L'avventura (1960)
A woman disappears during a Mediterranean boating trip. But during the search, her lover and her best friend become attracted to each other (imdb)
Cast and Information
Directed By: Michelangelo Antonioni
Written By: Tonino Guerra, Michelangelo Antonioni, Elio Bartolini
Starring: Gabriele Ferzetti, Monica Vitti, Lea Massari, Giovanni Petrucci, Jack O'Connell, Lelio Luttazzi, Dominique Blanchar, Esmeralda Ruspoli, Renzo Ricci, James Addams, Dorothy De Poliolo, Angela Tommasi Di Lampedusa
Genres: Romance, Drama, Mystery
AKA: L'Avventura
Where to Stream
Loading...
L'avventura belongs to 101 collections
1. 1001 Movies You Must See Before You Die (public: moderated by kozan26 - 226 stars)
2. Criterion Collection (public: moderated by caffe - 163 stars)
3. Roger Ebert: Great Movies (public: moderated by PeaceAnarchy - 79 stars)
4. Existential films (public: moderated by frederic_g54 - 55 stars)
5. They Shoot Pictures 1,000 Greatest Films (2008 revision) (public: moderated by Scottathon - 39 stars)
6. Jonathan Rosenbaum's Top 1000 Movies (public: moderated by PeaceAnarchy - 38 stars)
7. They Shoot Pictures 1,000 Greatest Films (2010 revision) (public: moderated by MMAlpha - 32 stars)
8. New York Times' The Best 1,000 Movies Ever Made (public: moderated by theficionado - 31 stars)
9. The Guardian's 1000 films to see before you die (public: moderated by PeaceAnarchy - 29 stars)
10. They Shoot Pictures 1,000 Greatest Films (2014 revision) (public: moderated by Jehan - 27 stars)
11. They Shoot Pictures 1,000 Greatest Films (2012 revision) (public: moderated by PeaceAnarchy - 25 stars)
12. List: Empire's five star movies (public: moderated by KasperL - 24 stars)
13. They Shoot Pictures 1,000 Greatest Films (2017 revision) (public: moderated by iconogassed - 22 stars)
14. They Shoot Pictures' Recommended Viewing (public: moderated by Cinephile - 19 stars)
15. Humanity and the Natural World (public: moderated by paulofilmo - 18 stars)
16. Cahiers du cinema's 100 Greatest Films (public: moderated by CCLZA - 17 stars)
17. List: Empire's 100 Best Films of World Cinema (public: moderated by KasperL - 17 stars)
18. Best of criticker: Drama (public: moderated by avgcrtckr - 17 stars)
19. They Shoot Pictures 1,000 Greatest Films (2013 revision) (public: moderated by rant1229 - 16 stars)
20. They Shoot Pictures 1,000 Greatest Films (2011 revision) (public: moderated by PeaceAnarchy - 14 stars)
21. Sight and Sound 2012 (public: moderated by DavidB - 13 stars)
22. Films available in HD (public: moderated by kubricksucks - 12 stars)
23. Cannes Film Festival: Jury Prize (public: moderated by hristos - 12 stars)
24. films101.com's 5 star films (public: moderated by ppinocchio - 11 stars)
25. TimeOut's 1000 films to change your life (public: moderated by ppinocchio - 11 stars)
26. Harvard University's Suggested Film Viewing List: Narrative Films (public: moderated by dardan - 11 stars)
27. International Dictionary of Films and Filmmakers (public: moderated by PeaceAnarchy - 10 stars)
28. Sight and Sound 2002 (public: moderated by PeaceAnarchy - 9 stars)
29. Best of criticker: Mystery (public: moderated by avgcrtckr - 8 stars)
30. David Thomson's 1000 Films (public: moderated by MMAlpha - 7 stars)
31. Amos Vogel: Film as a Subversive Art (public: moderated by edsu - 7 stars)
32. Black and White Photography (public: moderated by JooJoo - 6 stars)
33. List: Taschen (public: moderated by KasperL - 6 stars)
34. TSPDT Top 200 Directors: Best Film (public: moderated by PeaceAnarchy - 6 stars)
35. Best of criticker: Romance (public: moderated by avgcrtckr - 6 stars)
36. Great Long Takes (public: moderated by PerryStroika - 6 stars)
37. Films referenced in Histoire(s) du cinéma (public: moderated by PeaceAnarchy - 5 stars)
38. missing person / mysterious disappearance (public: moderated by livelove - 5 stars)
39. Cinemag's Best 200 films Ever Created! (public: moderated by hristos - 4 stars)
40. They Shoot Pictures 1,000 Greatest Films (2007 revision) (public: moderated by Scottathon - 4 stars)
41. The Spectator's 50 Essential Films (public: moderated by MMAlpha - 4 stars)
42. List: The Essential 100 by TIFF (expert panel) (public: moderated by KasperL - 4 stars)
43. Edward Copeland's Ray Memorial 100 (public: moderated by theficionado - 3 stars)
44. The Auteurs World Cup (public - 3 stars)
45. TIFF Essential 100 (public: moderated by theficionado - 3 stars)
46. Islands (public: moderated by Hadleyreis - 3 stars)
47. Booed at Cannes (public: moderated by Ag0stoMesmer - 3 stars)
48. Little to no plot (public: moderated by juandr - 3 stars)
49. John Kobal Presents The Top 100 Movies (public: moderated by CCLZA - 1 star)
50. J. Castedo's "The Top 100 Films of the 20th Century" (public: moderated by CCLZA - 1 star)
51. Martin Scorsese's "My Voyage to Italy" (public: moderated by CCLZA - 1 star)
52. Desert island (public: moderated by Moribunny - 1 star)
53. Taschen 100 All-time favorites movies (public: moderated by hristos - 1 star)
54. Italian director (public: moderated by iconogassed - 1 star)
55. Cannes 1960 Official Selection (public: moderated by djross)
56. Sicily (public: moderated by Moribunny)
57. Antoniennui (public: moderated by edsu)
58. Mubi Europe (public: moderated by Svengali)
59. Versátil Home Video (public: moderated by allegreller)
60. Films that appear on They Shoot Pictures, Don't They?, Cahiers du Cinema and Sight & Sound Directors and Critics' ALL TIME Top 100 Lists (public: moderated by CCLZA)
61. They Shoot Pictures, Don't They?: TOP 100 (public: moderated by CCLZA)
62. Referenced in Zeroville (public: moderated by iconogassed)
63. Knoroz watchlist (public: moderated by knoroz)
64. Empire's 500 Greatest Movies Of All Time (private: Ross - 36 stars)
65. They Shoot Pictures 1,000 Greatest Films (2020 revision) (private: djross - 13 stars)
66. Martin Scorsese's Foreign Film List (private: Hkit - 10 stars)
67. The Village Voice: 150 Groundbreaking Films (private: kevinjoseph - 9 stars)
68. Sight & Sound 2012 Directors' Top 100 Greatest Films of All Time (private: Whyte Nite - 7 stars)
69. Criterion Art House Essentials (private: asperastrum - 4 stars)
70. edkrak films to see (private: edkrak - 3 stars)
71. Dan Sallitt "red" films (private: Scottathon - 3 stars)
72. Romance for the Morbidly Sensitive (private: PerryStroika - 3 stars)
73. Unconventional Cinema (private: holsgr - 3 stars)
74. Criterion Collection (Blu-ray and 4K) (private: PepeCamello - 3 stars)
75. Djross film as art (private: djross - 3 stars)
76. The Criterion Channel (private: caffe - 2 stars)
77. List: The Essential 100 by TIFF (private: KasperL - 1 star)
78. Cinetheque (private: allegreller - 1 star)
79. The Greatest Movies of All Time - Filmweb's Alternative Top 500 (private: Hadleyreis - 1 star)
80. 4: Rewatches (private: KasperL)
81. films to rewatch (private: kubricksucks)
82. Djross 1960 top ten (private: djross)
83. Moribunny's favorite Italian movies (private: Moribunny)
84. My DVD Collection (private: balseiros)
85. Filmspotting Ratings Project: Week 7 (private: PeaceAnarchy)
86. Movies I Own (private: Farzan)
87. Antagony & Ecstacy: The Best Films of All Time (private: Nroo)
88. Rewatch & Random (private: ForrestQ)
89. My Criterions (private: Matthew Parkinson)
90. D:Movies (private: ptkw)
91. Djross Italian feature films I've seen (private: djross)
92. Tom's Movies (private: tomwalsh)
93. REWATCH (private: AFlickering)
94. Sight and Sound 2012 - Combined List - Part I (private: Ariaz)
95. time was (private: rnest)
96. toucé (private: rnest)
97. Cast aAwayAdam (private: rnest)
98. La Fémis 208 films (private: chengming)
99. 90+ (private: Daria)
100. TAC movie discussion ~o~ (private: 5Z5qjRCfM2)
101. My ratings (private: tpbradbury)
Browse the full list of collections
| Stars | User | Rating | |
| 2 |  |
eveelun | 76 62% |
|
Slow and ponderous, often intriguing, sometimes dull. I enjoyed the first 45 minutes or so more than the rest, though there were some interesting parts later on. The film is consistently well shot, the symbolism is at times a bit blatant. Not my favorite Antonioni, but still worthwhile.
|
|||
| 2 |  |
eraserhead | 100 95% |
|
Monica Vitti in my heart forever
|
|||
| 2 |  |
Pickpocket | 8 82% |
|
Admittedly this is a very slow movie but it is also never boring and wouldn't work any other way. The first hour is an easy 10 but it kinda falls apart until the end. Still worth seeing.
|
|||
| 2 |  |
Alex Watkins | 4 70% |
|
The thematically richer, but less mysterious, twin to L'eclisse.
|
|||
| 2 |  |
Paxton | 70 63% |
|
There's this one shot that lingers a little too long and that happens one hundred times.
|
|||
| 2 |  |
AndreasThau | 60 42% |
|
Boy was I bored. If it hadn't been for the beautiful work of art that this film, from an objective point of view, is, I'd hate it. But it was one of those experiences where your aesthetic sense is stimulated to an extreme degree, while the plot makes you fall asleep. It's the world's best sleeping pill, this combination, you're bored but still impressed and you get sucked into you pillow with a smile on you face... I love the mood of old italian films like this, still, so it's on the plus side.
|
|||
| 2 |  |
yesistasty | 97 95% |
|
We are all in our separate orbits, observing each other from afar, disappearing unexpectedly, and colliding in unexpected ways. Antoniono's slow, quiet, beautiful L'avventura is one of the greatest cinematic expression of that fact I've ever encountered.
|
|||
| 2 |  |
CCLZA | 90 95% |
|
Once you get into it, you can't stop watching. It's like a cinematic pleasure just to see Monica Vitti in this. A true masterpiece in every level. You'll never forget the beautiful ending scene.
|
|||
| 1 |  |
IeuanDP | 90 92% |
|
The rapid, almost numb shifts in the consciousness of L'aaventura and its characters are so uniquely powerful and disconcerting. Anna mysteriously flees the emptiness of a relationship that's born out of the listlessness of decadence - she escapes a superficial forgery of love that's used to plug the existential hole that this forms, and in her place, Claudia is confined by it. This is beautifully shot, leaving the feeling that each environment somehow facilitates these shifts in consciousness.
|
|||
| 1 |  |
90sCoffee | 60 16% |
|
Shockingly boring considering the premise. The cinematography isn't even well done considering it's Italy and other films do it just as well without the moping. Rich people are dissatisfied with their empty lives and distract themselves...there's nothing profound or entertaining here, not even wit.
|
|||
| 1 |  |
mattorama12 | 73 71% |
|
An intriguing film, and one that's not easy for me to rate. It has a sort of hypnotic quality to it, which kept it from feeling slow or plodding despite being objectively slow moving. But there also doesn't seem to be much there there. The social elite are vacuous, but is there really anything more to it than that? I'm not sure. PS, Vitti and Ferzetti are in the running for best-looking screen couple of all time.
|
|||
| 1 |  |
Noblet | 76 60% |
|
Beautiful, but the last 30 minutes or so are pretty empty and pointless since the film has hammered home it's themes pretty thoroughly by then.
|
|||
| 1 |  |
PerryStroika | 70 85% |
|
Antonioni has become a period filmmaker, and L'avventura is stamped, in every sense, as a work of the early sixties. I find his approach too literary, and undramatic for its own good. That said, his films gain much by Vitti's presence. Her face is a delicate barometer of the minutest turnings of mental weather. Never have a director and actress dwelled so completely inside each other.
|
|||
| 1 | Jazzaloha | 96 99% |
|
|
The difference between what men want from women and what women want from men leads to tragic circumstances. Humans deserve pity.
|
|||
| 1 |  |
FrederikA | 50 33% |
|
....so.... This is a classical masterpiece why?
|
|||
| 1 | psychedelicr | 80 65% |
|
|
Holy, Monica Vitti is stunning--you don't see beauty like that quite often, especially today. I had to really reconsider the ending for a few hours, and I've come to the agreement that it is a brilliant ending. Truly, the film is boring. His long takes are torturous (very much unlike anything Tarkovsky does), and his mise-en-scene is torrid (intentionally so, of course). I can still say that seeing something like this in a movie theater must have been hypnotizing.
|
|||
| 1 |  |
fenixdown | 82 83% |
|
A listless tale with impeccable visuals.
|
|||
| 1 |  |
Dean Franz | 50 42% |
|
If you enjoy superficial beauty and abhor substance, this is the film for you. Every meaningless gesture and howlingly bland line of dialogue takes place in gorgeous settings shot and framed exquisitely.
|
|||
| 1 |  |
Vandelay1 | 84 93% |
|
Nice Movie
|
|||
| 1 |  |
syvyys | 94 98% |
|
i always thought l'avventura is more about how men want to possess women, than about this 'ennui'-thingy. so annas decision to disappear from the patriarchic system is the first, the happy end. she just isn't daddys girl anymore. cool, but she had to vanish. LATER. in one of the first scenes you see claudias hands waving in the wind - free. the very same hands, which are chained to sandro at the second end. she isn't free anymore, she has fallen in love with the system that imprisons her.
|
|||
| 1 |  |
frederic_g54 | 7 57% |
|
Antonioni leaves us with an unresolved plot, as he slowly indicates signs of self-indulgence and little concern for its audience. I appreciate the craftsmanship behind it all; It's beautifully shot and the actors are great but I'll take La Dolce Vita any day over this. Both films end on a similar note yet everything leading up to it is presented in a more promising light.
|
|||
| 1 |  |
Stain | 80 68% |
|
A real achievement. A movie about boredom and meaninglessness that itself isn't boring at all
|
|||
| 1 |  |
TedDedon | 90 86% |
|
The first hour or so of L'Avventura is fantastic. Beautifully shot and clearly the master Antonioni knows how to encapsulate Italy on screen better than virtually anyone else. When the meat of the story kicks in, it starts to lose its majestic air about it, however, it's still an excellent movie all the way through. It is a slow movie, but never boring; if you have the patience to sit through the two and a half hours of L'Avventura expect to be very rewarded.
|
|||
| 1 |  |
Suture Self | 10 96% |
|
L'AVVENTURA isn't immediately satisfying but I'm sort of in love with it and believe it to be the best of the alienation trilogy. It follows a cast of wealthy people who go on glamorous boating trips and live with financial ease. Yet despite having everything, there's a sense that everybody is malnourished, lacks meaning in their lives, and is held down by one another's possessive grip - this especially applies to the female characters. Elegant and subtle.
|
|||
| 1 |  |
Nathan S | 5 93% |
|
Confounding and elusive, because it's so antithetical to the established grammars of romance, mystery, and melodrama. Simply, there's very little didactic narrative thrust or psychological insight. It's an amalgamation of mostly non-events which coalesce into mood. Patience required and rewarded, for its lingering only serves to turn its most sentimental moments revelatory.
|
|||
| 1 |  |
djross | 74 83% |
|
Figures trapped in fore- or background play out the pathologies of contemporary desire and existence in a way that is sometimes tedious, but the relentlessness of the exercise, however formal it seemed at times to be, ultimately induced in this viewer a disconcerting and unsettling sense of the horrific aspects of human social and sexual relations (though personal circumstances cannot be excluded as a contributing factor). One problem is that Massari's character is the most interesting.
|
|||
| 1 |  |
Moribunny | 88 96% |
|
Will test your patience, because some parts are slow-paced and the rest is rich in inconsequential events and conversations... but you'd better believe it's exactly as it should be. I adore Antonioni's sense of time, for instance the typical love scene ending in "it's getting late, let's go": Nothing is eventual, there's always continuity. This somehow serves to augment the quintessentially mediterranean scenario. A beautiful, well-written, well-directed movie.
|
|||
| 1 |  |
larmor | 70 63% |
|
Anachronistically, even though I approve of the goal, these critiques of bourgeois society and morals get old (the Exterminating Angel was way better in that sense). So, while it's beautifully shot, it also felt predictable. Watching it in the 60s, before seeing thematically close movies (Rohmer, Fellini), would have probably changed my perception. I also couldn't see any hint of sympathy from Antonioni towards his characters. I really believe he loathes them and shows their corruption.
|
|||
| Average Percentile 70.97% from 1801 Ratings |  |