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FLCL
FLCL
2000
Comedy, Sci-fi
TV Mini-Series
2h 31m
In search for a captive pirate, an alien girl riding a Vespa uses a 12-year-old boy's head as a multidimensional channel.
Directed by:
Kazuya TsurumakiWriter:
Yoji EnokidoStarring:
Melissa Fahn, Jun Mizuki, Mayumi Shintani, Izumi Kasagi, Chiemi Chiba, Hideaki Anno, Akira Miyajima, Hiroshi Ito, Kazuhito Suzuki, Kouji Ohkura, Steve BlumFLCL
2000
Comedy, Sci-fi
TV Mini-Series
2h 31m
Your probable score
Average Percentile: 70.82%
Show summary: punk-era Sogo Ishii raped Andy Warhol, shat a son, that son married Freud's mother, took LSD and decided to rewrite Neon Genesis Evangelion. And that only scratches the surface of this surreal and ultimately hypnotic descent into the existential macabre, but one painted with bold primaries and Looney Tunes logic. There's even an extended South Park reference! and is therefore pure gold.
03 Sep 2009
As an introduction to anime it's an eye-opener, the attitude being to kick arse first and screw your questions. A dazzling amalgam of visual styles comprise the action sequences, the cutting sharp and inventive, stopping short of being epileptic. A warped yet playful humour extends itself to the inscrutable plot, winking as it give you the finger. In its quieter moments character touches are spot on; emotions rendered and nuances captured. A mind-blowingly odd experience.
21 Feb 2009
It helps if you're coming to this with some experience in anime. Things like Akira, Evangelion, etc. are more or less prerequisites. The Revolutionary Girl Utena movie claimed to be an "adolescence apocalypse," but this was the true postmodern coming of age in anime, and the first true anime for the 21st century. Here we have all kinds of sexualized confusion, erections in the form of robots emerging from a boy's head, plenty of other Freudian madness, plus Looney Tunes kinetics.
21 Jan 2010
rewatched it (8th time? im going with that) cause its been a few years. oh look! still amazing! do i understand it a lil deeper cause im older? idk, but i felt more satisfied with where the characters all end up. the brevity is still a bit disappointing, but that bittersweetness just fits in to all the conflicting emotions here. and of course whatever else flaws this has I have no shame in ignoring because of the blissfully frenetic animation and pace, and the music.
21 Feb 2014
Surreal, super-energetic and hilarious puberty metaphor that spent an entire season's worth of budget on six episodes. FLCL's willingness to change style, direction, and emotion on a dime is one of its greatest strengths. And beneath the cacophony of wild animation, crazy characters, and constant alt rock, it really does capture the confusion, uncertainty, and deep melancholy of adolescence. This and Evangelion defined my teenage years, and boy are they just as powerful today.
15 Apr 2008
I'm surprised this is on criticker cause I always thought of it as a show, not a movie, but I guess it's technically like a miniseries, so it counts. Anyways, I'm not a huge anime person, but from what I've seen, this goes somewhere in my top 5 anime shows probably. Don't worry too much about it making sense, just enjoy it because it looks great, it's a lot of fun, and really lovable show. Pillows do the soundtrack too, which is a plus.
10 Oct 2007
This show isn't quite for me. Don't get me wrong, I love the music, the wacky comedy is fun, I really get into the classic Gainax battle scenes, and I appreciate the thoughtful engagement with puberty and being pulled between childhood and adulthood. But it feels like there's a big chunk of it I'm missing, feels like the people who made it had a certain kind of person in mind who would deeply and intuitively Get It and feel Seen. And that's not me, and that's okay. I still had fun!
23 Sep 2024
So weird yet so charming. The aesthetic, the music, the characters all so good. The one thing that could be criticized is the confusing plot, but even the creator said that it was meant to be confusing so you don't understand a thing, just enjoy the ride. And damn, was it a good ride.
15 Aug 2023
Energetic and colourful (to a fault) anime is just too bombastic and overwhelming if you’re not on its particular wavelength – oddball mix of comedy, sci-fi and fantasy action certainly marches to the beat of its own drum and has some genuinely inspired moments, but all for relative naught as a whole.
21 Jun 2023
there is some amazingly insane stuff in here, so it's a shame that the soundtrack almost ruined it for me. goddamn alternative rock. also, it kind of peaked with that ridiculous fooly cooly manga sequence in the first episode. that was something else. dead leaves was directed by the guy who did that, and i like that more.
31 Mar 2018
hm, would've thought the internet had p. much desensitized me to anything, but this was -nuts,- so ++ for actually weirding me out. Although a few eps. in it was pretty grating, at first the constant, bland alt. rock ST was so incongruous to me that it only complemented the insanity. Positive I missed -tons- of shit in transl., w/ the barrage of plays-on-words & pop. cult. refs., but my approach, which somehow seemed to me appropriate, was just to SIT BACK AND ENJOY THE MOTHERFUCKING SUBTEXT.
09 Nov 2016
See, here's the thing. I did "get it". That being said, this seemed more like a general anime self-parody than something that was created with serious fantasy inspirations. The soundtrack is absolutely amazing however which bumps this up. I just cannot see the appeal to the animation and story. It's too crazy and incoherent despite the messages it tries to relay. I guess that's my fault for coming to this after Cowboy Bebop and Gurren Lagann though.
19 Dec 2014
Something missing? Seasons are generated automatically, when individual episodes are added to the database. If a season is missing, please consider submitting an episode from it, and the season will be created!
Cast & Info
Directed by:
Kazuya TsurumakiWriter:
Yoji EnokidoStarring:
Melissa Fahn, Jun Mizuki, Mayumi Shintani, Izumi Kasagi, Chiemi Chiba, Hideaki Anno, Akira Miyajima, Hiroshi Ito, Kazuhito Suzuki, Kouji Ohkura, Steve Blum
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