Dragged Across Concrete (2019)
Once two overzealous cops get suspended from the force, they must delve into the criminal underworld to get their just due. (imdb)
Genres: Drama, Crime, Action, Mystery
Directed By: S. Craig Zahler
Written By: S. Craig Zahler
Starring: Udo Kier, Vince Vaughn, Mel Gibson, Thomas Kretschmann, Don Johnson, Laurie Holden, Jennifer Carpenter, Tory Kittles, Justine Warrington, Fred Melamed, Michael Jai White, Jordyn Ashley Olson
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Dragged Across Concrete belongs to 12 collections
1. boobs (public: moderated by Pickpocket - 47 stars)
2. Heist (public: moderated by td888 - 15 stars)
3. Films available in HD (public: moderated by kubricksucks - 12 stars)
4. Brothers (public: moderated by djross - 5 stars)
5. Race / Racism (public: moderated by Moribunny - 4 stars)
6. Cop (public: moderated by djross - 2 stars)
7. mother-son relationship (public: moderated by livelove - 2 stars)
8. Netflix Sverige (public: moderated by Jakobostgren - 1 star)
9. Best by different standards (private: sesito71 - 3 stars)
10. seen in 2019 (private: sproost)
11. Djross 2019 top ten (private: djross)
12. Too Racist for Me to Enjoy (private: TychoCelchuu)
Browse the full list of collections
| Date | User | Rating | |
| Jun 09 | danielkh48 | 80 76% |
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| Jun 09 | DrWade42 | 80 84% |
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| Jun 05 | GLadrange | 100 87% |
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| Jun 01 |  |
Videoetron | 83 98% |
| May 30 |  |
gertrud | 40 37% |
| May 08 | tef | 70 24% |
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Long and pointless? I can't say it was bad but it wasn't good either. The %/anchovies thing is not endearing. People are right to point out that lack of money for healthcare is a thing here, but 'gritty' men shooting each other doesn't solve that problem. Could have done with more humor, and more delight in hurting other people. If you're going to be evil, enjoy yourself.
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| May 04 | piash128 | 70 0% |
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| Apr 25 | LordCouture | 81 89% |
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| Apr 24 |  |
tatarbey | 79 55% |
| Apr 18 | nouidle | 5 98% |
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| Apr 17 | mehran | 53 14% |
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| Apr 12 | BullyFanatic | 80 47% |
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| Apr 06 | akali_ | 45 16% |
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| Apr 04 | coldesser | 80 0% |
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| Apr 01 | airshots22 | 8 55% |
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| Mar 22 |  |
lionesque | 70 67% |
| Mar 13 | lalyndon | 50 24% |
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| Mar 12 | ShitMarquis | 2 24% |
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S. Craig Zahler has become a parody of himself.
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| Mar 09 | mefeçe | 90 85% |
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| Mar 07 | bvanslyke | 100 95% |
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| Feb 27 | holoskii | 90 41% |
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| Feb 20 |  |
PedroPT | 80 88% |
| Feb 20 |  |
kito1 | 80 89% |
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I liked this a lot, and I wanted to like it even more. A rare combination of silence, anticipation and thrills.
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| Feb 18 |  |
frknerkn | 70 38% |
| Feb 16 | crowisback | 50 23% |
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| Feb 12 | Paddy | 50 26% |
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| Feb 07 | emilija114 | 80 70% |
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| Jan 21 |  |
imdb | 69 66% |
| Jan 13 | Gerdium | 60 22% |
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| Jan 10 | clouseau | 62 46% |
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| Jan 08 |  |
IamTyphoon | 84 75% |
| Jan 06 | 8505144 | 65 40% |
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| Jan 02 |  |
kadikoy | 75 82% |
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Mel Gibson'dan çılgın ama durgun polisiye. 6 ay uzaklaştırma alan 2 polis, suçluların parasını çalmak için plan kurarlar. Ağır temposu, uzun diyalogları, suç senaryosu ve oyuncuların harika ruh halleri ilgiyle izletiyor. Filmin sonunda, 1 saat süren 1 çatışma sahnesi var. Ölenler olduğu kadar kurtulan da var. Şunun fiyatı ne kadar? 5000 USD. Kurşun geçirmez mi?
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| Dec 31, 2020 |  |
Mikadzuki | 53 19% |
| Dec 31, 2020 | nicolino | 84 95% |
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| Dec 28, 2020 | Atoz | 58 63% |
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| Dec 28, 2020 | gregov_flick | 63 85% |
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| Dec 26, 2020 |  |
erllunll | 82 85% |
| Dec 17, 2020 | leemarvins | 80 69% |
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| Dec 16, 2020 |  |
SirSass | 75 83% |
| Dec 12, 2020 | miroj | 75 80% |
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| Dec 11, 2020 | DennisJ1976 | 58 45% |
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| Dec 07, 2020 | schyzomaniac | 85 55% |
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| Dec 06, 2020 | mpf2788 | 70 0% |
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| Dec 06, 2020 |  |
jmsenise | 80 74% |
| Dec 03, 2020 |  |
RTAudience | 69 53% |
| Nov 28, 2020 | godsdice | 70 57% |
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| Nov 25, 2020 | dragos | 70 0% |
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| Nov 20, 2020 | RayBee | 35 39% |
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| Nov 19, 2020 | PrestoBix40 | 30 79% |
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| Nov 18, 2020 | Vedgie | 61 20% |
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| Nov 18, 2020 |  |
PrestoBix | 87 79% |
| Nov 16, 2020 | WillyV | 74 68% |
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| Nov 06, 2020 |  |
Aron Ericson | 80 89% |
| Nov 01, 2020 |  |
FCritikerAdm | 1 6% |
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Boring as shit, unwatchable. Has "minorities" in it.
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| Oct 28, 2020 | rawkon | 10 0% |
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| Oct 25, 2020 |  |
CoffeeMage | 70 42% |
| Oct 23, 2020 | fivetricks | 60 20% |
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| Oct 18, 2020 | Lanhia | 85 84% |
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| Oct 15, 2020 | jhmee8 | 81 47% |
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| Oct 13, 2020 | TEMPgen | 100 99% |
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| Oct 09, 2020 |  |
solipsist | 70 52% |
| Oct 08, 2020 | bisepps | 74 32% |
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| Sep 21, 2020 |  |
sergebarber | 60 50% |
| Sep 18, 2020 |  |
apsays | 64 56% |
| Sep 08, 2020 | rospo | 55 35% |
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| Sep 06, 2020 |  |
Maaxwell | 75 70% |
| Sep 02, 2020 | Crmrctkr | 79 74% |
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| Aug 23, 2020 |  |
MikiRurk_STG | 69 66% |
| Aug 16, 2020 | Fllu | 50 0% |
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| Aug 11, 2020 | Terry Wriste | 5 15% |
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| Aug 10, 2020 |  |
gorkemoge | 70 71% |
| Aug 10, 2020 |  |
dst7175 | 68 58% |
| Aug 08, 2020 |  |
nahuelgl | 70 29% |
| Aug 02, 2020 | Varza | 93 62% |
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| Jul 30, 2020 |  |
lumen | 8 84% |
| Jul 21, 2020 |  |
SPM_Liam | 90 93% |
| Jul 19, 2020 |  |
alexlma | 6 36% |
| Jul 18, 2020 | critickerMCM | 81 65% |
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| Jul 14, 2020 |  |
Triptolemos | 40 30% |
| Jul 10, 2020 |  |
Quintonjamin | 80 78% |
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Though it was slow, the extreme length allowed for me to get to know the characters on top of seeing some extremely gory action. In hindsight, there was a lot of the film that could have been cut out without changing the story, but all of that felt so right while watching it.
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| Jul 04, 2020 | kappeuter | 70 67% |
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| Jul 03, 2020 |  |
ManyPany | 68 71% |
| Jun 29, 2020 |  |
dzejson | 67 71% |
| Jun 26, 2020 | AKAtticus | 70 42% |
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| Jun 21, 2020 |  |
EmeraldGuard | 10 1% |
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What is Mel Gibson doing in this trash?
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| Jun 17, 2020 |  |
cke | 6 32% |
| Jun 17, 2020 |  |
jndcnr | 80 79% |
| Jun 12, 2020 |  |
sleepyg | 90 66% |
| Jun 08, 2020 | cosekant | 80 65% |
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| Jun 07, 2020 |  |
djross | 65 69% |
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This film is set up through its inserted talking points as a rejection (or at least a complication) of the politics of guilt (concerning US racial politics etc.), yet it in fact repeats the same sacrificial structure as BRAWL IN CELL BLOCK 99: in a dark universe, even well-meaning husbands and fathers do bad things, and the only way for them truly to redeem themselves is to leave a pot of gold while themselves withdrawing into nonexistence. Good black sons with crippled brothers can live. Guilt!
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| Jun 07, 2020 |  |
jgreenwood | 75 72% |
| Jun 04, 2020 |  |
mjoc0723 | 80 92% |
| Jun 03, 2020 |  |
offlineoz | 90 91% |
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Under Quarantine Film Reviews #115: Dragged Across Concrete has no right to be as good as it is, its incredibly long, slow pacing, questionable protagonists, Mel Gibson, surreal dark humor, multiple stakeouts, and brutal violence but it works. It all works and it's glorious.
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| May 31, 2020 | gunduzfeneri | 70 37% |
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| May 29, 2020 |  |
ZephSilver | 80 89% |
| May 29, 2020 |  |
tahazerr | 50 43% |
| May 25, 2020 |  |
AgentSnipe | 78 54% |
| May 23, 2020 |  |
Angel_Eyes | 4 75% |
| May 19, 2020 |  |
addeh | 60 37% |
| May 16, 2020 |  |
Flitskonijn | 60 0% |
| May 10, 2020 | watchthis11 | 85 63% |
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| May 07, 2020 |  |
WWallce4prez | 77 63% |
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Zahler's brand of violence and brutality should be taken with caution. I have a feeling that I would not get along with the director, but he does make daring films that scratch a certain itch. This paced crime-drama isn't all gold, as I cannot fathom why he needed to paint his villains with such a menacing, broad brush. Jennifer Carpenter is done dirty in this film and it feels sadistic as the audience already knew that these guys were bad. Still, this is a pretty unforgettable film.
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| May 06, 2020 |  |
hellonearth | 65 41% |
| May 06, 2020 | Pezou | 70 32% |
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| May 03, 2020 | sandman248 | 80 63% |
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| May 02, 2020 | neps21 | 91 67% |
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| Apr 30, 2020 |  |
FrancoGonzo | 13 66% |
| Apr 29, 2020 | account2 | 62 69% |
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| Apr 29, 2020 |  |
yorgo | 79 56% |
| Apr 28, 2020 |  |
Ericmss | 85 77% |
| Apr 27, 2020 | mattnawrocki | 75 56% |
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| Apr 26, 2020 | amarendra | 70 0% |
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| Apr 22, 2020 | AEMB0T | 86 91% |
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| Apr 21, 2020 |  |
babaracus | 8 68% |
| Apr 20, 2020 | jlafount | 70 92% |
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| Apr 18, 2020 | tsheafor | 95 94% |
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| Apr 18, 2020 | f_ranzen | 64 55% |
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| Apr 17, 2020 |  |
WarrenWho | 90 91% |
| Apr 14, 2020 |  |
Thoraxe | 81 42% |
| Apr 12, 2020 |  |
tinythedogg | 70 67% |
| Apr 10, 2020 |  |
DaxV | 56 36% |
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This movie is slow as hell, the last third of the movie is the most interesting part as there is something of greater intrigue going on. I wasn't engaged with much of this and by the end I feel like it partially made up for the sleepwalked performances of the two leads and the sluggish pace. A very apt title to say the least.
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| Apr 05, 2020 | strangelime | 75 39% |
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| Apr 04, 2020 | z10yniger | 90 95% |
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| Mar 30, 2020 |  |
marco_n65 | 75 48% |
| Mar 30, 2020 |  |
Amita | 80 83% |
| Mar 29, 2020 |  |
TheShiznit | 60 78% |
| Mar 24, 2020 | Dufftone | 72 49% |
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| Mar 22, 2020 | matthagen | 50 50% |
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| Mar 15, 2020 |  |
kangadoodoo | 75 86% |
| Mar 04, 2020 |  |
randyluu | 4 73% |
| Mar 03, 2020 |  |
AFlickering | 4 62% |
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SCZ's no country for old men, cept mel’s been “scuffing concrete” too long to dream of a simpler world; all he wants is his piece. zahler doubles down here for good and ill, self-parodically calculated and edgy but a welcome respite from hyperactive hollywood, dwelling in the winding sentences between cracks of punctuative violence. the film is gibson's though, each expression and posture bristling with an entrenched scorn for those who, to quote chigurh, “second say the world".
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| Mar 03, 2020 |  |
Joe Deering | 30 14% |
| Mar 01, 2020 | CineLounge | 75 85% |
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| Feb 27, 2020 |  |
mannaz230 | 50 31% |
| Feb 23, 2020 | goldfinger | 80 84% |
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| Feb 22, 2020 | pi3r8 | 50 0% |
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| Feb 18, 2020 | sky3088 | 8 69% |
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| Feb 18, 2020 |  |
Iconoclast | 78 79% |
| Feb 17, 2020 |  |
neurophate | 82 79% |
| Feb 16, 2020 |  |
wicked치킨 | 75 68% |
| Feb 14, 2020 |  |
fenixdown | 39 6% |
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Waste of time.
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| Feb 11, 2020 |  |
masoudsf | 78 60% |
| Feb 11, 2020 |  |
iconogassed | 65 44% |
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Grand Theft Auto: Mametville
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| Feb 11, 2020 |  |
laika | 65 34% |
| Feb 11, 2020 | andyglover | 98 76% |
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| Feb 10, 2020 |  |
Ofterdingen | 78 91% |
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Tense, mean, and highly entertaining. Loses momentum the final 20 minutes but this is often downright brilliant.
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| Feb 08, 2020 |  |
quotidian | 1 0% |
| Feb 08, 2020 | gabba2k7 | 82 45% |
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for a right mood i think. slowpaced with some action. feels raw as almost no soundscapes...probably a feature for it to look more 'authentic'.
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| Feb 04, 2020 |  |
jakartan | 61 32% |
| Feb 01, 2020 | romniel | 70 55% |
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| Jan 28, 2020 | Tan Solo | 70 52% |
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| Jan 27, 2020 | SpeedMarque | 45 35% |
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Maybe if they cut away a bit of the dialogue it would have been an easier watch. However as it is, it’s way to long and I had a hard time staying engaged even though I normally enjoy these gritty films with Mel Gibson.
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| Jan 23, 2020 | donquixotic | 65 66% |
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| Jan 22, 2020 |  |
erkam | 85 88% |
| Jan 19, 2020 | zixas | 80 76% |
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| Jan 19, 2020 |  |
Mentaculus | 84 81% |
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While it's pretty acceptable for films to play systemic race, class, and gender concerns straight, they all forget what this film takes for granted: it's systemic. Understood. Normalized. As tired and cliche as the next inevitable cop beating video you can't do anything about. The fatalism and misanthropy creates this scene around the mid-way point that would be tasteless if it weren't so fucking daring. The last half is pure cinema, as imagined by one of those cops in the viral videos.
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| Jan 18, 2020 |  |
VinegarBob | 50 25% |
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Zahler is an accomplished director, but the standard of his writing has dipped dramatically here. The script is full of dialogue that's meant to be funny and smart but is rarely either, and it drags the performances down. The heavy handed social commentary is also super cringe and most of the attempts at characterization only serve to make the running time far too long for what the movie is. The third act is well done but overall this is not up to the standard of his previous films.
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| Jan 17, 2020 | Gumbiman | 70 61% |
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| Jan 15, 2020 | gloryhornet | 80 82% |
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| Jan 15, 2020 |  |
heapshake | 70 70% |
| Jan 13, 2020 |  |
stuie299 | 75 48% |
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The first hour or so is unbearably slow with some unnecessarily bad political takes. Everything after that is some damn fine filmmaking. Easily Mel Gibson's best movie in years.
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| Jan 12, 2020 | mzonder | 60 47% |
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| Jan 08, 2020 |  |
Ramy | 80 90% |
| Jan 05, 2020 | Evelina | 50 11% |
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| Jan 05, 2020 | Fezzington | 78 71% |
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| Jan 05, 2020 | Corganist | 80 85% |
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| Jan 04, 2020 | AaronSnover | 80 71% |
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| Jan 02, 2020 |  |
mjf333 | 78 43% |
| Jan 02, 2020 |  |
Scarface | 75 73% |
| Jan 02, 2020 |  |
VegA | 71 56% |
| Jan 02, 2020 | kvladyka | 10 88% |
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| Dec 31, 2019 |  |
TychoCelchuu | 38 1% |
| Dec 31, 2019 | roscoe_1891 | 70 40% |
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| Dec 29, 2019 |  |
Thegoodboy | 64 57% |
| Dec 25, 2019 | tadej | 74 56% |
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| Dec 19, 2019 | deluxe1 | 75 83% |
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| Dec 18, 2019 |  |
AAAutin | 68 83% |
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(WRAPPED IN PLASTIC)
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| Dec 17, 2019 | freeSpirit | 96 76% |
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| Dec 15, 2019 |  |
cankutozturk | 75 49% |
| Dec 13, 2019 | cloondog | 16 5% |
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| Dec 13, 2019 | miedzcu | 69 49% |
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| Dec 13, 2019 | dracular | 35 25% |
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| Dec 12, 2019 | bubib | 80 78% |
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| Dec 08, 2019 | cable101 | 80 86% |
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| Dec 07, 2019 |  |
Yiannos | 68 63% |
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Solid genre exercise that is let down by overlength, some overwritten dialogue and a few poorly judged scenes of over the top violence, which don't have the same impact as they had in Bone and Brawl. Zahler spends far too much time establishing characters that aren't sufficiently developed, but the stakeout scenes feel more authentic than usual, especially in their use of time, and the 3rd act is tense and really well staged. Gibson also does his best work in years as an aging racist cop.
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| Dec 07, 2019 |  |
Age Jellema | 79 76% |
| Dec 02, 2019 |  |
DarrenCB | 80 64% |
| Nov 30, 2019 | maximn | 70 53% |
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| Nov 29, 2019 |  |
EvilMangoes | 65 32% |
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B-
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| Nov 27, 2019 | TJDixon2 | 70 33% |
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| Nov 25, 2019 | jimmyp | 80 68% |
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| Nov 25, 2019 | lezparanza | 72 72% |
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| Nov 21, 2019 |  |
ABUNCHOFCATS | 88 80% |
| Nov 21, 2019 |  |
joshpatton | 84 73% |
| Nov 20, 2019 |  |
igormachete | 73 49% |
| Nov 13, 2019 | sergiosp | 80 54% |
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| Nov 06, 2019 | rossoenera | 60 20% |
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| Nov 05, 2019 |  |
hacon | 60 12% |
| Nov 04, 2019 | metalrocker | 75 66% |
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| Nov 01, 2019 |  |
tom20 | 85 82% |
| Oct 25, 2019 |  |
joeroxy | 80 90% |
| Oct 24, 2019 | brownwc2 | 71 70% |
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| Oct 22, 2019 | insteadman | 75 75% |
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| Oct 21, 2019 | MetaLX | 60 14% |
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| Oct 20, 2019 |  |
Matthew Parkinson (CineMarter) | 50 47% |
| Oct 19, 2019 | mikph93 | 79 36% |
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| Oct 18, 2019 |  |
Veterini | 83 83% |
| Oct 16, 2019 | Prendelo | 77 58% |
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| Oct 12, 2019 |  |
feublo | 85 73% |
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Zahler’s style is a growing favourite for me. Violently instrumental and I love the deprived feeling from any unordinary dialogue. So worth it.
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| Oct 05, 2019 |  |
Antunder | 61 48% |
| Sep 29, 2019 |  |
mike365365 | 66 53% |
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An unsatisfying ending, but a decent film
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| Sep 29, 2019 |  |
dumbjaw | 70 77% |
| Sep 29, 2019 | HavokVenom | 93 93% |
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| Sep 26, 2019 | Blondone86 | 73 74% |
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| Sep 25, 2019 | jarno | 30 68% |
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| Sep 24, 2019 | cfa () | 90 80% |
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| Sep 22, 2019 |  |
ibrahimbars | 69 58% |
| Sep 14, 2019 |  |
seanfury | 4 7% |
| Sep 14, 2019 | allneonslike | 70 67% |
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| Sep 14, 2019 |  |
RealMacgyver | 80 77% |
| Sep 08, 2019 |  |
EastonD | 50 31% |
| Sep 08, 2019 | Stekeblind | 100 92% |
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| Sep 08, 2019 |  |
Nathan | 68 45% |
| Sep 07, 2019 |  |
Cloudynow | 69 47% |
| Sep 05, 2019 | kissgyozi | 75 57% |
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| Sep 04, 2019 | DLawrence | 80 76% |
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| Sep 01, 2019 | barry | 74 30% |
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| Aug 30, 2019 |  |
Pvt.Hudson | 75 74% |
| Aug 30, 2019 | NonyaBeezWax | 50 51% |
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| Aug 29, 2019 |  |
rklenseth | 80 80% |
| Aug 29, 2019 |  |
Guernica | 60 62% |
| Aug 26, 2019 | KingBread | 84 89% |
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| Aug 24, 2019 | MeMeMe123 | 81 57% |
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| Aug 22, 2019 | oddis87 | 74 48% |
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| Aug 22, 2019 | Enzo | 80 60% |
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| Aug 20, 2019 |  |
NhanLa | 73 67% |
| Aug 18, 2019 |  |
wintersunset | 70 62% |
| Aug 17, 2019 |  |
Angliche92 | 85 93% |
| Aug 16, 2019 |  |
meliorism | 70 50% |
| Aug 10, 2019 |  |
cgcore | 60 48% |
| Aug 09, 2019 |  |
bal3x | 50 18% |
| Aug 07, 2019 |  |
P u l p | 63 52% |
| Aug 06, 2019 | damil | 65 54% |
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I’m still not quite sure if Zahler is a genuinely great filmmaker or not. I guess he’s good, because he does make entertaining films, but I don’t know if there’s much artistic merit here. It’s a slow burn, but there’s plenty of good tension towards the end. I thought Mel Gibson was better than I’ve seen him in a very long time. Definitely some good scenes but also some very pretentious dialogue. Worth watching.
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| Aug 04, 2019 | danialinho | 70 75% |
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| Aug 01, 2019 |  |
CStuckmann | 88 65% |
| Jul 27, 2019 | sonique | 70 64% |
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| Jul 20, 2019 |  |
McJohnson | 87 86% |
| Jul 17, 2019 |  |
Obdurate | 85 80% |
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It's incredibly slow but sometimes these really slow movies come out where there's something endearing/magical about the way that it so unapologetically lends itself to the pacing, like The American years ago. This fits into that. I never knew what was going to happen, the third act (as noted by someone else) is tense, and also just very deliberate feeling, refreshing. Vaughn and Gibson are great together. The dialogue's style doesn't work all the time, occasionally feeling overwritten.
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| Jul 14, 2019 |  |
korbenPL | 63 86% |
Displaying 1 to 250 of 433 total ratings: Prev | Next
| Average Percentile 60.41% from 433 Ratings |  |
