look at the creative process that most musicians follow, this documentary is indispensable.
Rated 30 Dec 2021
82
91st
More a document than a documentary, in that it really feels like you're just part of the entourage sitting in the studio for 22 days. That means there are times where it drags, but it's also the most unvarnished look at really any subject I've seen on film. Both the back and forth between the bandmates and really watching the songwriting process unfold is just incredible to see. The rooftop concert is edited to be a bit more cinematic and is also a lot of fun.
Rated 29 Dec 2021
85
94th
22 days of fly-on-the-wall access and the legendary band's willingness to put their guards down in this footage make Peter Jackson's intimate music doc the ultimate portrait of The Beatles. Illuminating and awesome!
Rated 19 Dec 2021
83
96th
Pure. A window into the creative process of the greatest band of all time.
Rated 04 Dec 2021
80
80th
The first half or so of this 8 hrs plus fly on a wall documentary is absolutely fascinating as the Beatles discuss the difficulties of continuing to work together, fall out, and all the while continuing to write and shape some songs that will eventually be deemed classics. It's less essential once they move studios as things run a lot smoother dramatically from that point onwards but it's still riveting for anyone with an interest in the creative side of pop song writing.
Rated 01 Dec 2021
95
98th
You're there and it's ALL fucking there.
Rated 02 Jan 2025
100
97th
I have made it through all three parts of The Beatles: Get Back I would need to talk to you directly to fully express the wonder of the film. What I can say is that I think it's one of the greatest films ever made. Essentially untouchable in terms of its conception and execution. On level after level after level it is fascinating. It's both deeply personal if The Beatles have played any significant part in your life but it also feels like you're looking at one of the most important cultural ar
Rated 08 Jun 2024
88
81st
Watched in hour-long chunks which helps it play better – an almost pedantic deep dive into the Beatles’ creative processes and team dynamics, though you don’t walk away with a universal understanding; this is rigidly and obsessively about this particular time and place for the group, and often feels like what it is – rambling off-cuts with moments of brilliance interspersed. Regardless, if you have any affection for the Fab Four, you can’t watch most of it without a goofy smile on your face!
Rated 28 Mar 2023
50
55th
It's great to see some songs being formed but most of the time we're swinging between the band's wacky shtick and their dull business meetings. Ringo and Glyn are my competent heroes but everyone else is rather irritating. And it doesn't really go anywhere which is probably why they didn't bother making anything of it at the time!
Rated 08 Dec 2022
92
85th
Plenty to admire here, from its ability to enchant despite it mostly being just backstage pissing about to its historical importance. The latter is what really sets it apart. The careful restoration work makes this feel like a museum piece—not in a delicate sense but in a loftier one, where we can stare history in the eye and bask in fascinated connection.
Rated 04 Nov 2022
73
58th
The documentary itself? Fantastic, although a little overlong. However, I want to point out that Peter Jackson absolutely ruined the look of the film by applying absolute horrendous levels of digital noise reduction and sharpening to the film. It looks absolutely awful visually. It's a shame, because the content of the documentary deserves so much better than that garbage image processing. He did the same crap with the LOTR 4K releases. Someone take him away from those filters!
Rated 29 Jul 2022
90
96th
It’s likely that my rating is more a reflection of my admiration for The Beatles than an evaluation of the film itself. In any case, it’s an invaluable document of genuine genius and charismatic authority in action, which ought to be seen by as many people as possible but which I can’t help but feel has only one true audience: Ringo and Paul. It makes for surreal viewing; at times it’s as if you’re watching doppelgängers of the Fab Four. For full impact, it must be watched with subtitles.
Rated 23 May 2022
80
78th
You have to be a hardcore Beatles nut to get through all (almost) 8 hours here. Luckily, I am a Beatles nut. What's here is amazing. Long, rambling, and amazing.
Rated 20 Jan 2022
96
97th
What a fantastic docu-series, I'm really into anything that covers the process of music making at length and this one covers that component excellently. Getting insight to one of my favorite bands too and see how they interacted with each other in the studio and everything is a real treat. It's not without it's merits in other departments either, you get a glimpse into the inner workings of the band as people too. Pretty essential in my book in the realm of music documentaries.
Rated 28 Dec 2021
72
81st
Fascinating, but frustrating with the song snippets and not full songs - and the rooftop concert is intercut with interviews from the street while performing.
Rated 17 Dec 2021
80
97th
Watching the Beatles create their music was a fantastic treat. This documentary is long and takes some commitment in time, but it's well worth watching.
Rated 15 Dec 2021
87
84th
Literally feels like hanging out with The Beatles it’s so cool. Michael Lindsay-Hogg can eat a dick though
Rated 30 Nov 2021
60
69th
My main takeaway is I was kind of shocked how much goofing around there is during recording sessions. If they were just rehearsing this would be interminable, but knowing that this is them actually forming and shaping songs the world knows by heart a half century later, it's pretty neat.

Cast & Info

Directed by:

Peter Jackson
Peter-Jackson
46 total credits
Sir Peter Robert Jackson, KNZM is a New Zealand film director, producer, actor, and screenwriter, known for his Lord of the Rings film trilogy, adapted from the novel by J. R. R. Tolkien. He is also known for his 2005 remake of King Kong and as the producer of District 9. He won international attention early in his career with his "splatstick" horror comedies such as Bad Taste and Braindead, before coming to mainstream prominence with Heavenly Creatures...(Wikipedia)

Starring:

Paul McCartney
Paul-McCartney
59 total credits
Paul McCartney has 59 credits at Criticker, including: A Hard Day's Night, Yellow Submarine, Help!, George Harrison: Living in the Material World and Sound City
,
Ringo Starr
Ringo-Starr
47 total credits
Ringo Starr has 47 credits at Criticker, including: A Hard Day's Night, Yellow Submarine, The Last Waltz, Help! and George Harrison: Living in the Material World
,
Peter Sellers
Peter-Sellers
79 total credits
Richard Henry Sellers, OBE (8 September 1925 - 24 July 1980), known as Peter Sellers, was a British comedian and actor best known as Chief Inspector Clouseau in The Pink Panther film series, for playing three different characters in Dr. Strangelove, as Clare Quilty in Lolita, and as the man-child and TV-addicted Chance the gardener in his penultimate film, Being There. Leading actress Bette Davis once remarked of him, "He isn't an actor -- he's a chameleon." ... (Wikipedia)
,
John Lennon
John-Lennon
52 total credits
John Lennon has 52 credits at Criticker, including: A Hard Day's Night, Yellow Submarine, Help!, George Harrison: Living in the Material World and The Beatles Anthology
,
George Harrison
George-Harrison
36 total credits
George Harrison has 36 credits at Criticker, including: Life of Brian, A Hard Day's Night, Yellow Submarine, Help! and George Harrison: Living in the Material World
,
Yoko Ono
Yoko-Ono
32 total credits
Yoko Ono has 32 credits at Criticker, including: George Harrison: Living in the Material World, The Beatles: Get Back, The U.S. vs. John Lennon, Imagine: John Lennon and Diaries, Notes and Sketches
,
Mal Evans
Mal-Evans
3 total credits
Mal Evans has 3 credits at Criticker, including: The Beatles: Get Back, Let It Be and The Beatles at Shea Stadium
,
Michael Lindsay-Hogg
Michael-Lindsay-Hogg
19 total credits
Michael Lindsay-Hogg has 19 credits at Criticker, including: The Beatles: Get Back, Let It Be, Waiting for Godot and Brideshead Revisited
,
Linda McCartney
Linda-McCartney
7 total credits
Linda McCartney has 7 credits at Criticker, including: The Beatles: Get Back, Give My Regards to Broad Street, Rockshow, The Cooler and Rupert and the Frog Song
,
Billy Preston
Billy-Preston
5 total credits
Billy Preston has 5 credits at Criticker, including: The Beatles: Get Back, Let It Be, St. Louis Blues, The Rolling Stones: From the Vault - L.A. Forum (Live In 1975) and Saturday Night Live: George Carlin #1
,
Denis O'Dell
Denis-ODell
2 total credits
Denis O'Dell has 2 credits at Criticker, including: The Beatles: Get Back and Tread Softly Stranger

Genres:

Documentary, Music

Country:

UK
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