Ali: Fear Eats the Soul (1974)

Your Rating
Emmi, a woman truly in the second half of life falls in love with Ali, an more than ten years younger Arab guest worker.
Country: West Germany
Directed By: Rainer Werner Fassbinder
Written By: Rainer Werner Fassbinder
Starring: Brigitte Mira, El Hedi ben Salem, Barbara Valentin, Irm Hermann, Elma Karlowa, Anita Bucher, Rainer Werner Fassbinder, Doris Mattes, Lilo Pempeit, Gusti Kreissl, Margit Symo, Katharina Herberg

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Ali: Fear Eats the Soul belongs to 118 collections
1. 1001 Movies You Must See Before You Die (public: moderated by kozan26 - 182 stars)
2. Criterion Collection (public: moderated by caffe - 125 stars)
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Apr 20 | CherrySponge | 94 99% |
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Apr 19 | fictionfitz | 86 89% |
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Apr 13 | benrad | 60 27% |
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dissociative | 40 67% |
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mandm11 | 88 76% |
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kennkoon | 83 87% |
Feb 08 | ![]() |
zoPZ! | 85 94% |
Among Fassbinder's most visually attractive films, and yet the sparseness that occupies every shot (extending to the script) is a great device for establishing open spaces that you can feel. I'm sure this is all very conducive to analysis, but analysis is not the first thing I feel like conducting so shortly after having seen it. The fact is, it is a very simple film, and much of its' power comes from not beating around the bush.
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Feb 03 | ![]() |
filmdoc | 96 97% |
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Oct 29, 2017 | hsling04 | 15 1% |
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jessb | 85 61% |
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Oct 11, 2017 | JohnPaul821 | 75 55% |
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LB94 | 84 84% |
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dead man | 89 88% |
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Komiyela | 80 57% |
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cancezayirli | 80 69% |
Jul 16, 2017 | zahrast | 100 95% |
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Jul 10, 2017 | ![]() |
ott | 89 90% |
The open ending is what makes this a masterpiece. Racism is not just beaten. Everyone is flawed. I felt intense weltschmerz while watching this film. I can easily see why this is among Aki Kaurismäkis favorites.
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emreyuksel | 81 77% |
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feranmeraler | 75 59% |
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Pecota | 100 88% |
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kcknz | 80 66% |
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aurora | 99 99% |
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interesting view on racism and some great shots, not as sad as it seems to be mad out to be but a realistic romance
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I swear vengeance on the coward that told me this was about Muhammad Ali!
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Mar 29, 2016 | hueflux | 97 85% |
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Mar 25, 2016 | ![]() |
Rufam | 75 72% |
Obvious and heavy-handed, it works less as a realist film and more as a sketch that satirically laments the crushing effect society has on the individual and how every group -even a couple- is built on power play. It's fittingly tragic that only the freest soul in the film admits to care about what others think. But, of course, this is also a love story: it's all about how Mira's vulnerability and Salem's stoicism create this little society of tenderness and manipulation.
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JakeAesthete | 90 90% |
(Rewatch) In light of certain recent events, this feels more poignant than ever. As it was, it's probably the only Fassbinder film with any real sense of warmth or humanism, which makes it more approachable and consequentially why it's one of his most popular. What i didn't appreciate before was how remarkably aesthetically accomplished it actually is as well (it practically looks like a Kaurismaki film!) The intertextuality with Sirk is here of course, but i think this transcends mere homage.
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awww. :)
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Niska | 46 86% |
Oct 12, 2015 | ![]() |
Boonmee | 80 77% |
Oct 10, 2015 | filmcave | 84 89% |
Displaying 1 to 250 of 1095 total rankings: Prev | Next
Average Percentile 72.26% from 1095 Rankings | ![]() |