Ali: Fear Eats the Soul (1974)
Emmi, a woman truly in the second half of life falls in love with Ali, an more than ten years younger Arab guest worker.
AKA: Angst essen Seele auf
Country: West Germany
Directed By: Rainer Werner Fassbinder
Written By: Rainer Werner Fassbinder
Starring: Brigitte Mira, El Hedi ben Salem, Barbara Valentin, Irm Hermann, Elma Karlowa, Anita Bucher, Rainer Werner Fassbinder, Doris Mattes, Lilo Pempeit, Gusti Kreissl, Margit Symo, Katharina Herberg
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Ali: Fear Eats the Soul belongs to 71 collections
1. 1001 Movies You Must See Before You Die (public: moderated by kozan26 - 210 stars)
2. Criterion Collection (public: moderated by caffe - 151 stars)
3. Roger Ebert: Great Movies (public: moderated by PeaceAnarchy - 75 stars)
4. They Shoot Pictures 1,000 Greatest Films (2008 revision) (public: moderated by Scottathon - 38 stars)
5. They Shoot Pictures 1,000 Greatest Films (2010 revision) (public: moderated by MMAlpha - 32 stars)
6. Passed the Bechdel Test (public: moderated by geohawk - 27 stars)
7. The Guardian's 1000 films to see before you die (public: moderated by PeaceAnarchy - 27 stars)
8. They Shoot Pictures 1,000 Greatest Films (2014 revision) (public: moderated by Jehan - 27 stars)
9. They Shoot Pictures 1,000 Greatest Films (2012 revision) (public: moderated by PeaceAnarchy - 25 stars)
10. Best of criticker: Top 250 (public: moderated by avgcrtckr - 20 stars)
11. They Shoot Pictures 1,000 Greatest Films (2017 revision) (public: moderated by iconogassed - 20 stars)
12. Criterion Collection (Blu-ray) (public: moderated by epiphany - 19 stars)
13. They Shoot Pictures' Recommended Viewing (public: moderated by Cinephile - 17 stars)
14. They Shoot Pictures 1,000 Greatest Films (2013 revision) (public: moderated by rant1229 - 16 stars)
15. The Story of Film: An Odyssey (public: moderated by rant1229 - 15 stars)
16. Great color cinematography (public: moderated by Alex Watkins - 14 stars)
17. They Shoot Pictures 1,000 Greatest Films (2011 revision) (public: moderated by PeaceAnarchy - 14 stars)
18. Best of criticker: Drama (public: moderated by avgcrtckr - 14 stars)
19. Sight and Sound 2012 (public: moderated by DavidB - 13 stars)
20. FIPRESCI Prize (public: moderated by paulofilmo - 12 stars)
21. Films available in HD (public: moderated by kubricksucks - 12 stars)
22. Best film of top directors (public: moderated by avgcrtckr - 12 stars)
23. TimeOut's 1000 films to change your life (public: moderated by ppinocchio - 11 stars)
24. International Dictionary of Films and Filmmakers (public: moderated by PeaceAnarchy - 9 stars)
25. New German Cinema (public: moderated by lucbapt - 9 stars)
26. Sight and Sound 2002 (public: moderated by PeaceAnarchy - 9 stars)
27. Remake (public: moderated by td888 - 8 stars)
28. Criticker top 250 (public: moderated by avgcrtckr - 8 stars)
29. Male Frontal Nudity (public: moderated by bobyang - 7 stars)
30. BFI Film Classics (public: moderated by MMAlpha - 7 stars)
31. TSPDT Top 200 Directors: Best Film (public: moderated by PeaceAnarchy - 6 stars)
32. The Gentlemen's Guide To Midnight Cinema Podcast (public: moderated by Coheed - 5 stars)
33. Ekşi Sinema "Alternatif" Top 250 (public - 5 stars)
34. They Shoot Pictures 1,000 Greatest Films (2007 revision) (public: moderated by Scottathon - 4 stars)
35. List: The Essential 100 by TIFF (expert panel) (public: moderated by KasperL - 4 stars)
36. Best of criticker: Romance (public: moderated by avgcrtckr - 4 stars)
37. Cross-cultural (public: moderated by paulofilmo - 3 stars)
38. Edward Copeland's Ray Memorial 100 (public: moderated by theficionado - 3 stars)
39. TIFF Essential 100 (public: moderated by theficionado - 3 stars)
40. Full Male Frontal Nudity (Yes, Dick!) (public: moderated by iceblox - 3 stars)
41. IMDb Top of The 1970's (public: moderated by PeaceAnarchy - 2 stars)
42. Top 100 German films (public: moderated by PeaceAnarchy - 2 stars)
43. 501 Movie Directors (public: moderated by PeaceAnarchy - 2 stars)
44. Roger Ebert's 4-Star Movies (public: moderated by KirkJiggler - 2 stars)
45. Average Percentile >70 (public: moderated by peyrin - 2 stars)
46. Cannes 1974 Official Selection (public - 1 star)
47. Cannes - Prize of the Ecumenical Jury (public: moderated by Thegoodboy - 1 star)
48. Decent Remakes (public: moderated by DavidB - 1 star)
49. A Year of Essential Cinema (public: moderated by Ibetolis1 - 1 star)
50. age-gap relationship (public: moderated by livelove - 1 star)
51. Mark Kermode: 50 films every film fan should watch (public: moderated by Maaxwell - 1 star)
52. Cinema Discusso Yearly Consensus (2008) (private: PeaceAnarchy - 10 stars)
53. Martin Scorsese's Foreign Film List (private: Hkit - 10 stars)
54. The Village Voice: 150 Groundbreaking Films (private: kevinjoseph - 7 stars)
55. They Shoot Pictures 1,000 Greatest Films (2020 revision) (private: djross - 6 stars)
56. Sight & Sound 2012 Directors' Top 100 Greatest Films of All Time (private: Whyte Nite - 5 stars)
57. Canon Fodder by Paul Schrader (private: 5Z5qjRCfM2 - 2 stars)
58. gork movies to get (private: gork - 1 star)
59. Woman Protagonist (private: shalev - 1 star)
60. Pickpocket inaccurate PSI (private: Pickpocket - 1 star)
61. List: The Essential 100 by TIFF (private: KasperL - 1 star)
62. Lume Filmes (private: edsu - 1 star)
63. Criterion Collection (Blu-ray) (private: PepeCamello - 1 star)
64. 1974: Year in Review (private: polanski28)
65. Filmspotting Ratings Project: Week 13 (private: PeaceAnarchy)
66. Vicky (private: escarta)
67. Fassbinder's top ten of his own films, ca. 1981. (private: karamazov.)
68. Tom's Movies (private: tomwalsh)
69. Sight and Sound 2012 - Combined list - Part II (private: Ariaz)
70. seen (private: gamzeknc)
71. turkish critics önerileri (private: utkuka)
Browse the full list of collections
| Date | User | Rating | |
| Sep 23 | Facsimile | 65 40% |
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The film deals with complex themes in a bland and overly simplistic manner. All in all I did not find it enjoyable or enriching. I'm disappointed.
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| Sep 23 |  |
Timon88 | 89 94% |
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A truly touching depiction of loneliness and alienation. Brigitte Mara is absolutely wonderful. Some may say it makes its points in a heavy-handed fashion, but I have spent enough time in southern Germany to know that Fassbinder did not exaggerate his situations in the least.
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| Sep 20 | jphoff4 | 90 64% |
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| Sep 16 | WmvWisdom | 80 58% |
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| Sep 10 | extreme87 | 93 97% |
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| Sep 10 | NimiSa | 86 40% |
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| Sep 08 | rospo | 64 56% |
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| Aug 28 | theloca95 | 90 86% |
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| Aug 28 | salihayagmur | 94 68% |
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| Aug 24 |  |
Ammar44 | 75 44% |
| Aug 21 | jwortel | 75 65% |
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| Aug 18 | noteventime | 70 58% |
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| Aug 16 | dennislala | 100 93% |
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| Aug 14 | posetitel | 78 73% |
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| Aug 12 | ylajali | 48 30% |
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| Aug 10 | c4e5g3d5 | 90 83% |
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| Aug 10 | belfastboy | 80 83% |
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| Aug 05 |  |
IMDb_rating | 81 90% |
| Aug 04 | hertzfeldts | 88 98% |
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| Jul 26 |  |
ZephSilver | 80 89% |
| Jul 23 | Eggeplante | 100 98% |
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| Jul 18 | tj_allemaal | 100 65% |
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| Jul 18 | mcirish52 | 85 54% |
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| Jul 18 |  |
tipieserozge | 70 71% |
| Jul 17 |  |
mannaz230 | 60 46% |
| Jul 11 | viodawn | 80 72% |
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| Jul 09 | Nacho353 | 60 76% |
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| Jul 04 | kappeuter | 70 67% |
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| Jul 03 |  |
SheWas | 80 89% |
| Jun 28 | n2cfilm | 80 0% |
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| Jun 24 |  |
SpecUsame | 80 53% |
| Jun 22 | drrockso | 95 66% |
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| Jun 19 | Noel74 | 94 76% |
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| Jun 13 | D Lightman | 70 70% |
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| Jun 12 | Memster81 | 83 26% |
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| Jun 11 | chengming | 70 62% |
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Yeah, that kind of punk filmmaking is interesting - but man, the story is told a bit overly simplistically, no?
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| Jun 09 |  |
fruggman | 90 80% |
| Jun 06 |  |
TheShiznit | 75 97% |
| Jun 02 |  |
Grouchy | 81 57% |
| May 21 |  |
Omid Ranjbar | 36 22% |
| May 13 | selcukburcak | 67 25% |
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| May 10 |  |
omeremre | 55 19% |
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ırkçılık; sinemada sığ, derinlikten yoksun bir dil kadar kötüdür.
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| May 06 | simsorut | 90 87% |
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| May 02 |  |
Kolasnustin | 88 79% |
| May 02 |  |
pofubella | 86 67% |
| Apr 27 |  |
FinFangFoom | 84 46% |
| Apr 26 |  |
Berlinka | 88 59% |
| Apr 20 | jlafount | 80 97% |
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| Apr 19 |  |
berkayb0 | 80 90% |
| Apr 19 |  |
dlthompson | 90 80% |
| Apr 16 |  |
riyadist | 89 87% |
| Apr 15 | sergerde | 90 94% |
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| Apr 15 |  |
rafailia_th | 89 87% |
| Apr 14 |  |
Fäctarn | 56 27% |
| Apr 13 |  |
firdeva | 90 89% |
| Apr 11 | ackdet | 84 52% |
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| Apr 10 |  |
onfim | 9 77% |
| Mar 31 | retrolice | 70 98% |
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| Mar 31 | Pleveen | 94 72% |
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| Mar 30 |  |
Amita | 90 94% |
| Mar 26 | spearmint | 86 85% |
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| Mar 22 |  |
tayanc | 80 66% |
| Mar 17 | trankobuskas | 77 67% |
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| Mar 15 |  |
mrsdalloway | 55 37% |
| Mar 01 | CineLounge | 74 81% |
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| Feb 29 | CMWL | 1 0% |
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| Feb 27 |  |
Hyperion+ | 5 80% |
| Feb 26 |  |
ssavage | 80 84% |
| Feb 24 | blackendblue | 71 63% |
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| Feb 04 |  |
feublo | 85 74% |
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Sad, subtle and concrete with it’s strikingly beautiful colours. The slow, deranged moments strengthen it’s satirical entity, and wears it’s heart on it’s sleeve. Could not be more satisfied with my first Fassbinder.
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| Jan 28 |  |
Teproc | 44 19% |
| Jan 18 | LordKubrick | 98 80% |
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| Jan 18 |  |
sazsuite | 70 24% |
| Jan 11 |  |
Lemonya | 75 73% |
| Jan 10 | KamilPPP | 70 35% |
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| Jan 01 | colmener | 80 78% |
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| Dec 12, 2019 | peachtrees | 90 80% |
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| Nov 22, 2019 | Rush | 90 0% |
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| Nov 19, 2019 | georgew | 92 95% |
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| Nov 06, 2019 | flipperrbm | 9 96% |
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| Nov 05, 2019 | brennanc | 16 78% |
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| Nov 03, 2019 | babil7 | 90 81% |
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| Nov 01, 2019 | scenoj | 90 0% |
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| Oct 30, 2019 | baranc | 75 67% |
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| Oct 24, 2019 | davidultra | 60 25% |
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| Oct 20, 2019 | deob83 | 80 92% |
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| Oct 08, 2019 | vesuvius | 62 55% |
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| Oct 08, 2019 |  |
nothings | 71 65% |
| Oct 05, 2019 | pootero | 80 65% |
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| Oct 03, 2019 |  |
M_A | 89 94% |
| Sep 29, 2019 | slanbexx | 91 94% |
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| Sep 25, 2019 |  |
orcunselvi | 95 97% |
| Sep 25, 2019 | Random4523 | 100 70% |
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| Sep 19, 2019 |  |
tomten | 100 90% |
| Sep 03, 2019 |  |
wintersunset | 70 61% |
| Aug 26, 2019 | aunsalg82 | 60 28% |
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| Aug 24, 2019 | sven_usling | 80 78% |
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| Aug 22, 2019 | gurkov | 80 84% |
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| Aug 14, 2019 | account2 | 73 89% |
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| Aug 09, 2019 |  |
bal3x | 90 96% |
| Aug 08, 2019 |  |
meliorism | 85 87% |
| Aug 03, 2019 |  |
NathanBates | 60 34% |
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A beautiful film with some amazing shots, but there were a few jumps in the plot that I just couldn't make sense of (were they fantasy or dream sequences? but that wouldn't make sense either). The racism commentary was quite powerful, especially since -- just changing a few nationalities around -- it's still an issue today. (As a completely unconnected aside, I think a movie about the bartender would have been captivating.)
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| Jul 24, 2019 | Supecte | 84 94% |
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| Jul 14, 2019 |  |
arozge | 80 77% |
| Jul 11, 2019 |  |
Æneαs | 90 92% |
| Jul 09, 2019 |  |
SedaB | 72 37% |
| Jul 07, 2019 | ryan1984 | 100 97% |
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| Jul 01, 2019 |  |
kuzronk | 80 94% |
| Jun 27, 2019 | mefeçe | 90 81% |
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| Jun 27, 2019 | mbramhald13 | 90 88% |
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| Jun 22, 2019 | xombiemonkey | 10 98% |
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| Jun 14, 2019 |  |
karatoprak | 79 84% |
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being alone hurts. so does being together.
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| Jun 12, 2019 |  |
Nangijala | 80 82% |
| Jun 09, 2019 | franny g | 60 56% |
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| May 29, 2019 | Slowjoe | 60 37% |
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| May 25, 2019 |  |
vivel.amour | 72 11% |
| May 13, 2019 | dracular | 80 87% |
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| May 01, 2019 | victorniglio | 8 32% |
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| Apr 23, 2019 | AHALE80 | 90 92% |
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| Apr 12, 2019 |  |
mrbluesky | 85 66% |
| Apr 03, 2019 | userr | 85 70% |
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| Mar 22, 2019 |  |
DarrenCB | 90 85% |
| Mar 21, 2019 |  |
xybydy | 90 94% |
| Mar 21, 2019 |  |
PSJ | 71 49% |
| Mar 20, 2019 |  |
Brewster | 80 90% |
| Mar 17, 2019 | lillakniven | 80 87% |
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| Mar 16, 2019 | tallkotte | 9 96% |
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| Mar 15, 2019 |  |
jeanhuxley | 84 78% |
| Mar 05, 2019 |  |
ElsaH | 87 76% |
| Mar 05, 2019 | mate_cosido | 70 40% |
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| Mar 03, 2019 |  |
le mami | 87 92% |
| Feb 24, 2019 |  |
Cigo | 10 92% |
| Feb 24, 2019 |  |
offlineoz | 90 91% |
| Feb 22, 2019 | sandman248 | 100 94% |
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| Feb 22, 2019 |  |
yukselsardag | 80 72% |
| Feb 21, 2019 | MortSahlFan | 80 78% |
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| Feb 09, 2019 |  |
gamzeknc | 82 83% |
| Feb 06, 2019 |  |
finchereznor | 90 90% |
| Feb 04, 2019 |  |
Ozcan | 87 77% |
| Feb 02, 2019 |  |
bhalac | 92 96% |
| Feb 01, 2019 |  |
punpun | 70 55% |
| Jan 29, 2019 |  |
bobyang | 90 92% |
| Jan 28, 2019 |  |
Lionel Hutz | 74 73% |
| Jan 26, 2019 | Andan | 80 86% |
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| Jan 24, 2019 | braincaster | 85 91% |
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| Jan 19, 2019 |  |
jokevv | 90 99% |
| Jan 19, 2019 | ibi8588 | 100 98% |
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| Jan 18, 2019 | knives | 80 76% |
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| Jan 17, 2019 |  |
cascade | 74 71% |
| Jan 13, 2019 | gossamer2019 | 75 79% |
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| Jan 10, 2019 | Teerak | 60 33% |
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| Jan 08, 2019 | leemarvins | 80 66% |
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| Jan 04, 2019 | Elephant | 87 65% |
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| Jan 04, 2019 | mrmiffy | 70 66% |
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| Jan 04, 2019 |  |
ozdemirb | 70 41% |
| Dec 28, 2018 |  |
jndcnr | 80 78% |
| Dec 25, 2018 |  |
sonya semyon | 86 69% |
| Dec 22, 2018 | kjones77 | 90 93% |
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| Dec 10, 2018 |  |
biskotin | 80 76% |
| Dec 09, 2018 |  |
erayc | 90 89% |
| Dec 06, 2018 | mathiasa | 90 96% |
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| Dec 03, 2018 |  |
worrywirt | 60 31% |
| Dec 01, 2018 |  |
Dennis Li | 3 61% |
| Nov 21, 2018 | quirimb | 90 90% |
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| Nov 19, 2018 |  |
Walterpoa | 84 86% |
| Nov 12, 2018 |  |
niviskar | 91 98% |
| Oct 28, 2018 |  |
karan04 | 100 97% |
| Oct 25, 2018 | intheboolite | 60 25% |
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| Oct 23, 2018 |  |
drdutw | 88 92% |
| Oct 20, 2018 | dr_Robert | 2 11% |
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| Oct 19, 2018 | sourheart | 92 89% |
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Beautiful, very interesting elipses. E's comment that work ruins his health restructured the entire experience for a better understanding
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| Oct 16, 2018 |  |
skinnylegend | 80 95% |
| Oct 13, 2018 |  |
themoviepl | 89 50% |
| Oct 10, 2018 |  |
twijfel | 67 61% |
| Oct 09, 2018 |  |
nihilcthulhu | 90 88% |
| Sep 30, 2018 | TheBreather | 80 72% |
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| Sep 26, 2018 |  |
ShaunLewis54 | 92 94% |
| Sep 24, 2018 |  |
fluland | 91 93% |
| Sep 24, 2018 |  |
serinkuytu | 90 88% |
| Sep 23, 2018 | M-B-M | 8 95% |
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| Sep 22, 2018 |  |
deanjames | 80 78% |
| Sep 20, 2018 |  |
agzel | 70 22% |
| Sep 20, 2018 |  |
derzulya | 7 76% |
| Sep 15, 2018 |  |
larmor | 65 58% |
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The first two thirds worked very well for me as an unfortunately still timely depiction of racism. The fact that overcoming it was due to material concerns is an interesting observation. But it overall lacks so much social/class analysis. The third part exemplifies it: out of the blue sky, Emmi refuses to go towards Ali who, in utter disregard of his previous characterization, starts wandering away. Except for allusions, virtually no social analysis is provided.
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| Sep 05, 2018 |  |
Modaal | 88 48% |
| Sep 05, 2018 | HakkaMex | 8 84% |
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| Sep 05, 2018 |  |
90sCoffee | 80 82% |
| Sep 01, 2018 |  |
redboots | 90 94% |
| Aug 30, 2018 | aron92 | 90 0% |
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| Aug 26, 2018 |  |
parcaliham | 95 95% |
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26 August 18 & Fassbinder's spectacular space use, simple yet impressive camera movements and the minimal performance of the acting is impressive. I haven't seen such a fragile film in a long time.
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| Aug 20, 2018 |  |
bluestblues | 9 96% |
| Aug 07, 2018 |  |
JSchlansky | 80 78% |
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Finally a movie that depicts the dark reality of people purchasing drinks and then not drinking them.
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| Aug 07, 2018 | filmbantha | 70 63% |
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| Aug 06, 2018 |  |
arrow-s | 83 88% |
| Aug 02, 2018 |  |
brkshn | 90 93% |
| Jul 26, 2018 | njm1211 | 93 59% |
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| Jul 26, 2018 |  |
CMQuinn | 80 71% |
| Jul 22, 2018 |  |
ilker | 95 96% |
| Jul 17, 2018 | SyphilisDad | 58 77% |
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| Jul 15, 2018 | mfl | 49 20% |
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| Jul 12, 2018 | engi | 75 89% |
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| Jul 11, 2018 |  |
britneybitch | 90 46% |
| Jul 07, 2018 | ayad.moosavi | 60 23% |
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| Jul 01, 2018 | CinemaLover7 | 90 79% |
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| Jun 29, 2018 |  |
zepsster | 80 82% |
| Jun 25, 2018 | AchwellFoley | 23 10% |
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| Jun 24, 2018 |  |
jagarnyfiken | 76 70% |
| Jun 19, 2018 |  |
FreddieQuell | 97 98% |
| Jun 13, 2018 |  |
ilkyaz | 75 60% |
| Jun 11, 2018 | larax | 83 82% |
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| Jun 06, 2018 |  |
balseiros | 90 90% |
| Jun 01, 2018 | josuebochi | 85 89% |
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| May 31, 2018 | Krafty | 95 92% |
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| May 30, 2018 |  |
Daisoujou | 95 90% |
| May 27, 2018 | Omar96amri | 80 64% |
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| May 18, 2018 |  |
gunay | 97 91% |
| May 18, 2018 | Amir abbas | 77 86% |
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| May 07, 2018 | Grandaddy | 60 29% |
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| May 01, 2018 |  |
bhajansunlo | 84 91% |
| Apr 30, 2018 | grabmymask | 75 45% |
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| Apr 29, 2018 | Ratticus | 92 70% |
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| Apr 28, 2018 | lerelolli | 80 69% |
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| Apr 27, 2018 | horazalra | 75 50% |
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| Apr 24, 2018 | Philosofem | 79 71% |
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| Apr 21, 2018 | CherrySponge | 94 96% |
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| Apr 19, 2018 | fictionfitz | 86 91% |
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| Apr 13, 2018 | benrad | 60 27% |
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| Apr 07, 2018 | nyg500 | 84 88% |
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| Apr 03, 2018 | T86g | 84 70% |
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| Apr 01, 2018 |  |
gozdebal | 90 98% |
| Mar 27, 2018 | 110or220 | 80 79% |
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| Mar 25, 2018 |  |
dissociative | 40 69% |
| Mar 19, 2018 |  |
DeadFox | 76 47% |
| Mar 17, 2018 | allneonslike | 88 97% |
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| Mar 16, 2018 |  |
Kobaruon | 70 73% |
| Mar 16, 2018 |  |
Silp | 98 92% |
| Mar 11, 2018 |  |
ozgurrt | 100 98% |
| Mar 09, 2018 |  |
scott.mcc | 90 97% |
| Mar 09, 2018 |  |
gulahgula | 100 96% |
| Mar 04, 2018 | Ummagumma | 95 92% |
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| Mar 03, 2018 |  |
Tumerens | 85 68% |
| Feb 27, 2018 | darkbloom | 100 97% |
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| Feb 26, 2018 | Cernat | 83 58% |
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| Feb 20, 2018 |  |
xmoffx | 4 67% |
| Feb 18, 2018 |  |
Zafer | 100 98% |
| Feb 16, 2018 |  |
mandm11 | 88 79% |
| Feb 08, 2018 |  |
Archeologian | 85 94% |
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Among Fassbinder's most visually attractive films, and yet the sparseness that occupies every shot (extending to the script) is a great device for establishing open spaces that you can feel. I'm sure this is all very conducive to analysis, but analysis is not the first thing I feel like conducting so shortly after having seen it. The fact is, it is a very simple film, and much of its' power comes from not beating around the bush.
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| Feb 03, 2018 |  |
filmdoc | 96 98% |
| Jan 14, 2018 | cgdsn | 90 51% |
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| Jan 12, 2018 |  |
gonuldurmaz | 85 76% |
Displaying 1 to 250 of 1290 total ratings: Prev | Next
| Average Percentile 74.87% from 1290 Ratings |  |
