A Personal Journey with Martin Scorsese Through American Movies
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Episode 6

A Personal Journey with Martin Scorsese Through American Movies

A Personal Journey with Martin Scorsese Through American Movies

1995
Documentary
TV Episode
3h 45m
Despite its nearly four-hour running time, this is a uniquely personal look at movies from one of the late 20th century's great directors and film historians... (imdb)

Directed by:

Martin Scorsese
Martin-Scorsese
172 total credits
After serious deliberations about entering the priesthood - he entered a seminary in 1956 - Martin Scorsese opted to channel his passions into film. He graduated from NYU as a film major in 1964. Catching the eye of producer Roger Corman with his 1960s student films (including co-editing Woodstock (1970)), Scorsese directed the gritty exploiter Boxcar Bertha (1972). Mean Streets (1973) followed in 1973 and provided the benchmarks for the Scorsese style
,
Michael Henry Wilson
Michael-Henry-Wilson
4 total credits
Michael Henry Wilson has 4 credits at Criticker, including: A Personal Journey with Martin Scorsese Through American Movies and Clint Eastwood, le franc-tireur

Writers:

Martin Scorsese
Martin-Scorsese
172 total credits
After serious deliberations about entering the priesthood - he entered a seminary in 1956 - Martin Scorsese opted to channel his passions into film. He graduated from NYU as a film major in 1964. Catching the eye of producer Roger Corman with his 1960s student films (including co-editing Woodstock (1970)), Scorsese directed the gritty exploiter Boxcar Bertha (1972). Mean Streets (1973) followed in 1973 and provided the benchmarks for the Scorsese style
,
Michael Henry Wilson
Michael-Henry-Wilson
4 total credits
Michael Henry Wilson has 4 credits at Criticker, including: A Personal Journey with Martin Scorsese Through American Movies and Clint Eastwood, le franc-tireur

Starring:

Clint Eastwood
Clint-Eastwood
135 total credits
Clinton Eastwood, Jr. is an American film director, film actor, producer, and composer. He has won the Academy Award five times - twice each as Best Director and as producer of the Best Picture and the Irving G. Thalberg Memorial Award in 1995.
,
Martin Scorsese
Martin-Scorsese
172 total credits
After serious deliberations about entering the priesthood - he entered a seminary in 1956 - Martin Scorsese opted to channel his passions into film. He graduated from NYU as a film major in 1964. Catching the eye of producer Roger Corman with his 1960s student films (including co-editing Woodstock (1970)), Scorsese directed the gritty exploiter Boxcar Bertha (1972). Mean Streets (1973) followed in 1973 and provided the benchmarks for the Scorsese style
,
Francis Ford Coppola
Francis-Ford-Coppola
77 total credits
A director, composer and writer who is, luckily enough, more well known for his massive box office successes rather than his numerous failures. His landmark films, including The Godfather Trilogy, Patton and Apocalypse Now, have won Mr. Coppola a mountain of money, as well as 5 Oscars.
,
John Cassavetes
John-Cassavetes
64 total credits
John Nicholas Cassavetes was an American actor, screenwriter and filmmaker. He appeared in many Hollywood films. He is most notable as a pioneer of American independent film. His films are noted for their use of improvisation and a realistic cinéma vérité style... (Wikipedia)
,
Kathryn Bigelow
Kathryn-Bigelow
19 total credits
A very talented painter, Kathryn spent two years at the San Francisco Art Institute. At 20, she won a scholarship to the Whitney Museum's Independent Study Program. She was given a studio in a former Offtrack Betting building, literally in an old bank vault, where she made art and waited to be critiqued by people like Richard Serra, Robert Rauschenberg and Susan Sontag. Later she earned a scholarship to study film at Columbia University School of Arts, graduating in 1979. She was also a member o
,
Frank Capra
Frank-Capra
81 total credits
Born in Sicily, Capra was a director, producer and writer who worked his way from Los Angeles's Italian ghetto to become the creative force behind some of the major award-winning films of the 1930s and 1940s. His rags-to-riches story has led film historians such as Ian Freer to consider him the "American dream personified". (Wikipedia)
,
Philippe Collin
Philippe-Collin
2 total credits
Philippe Collin has 2 credits at Criticker, including: A Personal Journey with Martin Scorsese Through American Movies and Les derniers jours d'Emmanuel Kant

Genre:

Documentary

Countries:

UK, USA

Language:

English

A Personal Journey with Martin Scorsese Through American Movies

1995
Documentary
TV Episode
3h 45m
Avg Percentile 78.39% from 359 total ratings

Ratings & Reviews

Compact view
Compact view
Avg Percentile 78.39% from 359 total ratings
Rated 05 Dec 2008
9
90th
You can tell Scrosese is very fond of this medium, very passionate about it; I sat there moved and blown away by the fact I hadn't seen most of these classic films. It's funny how one of the greatest living directors (and one of my favorite) almost became a priest; Think of all of the great films you would've missed out on. Great documentary for every filmlover out there, highly recommended!
Rated 07 Dec 2014
85
87th
Hearing Scorsese talk about cinema is like music to the ears. A wonderful video essay on the world we all love, bolstering some unique visions and a way to categorize certain filmmakers and tendences in film history. Not all parts are equally interesting, but it is more than enough to yet again spark my fondness of the medium. Much to see, I still have.
Rated 08 Feb 2012
92
89th
Amazing documentary! Lots of interesting and important facts for real filmlovers. I guess, I haven't seen 95% of the movies mentioned, but I have updated my wishlist and expect a great fun ahead.
Rated 24 Jul 2011
86
87th
I was in danger of getting a neck cramp from all the nodding in agreement with Scorsese's observations and especially his choice of films. His selection avoids the obvious and leans towards the more obscure. His passion is clear, his knowledge is thorough, and his comments are insightful. The documentary flows nicely, although occasionally he dwells on a certain clip or movie for too long. I can't say I learned a lot from this movie, but it should be a fantastic intro for blossoming film buffs.
Rated 22 Aug 2010
87
94th
An insightful and enjoyable look at influential films, for Scorsese himself and the medium as a whole. Even though it's several hours long, it still seemed too short. Scorsese's soothing narration enhances the experience wonderfully. Any fan of film watching this will most likely end up with a list of new movies to watch.
Rated 30 Dec 2009
95
98th
Only knock that I can come up with is that it makes me sad wondering how much detail I have completely overlooked in the countless movies I've seen before it. Marty reduces the art of film analysis to something completely within the grasp of a Joe Everyviewer like me without ever diluting its emotional impact or power. I intend to watch this again and again.
Rated 12 Jan 2020
80
71st
A pretty fantastic lesson. Scorsese's closing remarks on cinema will stick with me, as will his ability to pluck moments from films of a bygone era that will resonate until the end of time. A uniquely cathartic, humanizing watch.
Rated 20 Oct 2011
8
82nd
Scorsese is such a gifted speaker and so knowledgeable about film that even movies that he was talking about that I had seen and didn't like I was finding myself nodding in agreement at what he said. Wouldn't have minded more director interviews throughout but as a love letter to film you aren't gonna find much better.
Rated 18 Aug 2010
65
33rd
Scorsese is a great narrator and I could continue listening to him for hours. I really liked the topics he chose and his selection of films.
Rated 22 Jul 2010
6
95th
More so than Voyage, succeeds in exactly what its mission is. Will not only add a number of movies / names to your need-to-watch list and give you an understanding into the early development and influence of this great man, but also offer excellent insight for the material and make you reconsider titles you previously thought of as less than. While there are directors I value above Scorsese [not that many, don't hyperventilate], I don't think any could have pulled this off so well.
Rated 10 Mar 2010
100
99th
Probably the most intelligent and insightful review of American film history that i've seen. Scorsese is not just a talented auteur but a learned student and scholar of film. This is an absolute must see for film buffs, Scorsese fans, and filmmakers and it also serves as an inspiration.
Rated 24 Oct 2009
75
81st
Scorsese has one of the warmest speaking voices I've ever heard. He could be talking about the nuances of ass-wiping and I'd still sit patiently listening to him.
Rated 08 Dec 2008
97
97th
Everything I learned in film school, and more, is packed into this miniseries. And I get to look at Scorsese's mug for hours! I cannot recommend this more highly.
Rated 03 Dec 2007
100
95th
Scorsese, The World's Biggest Movie Fan, dresses up in a nice suit and talks to us for four hours about Topic A. Of course you probably have to be a movie nerd yourself to find this appetizing, but for the record I think it's hell on jets
Rated 26 Apr 2020
82
84th
Very calm and serene. Illustrates how the American Cinema was actually much more visionary in the first half of the 20th century than today.
Rated 29 Mar 2018
4
72nd
Very enlightening.
Rated 16 Sep 2017
80
86th
Scorsese draws the essence out of movies whose impact turns out to be greater than what their lack in our memories suggests. He does so by placing them in a perspective that had perhaps gone unconsidered, and does so by putting each individual movie into a larger context built, in interdependent fashion, with other movies.
Rated 16 Jul 2016
82
92nd
Movie geek's must watch documentary with Marty as guide is both immersive and rich in details.
Rated 22 May 2013
70
44th
Starting with tales of his four year old self in the cinema enchanted by Duel in the Sun Scorsese presents a personal account of cinema passionately and articulately waylaying many classics (mercifully The Wizard of Oz doesn't get a mention) instead for films that impacted him personally. It is a interesting look at American cinema, filled with information, film clips (my To Watch list was already long enough before I watched this...) and perhaps a few too many spoilers for my taste.
Rated 24 May 2012
75
77th
Very watchable. Scorsese crams in a lot of sweet clips, but also skips huge essential chunks of American film history entirely (which he readily admits at the end). But obviously you can't cover it all, then the running time would be at least four hours. Wait a minute...
Rated 10 Apr 2012
8
79th
This is passion.
Rated 13 Dec 2011
90
98th
Scorsese's love for film comes across, making this one of the better documentaries of its kind. If nothing else, my list of films to see grew considerably after watching this.
Rated 07 Jul 2011
80
81st
Great documentary. Scorsese made me realise how little I know about old american cinema.
Rated 24 Feb 2011
92
97th
Even though it's quite long it never feels it as Scorsese's enthusiasm for film is infectious. There's a lot of great anecdotes and interesting clips and interviews. If you don't like spoilers you should see the films he references before watching though, it also helps give what he says context. As a bonus they're great films.
Rated 02 Feb 2011
100
97th
If you love movies watch this fucking movie, okay?
Rated 19 Oct 2010
80
68th
I want Scorsese to narrate my everyday life. He's got a great voice. I wish he'd journeyed beyond 1967. He explained why he didn't, but I didn't care, I still wanted to see it. Some of my favourite movies are from the 60s and 70s, and I wish he had been able to talk about them. But that's not the movie he made, and I can't fault him for that.
Rated 07 May 2010
75
34th
Scorsese fluidly crams a great deal of fundamental American film history in a relatively short period of time, and in a captivating way, thanks to his own personal touch.
Rated 24 Nov 2009
90
85th
Scorsese é um gênio, e nesse documentário ele nos conduz através dos filmes americanos que mais o influenciaram. Precisa de mais?
Rated 24 Feb 2009
88
88th
This documentary flows wonderfully with Scorsese doing a great job with his explanations and his passion really flows through the screen. He shows a lot of mostly forgotten films as his examples which I think works because you haven't seen these scenes before and pay more attention. He goes over the classics as well, but a lot is done with these lesser known movies. Very insightful watch.
Rated 14 Dec 2008
86
87th
thanks mr scorsese for making my wishlist even longer than it already was
Rated 10 Dec 2007
89
85th
A verdade é que não via isso desde que foi lançado há quase 25 anos, agora tendo visto a grande maioria dos filmes citados e conhecendo todo mundo (lembre-se que da primeira vez que vi era apenas uma adolescente deslumbrada tentando conhecer cinema) , é uma escolha de repertório muito boa e bem pessoal mesmo, mas distante do que eu achava imperdível e sensacional na época, Box Versátil O Cinema por Scorsese.

Cast & Info

Directed by:

Martin Scorsese
Martin-Scorsese
172 total credits
After serious deliberations about entering the priesthood - he entered a seminary in 1956 - Martin Scorsese opted to channel his passions into film. He graduated from NYU as a film major in 1964. Catching the eye of producer Roger Corman with his 1960s student films (including co-editing Woodstock (1970)), Scorsese directed the gritty exploiter Boxcar Bertha (1972). Mean Streets (1973) followed in 1973 and provided the benchmarks for the Scorsese style
,
Michael Henry Wilson
Michael-Henry-Wilson
4 total credits
Michael Henry Wilson has 4 credits at Criticker, including: A Personal Journey with Martin Scorsese Through American Movies and Clint Eastwood, le franc-tireur

Writers:

Martin Scorsese
Martin-Scorsese
172 total credits
After serious deliberations about entering the priesthood - he entered a seminary in 1956 - Martin Scorsese opted to channel his passions into film. He graduated from NYU as a film major in 1964. Catching the eye of producer Roger Corman with his 1960s student films (including co-editing Woodstock (1970)), Scorsese directed the gritty exploiter Boxcar Bertha (1972). Mean Streets (1973) followed in 1973 and provided the benchmarks for the Scorsese style
,
Michael Henry Wilson
Michael-Henry-Wilson
4 total credits
Michael Henry Wilson has 4 credits at Criticker, including: A Personal Journey with Martin Scorsese Through American Movies and Clint Eastwood, le franc-tireur

Starring:

Clint Eastwood
Clint-Eastwood
135 total credits
Clinton Eastwood, Jr. is an American film director, film actor, producer, and composer. He has won the Academy Award five times - twice each as Best Director and as producer of the Best Picture and the Irving G. Thalberg Memorial Award in 1995.
,
Martin Scorsese
Martin-Scorsese
172 total credits
After serious deliberations about entering the priesthood - he entered a seminary in 1956 - Martin Scorsese opted to channel his passions into film. He graduated from NYU as a film major in 1964. Catching the eye of producer Roger Corman with his 1960s student films (including co-editing Woodstock (1970)), Scorsese directed the gritty exploiter Boxcar Bertha (1972). Mean Streets (1973) followed in 1973 and provided the benchmarks for the Scorsese style
,
Francis Ford Coppola
Francis-Ford-Coppola
77 total credits
A director, composer and writer who is, luckily enough, more well known for his massive box office successes rather than his numerous failures. His landmark films, including The Godfather Trilogy, Patton and Apocalypse Now, have won Mr. Coppola a mountain of money, as well as 5 Oscars.
,
John Cassavetes
John-Cassavetes
64 total credits
John Nicholas Cassavetes was an American actor, screenwriter and filmmaker. He appeared in many Hollywood films. He is most notable as a pioneer of American independent film. His films are noted for their use of improvisation and a realistic cinéma vérité style... (Wikipedia)
,
Kathryn Bigelow
Kathryn-Bigelow
19 total credits
A very talented painter, Kathryn spent two years at the San Francisco Art Institute. At 20, she won a scholarship to the Whitney Museum's Independent Study Program. She was given a studio in a former Offtrack Betting building, literally in an old bank vault, where she made art and waited to be critiqued by people like Richard Serra, Robert Rauschenberg and Susan Sontag. Later she earned a scholarship to study film at Columbia University School of Arts, graduating in 1979. She was also a member o
,
Frank Capra
Frank-Capra
81 total credits
Born in Sicily, Capra was a director, producer and writer who worked his way from Los Angeles's Italian ghetto to become the creative force behind some of the major award-winning films of the 1930s and 1940s. His rags-to-riches story has led film historians such as Ian Freer to consider him the "American dream personified". (Wikipedia)
,
Philippe Collin
Philippe-Collin
2 total credits
Philippe Collin has 2 credits at Criticker, including: A Personal Journey with Martin Scorsese Through American Movies and Les derniers jours d'Emmanuel Kant

Genre:

Documentary

Countries:

UK, USA

Language:

English
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