Scenes from a Marriage
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Scenes from a Marriage
Scenes from a Marriage
1973
Romance, Drama
TV Mini-Series
4h 43m
Johan reveals to his wife Marianne that he has been having an affair and intends to leave her. She is distraught, and the film follows the trials and tribulations of the couple from that point onward. Originally a TV series screened in Sweden.
Directed by:
Ingmar BergmanErnst Ingmar Bergman was a Swedish director, writer and producer for film, stage and television. His influential body of work often dealt with themes such as bleakness and despair, as well as comedy and hope, in his cinematic explorations of the human condition. Described by Woody Allen as "probably the greatest film artist, all things considered, since the invention of the motion picture camera", he is recognized as one of the most accomplished and influential filmmakers of modern cinema.
Writer:
Ingmar BergmanErnst Ingmar Bergman was a Swedish director, writer and producer for film, stage and television. His influential body of work often dealt with themes such as bleakness and despair, as well as comedy and hope, in his cinematic explorations of the human condition. Described by Woody Allen as "probably the greatest film artist, all things considered, since the invention of the motion picture camera", he is recognized as one of the most accomplished and influential filmmakers of modern cinema.
Starring:
Erland JosephsonJosephson was born on the island of Kungsholmen, in Stockholm, Sweden, as the son of Maud Gabrielle and Gunnar Josephson, a bookseller. Josephson was the leader of the Royal Dramatic Theatre in Stockholm from 1966 to 1975. He published novels, short stories, poetry and drama, and was the director of several films. In 1980 he directed and starred in the film Marmalade Revolution, which was entered into the 30th Berlin International Film Festival. [wikipedia.org]
Liv Ullmann was born in Tokyo, and became one of the world's most beloved actresses after starring in a number of Ingmar Bergman's movies of the 60s and 70s. As intelligent as she is beautiful and talented, she branched into directing in the 80s and 90s. Her name is pronounced "leave".
Scenes from a Marriage
1973
Romance, Drama
TV Mini-Series
4h 43m
Your probable score
Average Percentile: 81.31%
Few movies have ever bothered less with plot, style, or conventional guidelines; in no movie have they ever mattered less. Bergman's triumph is to create two characters who are so convincingly fleshed out that to see them on screen is to know them intimately: to love them, hate them, and to share in their pain, sorrow, and redemption every step of the way. In its own way, through all the fighting and heartbreak, this is the most romantic movie ever made; it's the best romance I've ever seen.
20 Mar 2008
The performances aren't just great, they are 100% convincing. The characters aren't just well developed, they are 100% real people, more so than many actual people I've met. The direction and cinematography aren't anything special, but they don't need to be, as any unusual tricks would only have served as distractions from the film's absolute realism.
24 Feb 2007
Powerful, real and often brutal, Bergman creates two characters that you will relate with no matter who you are. The acting is of course top-notch, and the camerawork is so subtle, you will actually forget you are watching a film. No other piece of cinema has affected me as much as this.
09 Feb 2008
On infidelity. This is the greatest movie of the 1970s, and in a sense captures the essence of that decade. It is the greatest depiction of a relationship onscreen, and probably the greatest ever record of actors' performances. One of the greatest films of all time is a TV series! A singular achievement. Slightly more extended discussion here (from 1999): https://www.academia.edu/13143431/Scenes_from_a_Marriage_1999_ Re-watched: August 2021.
13 Aug 2007
(2nd viewing) An emotionally resonant script of precision and unparalleled humility. A shame some people don't realise marriage is composed of these moments of uncertitude and commotion, and how working past them enforces its foundation together with heartfelt empathy. The lead actors give the most natural performances ever recorded on screen, though I guess the real star of this film is Bergman himself, who's in complete control of his visuals and subject matter. Highly recommended!
13 Jun 2010
This is acting at its finest. Everything else in the film is in a back seat, kept muted and made almost irrelevant. They explore everything about love here, its ups and downs and it's tough to believe you're not watching two people who've been married for 10 years. It's stunning.
15 Jan 2009
(TV cut) It's amazing that in its entire 5 hour runtime, this film stays relentlessly efficient, and Bergman never wavers emotional intensity. No time is wasted, and you're left hanging on every word. The absence of stylistic flourish, the insulated atmosphere, and two incredibly authentic performances provide total immersion. It's painstakingly realistic, and by the end I felt drained.
16 Feb 2010
An incredible movie on nearly every level. The characters are so real that it almost feels as if you're watching a documentary. While it's primarily about marriage and relationships it explores many aspects of personal motivations and fullfilment through characters that are genuinely complex.
17 Feb 2008
What an insightful script, dealing with lies, self-deception, love, infidelity, obsessiveness, basically all the sources of struggle in people's lives, and at the same time what makes us human. Has some of the best acting performances I've seen. Everyone has or will be experiencing a lot of what these characters are going through, and it all feels almost unpleasantly real.
28 Jul 2009
Wow. Brutally honest and emotionally naked film. Liv Ullmann and Erland Josephson turn in amazing performances and Bergman utilizes close-up shots and silence to great emotional effect. I felt like I was physically beside Marianne and Johan through each phase of their highly tumultuous relationship. Highly recommended.
11 Nov 2008
Showing the transformation and truely metamorphic timeline of marriage, from the first vows to divorce, Scenes from a Marriage is probably Bergman's most recital impelled and motivated film ever. There is barely anything else going on, but this is the entire proposition. What our legendary filmmaker was trying to come across was to prove than even without all the fabrics that the average movie requires, he manages to make a movie watchable from just the reciprocation of two people. Brilliant.
19 Jul 2009
Of Bergman's films that I've gotten around to watching, this is the one I enjoy the most. You can relate to the characters, the close-ups are powerful yet not overwhelming, and you can actually take something away from this masterpiece. This film, to me, truly captures the "human spirit" in its range of emotions and character interaction.
11 Dec 2006
Just - wow. Blown away. Still digesting the impact. True art - true life - I am so grateful to experience this mirroring of aspects of the human condition & relationship already reverberating in my soul, so grateful for the insights into how life can be - has been - for others, and me had I been born into a different time or circumstance... and a sense of being let in on Lessons From The Elders, the weary and tender ones, bewildered and open. Exquisitely portrayed and executed. Gratitude
02 Oct 2023
Okay, so this is mostly just two actors in the same setting discussing the dissolution of their marriage. I'd put on a 50-minute episode, and then moments later, those 50 minutes would be complete. How the hell is this so engaging? I learned that Swedish relationships are weird as hell. When Ullmann finds out her husband is not only cheating on her, but leaving her the next day, it is the most tempered reaction.
18 May 2021
For the whole thing to work I think you'd need the lead male character to have any semblance of redeeming characteristics (unless the whole thing is an exercise in what women have to put up with within a marriage but I'd reckon that's not it and that you're supposed to empathize with his nonsense). There's still a couple really touching scenes because of Liv Ullman and her mastery. Good camera work
28 Mar 2020
I watched the 3 hour theatrical version of this and kind of want to immediately watch the 5 hour television version. This is beautifully frustrating in the way real people can be, and watching these two incredible actors, Ullman in particular, embody these characters is sublime.
15 Aug 2019
Perhaps one of the most intimate series that many can easily identify with. Two domestic characters that grow on a complete different spectrum as they face a sudden tragedy in their relationship. Bergman makes a wonderful and yet ghastly remark to the social subject that shapes human nature. There's evidence that one's childhood has an everlasting impact on emotional tendencies and views about life. The distinct characterization is brilliant and challenges viewers to reflect on themselves.
07 Mar 2018
'In some fundamental way they have touched, really touched, and the memory of that touching will be something to hold to all of their days.' Roger Ebert nailed it with that one. I always thought of marriage as some weird, illogical social convention that suppresses the true fundamentals of human nature. The film agrees, but also shows that marriage is a framework for bonding. It's all so human and so close to our feelings that I'll have to reassess my point of view on the subject. A great film.
09 Feb 2014
Remarkably insightful. Fantastic acting, especially Josephson. I don't know what to say, really - I've never been married but there are certain scenes and lines and expressions and certain feelings and anxieties bubbling here that ring so true... It is a marvelously written, horribly depressing, beautiful and genuine film.
25 Apr 2011
This is about everything one can imagine about a lifetime of faking feelings. I am not talking only about the marriage itself but about the feelings that a person can have and hide during the life and the will that every persons keeps behind their masks. A masterpiece from this genious Ingmar Bergman.
12 Sep 2010
Acting is absolutely flawless. This movie nails the depiction of any relationship through the brilliant dialogue. It shows us two very level headed, intelligent people who go through what every couple must. The best part is there is very little shouting. Most of the debates between Johan and Marianne were two calm adults revealing feelings and fears that most people would bottle up. The level of honesty and openness can be hard to swallow but reveals how crazy true love really makes us.
15 Feb 2010
Sigh... Doing this for posteriesty. Even if I liked the movie a little bit, this is so much more and I saw nothing added from this but that's probably because I watched it and chunk and didn't care. It gets less because it's a bigger waste of time. There's one more thing from Ingmar Bergman... God have mercy...
09 Aug 2025
[TV/6hr edition] As this got deeper into breakdown territory, it seemed like Bergman was showcasing his own ideas about marriage. Call me traditional, but I'm not in favor of marriage with extra helpings on the side -- and I think the relationship would be severed with the fifth episode's violence. I really wanted to rate this as bang-average (oddly real and bizarrely implausible at the same time), but the acting was so raw and powerful that it does deserve better.
13 Jun 2024
Painful, searing and near unbearable portrait of the erosion and disintegration of a "happy" marriage - Josephson as the loathsome instigator gives the bravest, ugliest portrait of a vapidly narcissistic monster, with Ullmann doing her utmost to match him beat for beat as the more reactive member of the couple. Like watching a slow moving train wreck at times, but you still gain a complete insight into the full lives lived from both parties.
18 Feb 2021
Essentially a teleplay, the performances captured with an unflinching eye over the course of this assortment of scenes in continuous time. The leads are visceral in their lived-in, controlled spontaneity of emotion. A few details in story and backstory occur without consequence or payoff, making it short of a masterpiece. Beautiful, monologue-heavy eulogy on love.
09 Jan 2020
Does exactly what it says on the tin. Exceptional acting and/or writing throughout. With only two characters it can be hard to get through the whole thing in one 3-hour sitting. But take any 30-minute segment and you get engrossed, it's just great film-making. People who marry will remain a mystery to me but Bergman seems to understand them pretty well.
14 Jun 2016
Holds up as one of Bergman's best, working as an examination of both marriage in all its pros and cons as well as the human condition. Never once lost my attention over five hours and doesn't feel like a televised play, despite lengthy 40 minute scenes mostly involving the same two lead characters. This is mostly due to the strength of the acting and dialogue, but also brutal emotional honesty pouring from every moment.
30 Jun 2015
A honest and unflinching portrayal of marriage in all it ups and down, that is at it best when focuses entirely on its two protagonists locked almost episode long scenes discussions. Both are purely flawed humans, and therefor immensely recognizable. Of course all this stands or falls with the acting, luckily Liv Ullmann and Erland Josephson give what surely rank among their career best performances.
03 Dec 2014
Impecabbly written and acted, sharply observant and achingly realistic, "Scener ur ett äktenskap" is an occasionally fascinating examination of a failing marriage. Although the relative lack of dramatic intensity (as opposed to another dialogue-driver Bergman chamber drama "Höstsonaten") and the overall monotony somewhat lessen the overall emotional impact, the film still packs a wallop merely thanks to the sheer authenticity of the conversations and situations it depicts.
27 Mar 2012
I was sadly not as impressed by this as I should have been. It was obviously incredibly well-written and acted, and Bergman perfectly achieves what he intended to do, but I just didn't really give much of a shit about the characters (particularly Johan). Basically, a brilliantly made film that does very little for me personally.
14 Oct 2011
The biggest problem for me was that despite all these reviews claiming the characters are so relatable, they just weren't. Johan is a manchild who complains about everything, laying the blame for his own actions on others and then smacks his wife around. It seems like he's set up as a strawman so you can sympathize with Marianne, whose continued attraction to him I didn't understand. The performances are phenomenal but with these characters I wasn't sold on this as a masterpiece.
24 Sep 2011
Depicts a failing relationship about as realistically as one could possibly hope for. By the end of this film I felt like I knew these two characters intimately. That's what Bergman does so well - tell stories about people that feel more like real life acquaintances than characters.
20 Jul 2009
I have to admit, I've had the Criterion Collection edition sitting on my shelf unwatched for some three or four years now. And right now, Bergman's film seems shelted, isolated and less relevant to my life than something like Ron Howard's Parenthood. But I still maintain, that you need to see this before you die. I should certainly see it again so I can remember why I hold it in such high regard.
29 Oct 2007
Rewatching for the first time in almost 2 decades, I had forgotten just how powerful the writing is here, not to mention the action. Liv Ullman is the superstar here, though Josephson carries himself more than ably. What I am most struck by now is how powerful a reflection this is on the boundedness of marriage--one can stray and a couple can divorce, but there's a powerful bond that remains, a deep truth about the reality of marriage. This is certainly brutal at moments, but well worth the time
21 Oct 2007
Mês especial do centenário de Ingmar Bergman filme #14 Deixei esse pra rever justamente no dia do seu centenários porque é um desbunde, um deslumbramento, um épico, uma obra-prima tão imensa que não fosse Persona seria a obra máxima do Bergman. Grandiosidade define. Coleção Versátil Ingmar Bergman Volume 6
13 Aug 2007
Brutally honest like no other film I've seen. The characters say the devastating things we've all thought but never had the courage to utter, but at the same time they're both plausible and sympathetic (thanks to both the writing and the great performances of Josephson and Ullmann).
13 Aug 2007
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Cast & Info
Directed by:
Ingmar BergmanErnst Ingmar Bergman was a Swedish director, writer and producer for film, stage and television. His influential body of work often dealt with themes such as bleakness and despair, as well as comedy and hope, in his cinematic explorations of the human condition. Described by Woody Allen as "probably the greatest film artist, all things considered, since the invention of the motion picture camera", he is recognized as one of the most accomplished and influential filmmakers of modern cinema.
Writer:
Ingmar BergmanErnst Ingmar Bergman was a Swedish director, writer and producer for film, stage and television. His influential body of work often dealt with themes such as bleakness and despair, as well as comedy and hope, in his cinematic explorations of the human condition. Described by Woody Allen as "probably the greatest film artist, all things considered, since the invention of the motion picture camera", he is recognized as one of the most accomplished and influential filmmakers of modern cinema.
Starring:
Erland JosephsonJosephson was born on the island of Kungsholmen, in Stockholm, Sweden, as the son of Maud Gabrielle and Gunnar Josephson, a bookseller. Josephson was the leader of the Royal Dramatic Theatre in Stockholm from 1966 to 1975. He published novels, short stories, poetry and drama, and was the director of several films. In 1980 he directed and starred in the film Marmalade Revolution, which was entered into the 30th Berlin International Film Festival. [wikipedia.org]
Liv Ullmann was born in Tokyo, and became one of the world's most beloved actresses after starring in a number of Ingmar Bergman's movies of the 60s and 70s. As intelligent as she is beautiful and talented, she branched into directing in the 80s and 90s. Her name is pronounced "leave".
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