Cleo from 5 to 7 (1962)
Cleo, a singer and hypochondriac, becomes increasingly worried that she might have cancer while awaiting test results from her doctor.
AKA: Cléo de 5 à 7
Directed By: Agnès Varda
Written By: Agnès Varda
Starring: Anna Karina, Sami Frey, José Luis de Villalonga, Jean-Claude Brialy, Corinne Marchand, Antoine Bourseiller, Dominique Davray, Dorothée Blank, Michel Legrand, Eddie Constantine, Jean-Luc Godard, Loye Payen
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Cleo from 5 to 7 belongs to 67 collections
1. 1001 Movies You Must See Before You Die (public: moderated by kozan26 - 194 stars)
2. Criterion Collection (public: moderated by caffe - 138 stars)
3. Roger Ebert: Great Movies (public: moderated by PeaceAnarchy - 73 stars)
4. Female Directors (public: moderated by PeaceAnarchy - 71 stars)
5. Features under 91 minutes (public: moderated by epiphany - 43 stars)
6. They Shoot Pictures 1,000 Greatest Films (2008 revision) (public: moderated by Scottathon - 37 stars)
7. Jonathan Rosenbaum's Top 1000 Movies (public: moderated by PeaceAnarchy - 35 stars)
8. They Shoot Pictures 1,000 Greatest Films (2010 revision) (public: moderated by MMAlpha - 32 stars)
9. They Shoot Pictures 1,000 Greatest Films (2014 revision) (public: moderated by Jehan - 27 stars)
10. They Shoot Pictures 1,000 Greatest Films (2012 revision) (public: moderated by PeaceAnarchy - 25 stars)
11. 24 hour (or less) timeframe (public: moderated by djross - 19 stars)
12. Female protagonist (public: moderated by djross - 19 stars)
13. French New Wave (public: moderated by Spunkie - 17 stars)
14. List: Empire's five star movies (public: moderated by KasperL - 17 stars)
15. They Shoot Pictures 1,000 Greatest Films (2017 revision) (public: moderated by medium pizza - 17 stars)
16. They Shoot Pictures' Recommended Viewing (public: moderated by Cinephile - 16 stars)
17. They Shoot Pictures 1,000 Greatest Films (2013 revision) (public: moderated by rant1229 - 16 stars)
18. The Story of Film: An Odyssey (public: moderated by rant1229 - 15 stars)
19. They Shoot Pictures 1,000 Greatest Films (2011 revision) (public: moderated by PeaceAnarchy - 14 stars)
20. Sight and Sound 2012 (public: moderated by DavidB - 13 stars)
21. Slant Magazine's 100 Essential Films (public: moderated by nexus - 12 stars)
22. Best of criticker: Drama (public: moderated by avgcrtckr - 12 stars)
23. Best film of top directors (public: moderated by avgcrtckr - 11 stars)
24. International Dictionary of Films and Filmmakers (public: moderated by PeaceAnarchy - 9 stars)
25. Harvard University's Suggested Film Viewing List: Narrative Films (public: moderated by dardan - 8 stars)
26. BFI Film Classics (public: moderated by MMAlpha - 7 stars)
27. TSPDT Top 200 Directors: Best Film (public: moderated by PeaceAnarchy - 6 stars)
28. They Shoot Pictures 1,000 Greatest Films (2007 revision) (public: moderated by Scottathon - 4 stars)
29. List: The Essential 100 by TIFF (expert panel) (public: moderated by KasperL - 4 stars)
30. Real time (public - 3 stars)
31. Edward Copeland's Ray Memorial 100 (public: moderated by theficionado - 3 stars)
32. TIFF Essential 100 (public: moderated by theficionado - 3 stars)
33. Films divided into chapters (public: moderated by djross - 2 stars)
34. 501 Movie Directors (public: moderated by PeaceAnarchy - 2 stars)
35. Roger Ebert's 4-Star Movies (public: moderated by KirkJiggler - 2 stars)
36. Sight and Sound 2002 (Single Vote) (public: moderated by PeaceAnarchy - 1 star)
37. Cats (public: moderated by Svengali - 1 star)
38. En Sevdiğim 50 Fransız Filmi (public: moderated by mentosibo - 1 star)
39. Michel Legrand (composer) (public: moderated by djross)
40. Cannes 1962 Official Selection (public: moderated by djross)
41. Character name in title (public: moderated by Pickpocket)
42. Mubi Europe (public: moderated by Svengali)
43. gork movies to get (private: gork - 1 star)
44. Woman Protagonist (private: shalev - 1 star)
45. allah (x4) bu nasıl sevmek (private: egebasaran - 1 star)
46. Djross 1962 top ten (private: djross)
47. Lesinrocks - top 100 french movies (private: Thegoodboy)
48. List: The Essential 100 by TIFF (private: KasperL)
49. 1962: Year in Review (private: polanski28)
50. Zevahir (Kasım '12) (private: parcaliham)
51. Filmspotting Ratings Project: Week 9 (private: PeaceAnarchy)
52. 1: Must-see (Not in English) (private: KasperL)
53. Antagony & Ecstacy: The Best Films of All Time (private: Nroo)
54. My Criterions (private: Matthew Parkinson)
55. Tom's Movies (private: tomwalsh)
56. Filmstruck Wishlist (private: kendell)
57. Forrest Watch List (private: ForrestQ)
58. Djross French feature films I've seen (private: djross)
59. m-canon (private: horazalra)
60. Italian cinema (private: Hadleyreis)
61. 3fd (private: rnest)
62. 100 (private: ehk2)
63. Films Dunstan Owns (private: Dunstan-xxx)
64. toucé (private: rnest)
65. seen (private: gamzeknc)
66. French cinema (private: Hadleyreis)
67. Djross film as art (private: djross)
Browse the full list of collections
| Date | User | Rating | |
| Sep 13 |  |
Karr | 75 40% |
| Sep 11 | Tharpedge | 65 30% |
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| Sep 11 |  |
balvares | 90 95% |
| Sep 10 |  |
Mr.Kubrick | 70 54% |
| Sep 05 |  |
ecenurcelik | 94 68% |
| Sep 03 | Fillmore | 74 52% |
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| Aug 31 | Candiru | 100 99% |
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| Aug 28 | Jesus Rollin | 70 76% |
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| Aug 22 | gurkov | 60 38% |
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| Aug 16 |  |
ludymylla | 92 88% |
| Aug 16 |  |
EbelC | 60 47% |
| Aug 12 |  |
Neonman | 78 57% |
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As a photographer, Varda is able to stage just about each shot so thoughtfully, as well as incorporate the everypeople of the streets. The central character, otherwise, is a bit of a rollercoaster to digest, who we should empathise with due to her anxieties, but also comes cross as a vain and egocentric little white girl (and the film seems to know this). This existential horror film has quite a lot to end on, and ends the landing casually, but not as difficultly as it could've.
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| Aug 10 | Panunzio | 79 77% |
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| Aug 09 |  |
bal3x | 70 71% |
| Aug 05 | orcun21 | 83 87% |
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| Aug 01 |  |
sufjan | 70 % |
| Jul 30 |  |
Joe Deering | 75 67% |
| Jul 26 | fatyoshi | 90 95% |
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| Jul 24 | proometheuss | 62 7% |
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| Jul 16 |  |
zmoats | 95 95% |
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Astounded, stirred, and deeply enamored by the final twenty minutes of the film. For such a existential high to make its bed with the simplicity in human connection drives home such an ever present beauty in the way Varda films the city of Paris and the lives therein.
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| Jul 15 | 7SnZLp | 100 68% |
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| Jul 04 |  |
windmeresfan | 80 68% |
| Jun 30 | dr_Robert | 3 37% |
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| Jun 18 | mikeparasol | 95 96% |
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| Jun 16 |  |
feyzamisty | 96 56% |
| Jun 15 | dlrkrbck | 90 75% |
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| Jun 12 |  |
Nangijala | 80 81% |
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omeremre | 85 89% |
| May 31 |  |
Zoltan | 65 56% |
| May 27 | Slowjoe | 60 37% |
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| May 25 |  |
maborosi | 81 82% |
| May 16 | sandman248 | 50 31% |
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| May 12 |  |
MoonLoop | 82 49% |
| May 01 | victorniglio | 7 12% |
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| Apr 29 |  |
wunderboyxD | 80 50% |
| Apr 24 | tay88 | 98 77% |
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| Apr 23 | AHALE80 | 90 % |
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| Apr 22 |  |
monclivie | 86 91% |
| Apr 22 | RodopLu | 46 11% |
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| Apr 22 |  |
natebarrios | 70 53% |
| Apr 20 |  |
selingoknar | 79 59% |
| Apr 19 |  |
Ericmss | 90 87% |
| Apr 17 |  |
Ozcan | 78 33% |
| Apr 15 | bidola | 90 93% |
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| Apr 14 |  |
Roz | 75 54% |
| Apr 06 |  |
closedmouth | 90 86% |
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The moments of quiet observation, the taxi ride; an extremely sensual and present film. Cleo is irritating at first, until her assistant's inner monologue indicates the film's self-awareness, and then she takes off that stupid wig and everything is basically perfect from then on.
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| Apr 04 |  |
nickv | 71 66% |
| Apr 03 |  |
kuzronk | 80 94% |
| Apr 03 |  |
Nathan | 85 88% |
| Apr 03 | crmassari | 81 87% |
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| Apr 02 |  |
utkuka | 75 65% |
| Mar 31 | Vahid.A.R | 100 % |
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| Mar 30 | seymour123 | 85 82% |
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| Mar 30 |  |
buttercup | 8 78% |
| Mar 30 |  |
frnk23 | 76 85% |
| Mar 30 |  |
filay | 80 80% |
| Mar 29 | toospaa | 99 58% |
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| Mar 24 |  |
Brewster | 60 62% |
| Mar 23 |  |
serenadsiir | 70 25% |
| Mar 18 |  |
dcatcher | 84 96% |
| Mar 18 | ilkyaz | 80 75% |
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| Mar 17 |  |
kidmaniac | 88 93% |
| Mar 16 | asperastrum () | 74 55% |
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| Mar 16 | tallkotte | 7 78% |
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| Mar 16 |  |
devrimozkan | 78 91% |
| Mar 10 |  |
fyodor16 | 93 81% |
| Mar 09 |  |
Spekho | 74 27% |
| Mar 09 |  |
AsiaEagles | 81 70% |
| Mar 08 |  |
Batty | 85 85% |
| Mar 07 |  |
dormice | 75 56% |
| Mar 06 | NevinLiu | 88 90% |
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| Mar 06 |  |
ergunbaydi | 94 85% |
| Mar 05 |  |
sinempierre | 100 97% |
| Feb 27 |  |
yaniv | 85 91% |
| Feb 26 | mmarczi | 80 43% |
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| Feb 23 |  |
gunaraf | 90 90% |
| Feb 23 | eihVvs | 90 % |
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| Feb 22 |  |
ilker | 80 64% |
| Feb 21 | MortSahlFan | 40 3% |
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| Feb 21 |  |
fluland | 90 88% |
| Feb 20 | chengming | 65 48% |
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This moves so much (and gives a great view of Paris in the 60's in the process) that it should be hard to make it uninteresting, and yet all the talking really doesn't do much for me.
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| Feb 20 | mcakmak | 85 78% |
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| Feb 15 |  |
voneverec | 65 30% |
| Feb 13 |  |
jeanhuxley | 90 92% |
| Feb 05 |  |
finchereznor | 80 66% |
| Feb 03 |  |
gamzeknc | 79 42% |
| Feb 01 |  |
punpun | 90 96% |
| Jan 30 |  |
twincinema | 85 86% |
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What the heck was going on in France in 1962? A man eating living frogs? A dude with a sword in his arm? Those dudes are cool as heck.
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| Jan 30 |  |
frederic_g54 | 9 89% |
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More than just a selfish cry for attention, Cleo's existential crisis is marked by a yearning for a genuine human connection, something I think anyone can relate to. While hopelessly flawed, she’s anything but unlikable, a memorable character who despite her self-centeredness manages to invite the audience's sympathy. Varda's dialogues and direction are top notch.
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| Jan 23 |  |
hsncomert | 90 94% |
| Jan 20 | Faruk O. | 85 47% |
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| Jan 19 |  |
jokevv | 70 75% |
| Jan 19 |  |
Carlos | 100 99% |
| Jan 15 | okayka | 80 59% |
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| Jan 14 |  |
buddhalou | 70 52% |
| Jan 13 | gossamer2019 | 88 93% |
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| Jan 04 |  |
ElsaH | 93 96% |
| Jan 04 | Kabbjeh | 60 37% |
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| Jan 04 |  |
hentroboss | 90 85% |
| Jan 02 |  |
me7ecnt | 80 69% |
| Dec 29, 2018 |  |
redboots | 80 75% |
| Dec 28, 2018 |  |
Curb | 82 84% |
| Dec 28, 2018 | atlasakin | 80 39% |
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| Dec 27, 2018 | Elephant | 90 78% |
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| Dec 25, 2018 |  |
sonya semyon | 95 90% |
| Dec 22, 2018 | knives | 67 26% |
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| Dec 20, 2018 | xacviant | 85 76% |
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Quite delightful, full of life despite being concerned with the fear of death. But how could Paris in the summer be otherwise?
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| Dec 17, 2018 |  |
gunay | 95 62% |
| Dec 16, 2018 | teaoverlord | 4 47% |
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| Dec 15, 2018 | jentze | 90 89% |
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| Dec 11, 2018 |  |
caga | 73 64% |
| Dec 10, 2018 |  |
biskotin | 80 76% |
| Dec 05, 2018 | mathiasa | 80 % |
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| Nov 30, 2018 |  |
vitruvian | 90 76% |
| Nov 17, 2018 |  |
dumbjaw | 78 86% |
| Nov 15, 2018 |  |
Kerc | 20 54% |
| Nov 13, 2018 | rasseneur | 91 84% |
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| Nov 11, 2018 | samurai | 8 75% |
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| Nov 04, 2018 | Zangin | 57 31% |
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| Nov 02, 2018 |  |
KamilPPP | 45 10% |
| Oct 31, 2018 |  |
ShaunLewis54 | 88 84% |
| Oct 29, 2018 | ladyfragile | 25 1% |
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| Oct 28, 2018 | muster07 | 74 31% |
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| Oct 27, 2018 |  |
jal90 | 78 57% |
| Oct 24, 2018 |  |
rezas | 90 84% |
| Oct 22, 2018 | JFA89 | 10 95% |
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| Oct 17, 2018 |  |
skinnylegend | 68 75% |
| Oct 14, 2018 |  |
meltemcilik | 70 74% |
| Oct 01, 2018 | spencerquinn | 87 92% |
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| Sep 30, 2018 |  |
SheWas | 67 72% |
| Sep 30, 2018 | TheBreather | 85 82% |
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| Sep 24, 2018 |  |
Icarus | 95 96% |
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Such a rich film, thematically and visually. Life, death, life. Isolation and connection. Aimless, purpose. There is much here to take in. And visually, the film never ceases to engage, with its regular use of close up, jump cuts, and naturalistic style. I am especially smitten with one cut near the end, Cleo and Antoine on a bench, then cut to extreme wide shot, a Lebanon cedar in the background. Beautifully and affectingly done.
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| Sep 23, 2018 |  |
serinkuytu | 90 88% |
| Sep 20, 2018 | ce8 | 79 88% |
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| Sep 19, 2018 | coldesser | 80 % |
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| Sep 18, 2018 |  |
bubsy | 8 96% |
| Sep 15, 2018 |  |
misspisces | 65 42% |
| Sep 12, 2018 |  |
Hyperion+ | 5 89% |
| Sep 09, 2018 |  |
sakaerka | 82 54% |
| Sep 07, 2018 | slatenf | 82 66% |
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| Sep 07, 2018 | LeeviJ | 85 79% |
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| Aug 31, 2018 | darius | 94 61% |
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| Aug 30, 2018 | HakkaMex | 6 51% |
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| Aug 22, 2018 | iammattr | 85 78% |
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| Aug 20, 2018 |  |
arrow-s | 75 67% |
| Aug 20, 2018 |  |
hemesdtnt | 90 73% |
| Aug 14, 2018 | rachelrox1 | 90 56% |
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| Aug 11, 2018 |  |
naifcan | 11 79% |
| Aug 07, 2018 | ddelapointe | 95 76% |
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| Jul 29, 2018 |  |
dundjay | 63 47% |
| Jul 16, 2018 | WmvWisdom | 80 57% |
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| Jul 15, 2018 |  |
Squin | 85 72% |
| Jul 14, 2018 | bigoomp | 30 77% |
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| Jul 12, 2018 | Krafty | 90 83% |
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| Jul 11, 2018 |  |
antidood1 | 70 60% |
| Jul 08, 2018 |  |
Daisoujou | 90 81% |
| Jul 05, 2018 |  |
fuzzleshnops | 90 85% |
| Jul 03, 2018 |  |
biftek | 90 89% |
| Jun 25, 2018 | AchwellFoley | 87 94% |
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| Jun 22, 2018 |  |
Lionel Hutz | 93 92% |
| Jun 21, 2018 |  |
FreddieQuell | 73 61% |
| Jun 10, 2018 | nunobar | 70 51% |
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| Jun 01, 2018 | henrybr | 79 78% |
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| May 30, 2018 |  |
90sCoffee | 73 48% |
| May 11, 2018 | kennardjon | 79 70% |
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| May 09, 2018 | Grandaddy | 80 89% |
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| May 09, 2018 | summerbag | 80 56% |
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| May 08, 2018 | brennanc | 95 96% |
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| May 07, 2018 | Siegel Hans | 90 96% |
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| May 03, 2018 | Pratchett3 | 8 73% |
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was really good until that f'ing guy showed up toward the end
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| May 03, 2018 | madsie | 60 40% |
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| May 01, 2018 | John Milton | 80 87% |
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| Apr 28, 2018 | shanebarlow3 | 93 95% |
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| Apr 26, 2018 |  |
Oliveira | 93 94% |
| Apr 23, 2018 | DaisyBell | 93 63% |
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| Apr 23, 2018 | fictionfitz | 80 80% |
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| Apr 13, 2018 |  |
Blair | 87 76% |
| Apr 07, 2018 |  |
ozdemirb | 90 91% |
| Apr 04, 2018 | platolimpica | 71 53% |
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| Apr 01, 2018 | Ummagumma | 85 68% |
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| Apr 01, 2018 |  |
gozdebal | 80 79% |
| Mar 29, 2018 | Malcym | 6 53% |
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| Mar 27, 2018 | rojatume | 57 17% |
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| Mar 25, 2018 |  |
dissociative | 20 14% |
| Mar 23, 2018 |  |
ott | 86 87% |
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Mais c'est juste cléo de 5 à 6:30 bof! Light on existentialism and illness. Pretty great look on gaze dynamics and even better look on whipped-cream-paris-chanteuse-laadidaa.
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| Mar 22, 2018 |  |
BadCosmonaut | 7 87% |
| Mar 21, 2018 | skydog | 75 34% |
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| Mar 20, 2018 | apsays | 79 81% |
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| Mar 15, 2018 |  |
RavynLoony | 96 98% |
| Mar 09, 2018 |  |
scott.mcc | 80 86% |
| Feb 27, 2018 | Omar96amri | 86 77% |
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| Feb 26, 2018 | SamLoveitt | 90 80% |
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| Feb 23, 2018 |  |
daffodil907 | 79 86% |
| Feb 18, 2018 |  |
inmate | 75 42% |
| Feb 12, 2018 |  |
mnzeric | 9 96% |
| Feb 11, 2018 | CMWL | 1 % |
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| Feb 08, 2018 | tamaral | 95 95% |
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| Feb 04, 2018 | allneonslike | 90 98% |
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| Feb 02, 2018 | DougieD | 90 74% |
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| Jan 10, 2018 |  |
gonuldurmaz | 85 74% |
| Jan 04, 2018 |  |
Kayyum | 80 88% |
| Jan 02, 2018 |  |
Kobaruon | 50 34% |
| Dec 30, 2017 |  |
Eric WK | 85 82% |
| Dec 20, 2017 | bennick218 | 75 45% |
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| Dec 20, 2017 | Systematicer | 70 69% |
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| Dec 13, 2017 |  |
SpeedlimiT | 68 59% |
| Dec 13, 2017 |  |
brkshn | 95 98% |
| Dec 10, 2017 | JordanBay | 8 32% |
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| Dec 05, 2017 |  |
larmor | 74 67% |
| Nov 29, 2017 | Cocoa | 50 26% |
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| Nov 28, 2017 |  |
moonsmilk | 10 94% |
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Cool that Agnes Varda made a movie about male gaze and the specific way men see women decades before the male gaze even became a term.
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| Nov 26, 2017 |  |
greekgrits | 89 88% |
| Nov 26, 2017 |  |
antoniah | 76 62% |
| Nov 23, 2017 | njm1211 | 94 67% |
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| Nov 17, 2017 |  |
FancyMike | 5 89% |
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Wow. I need to see more from her but on first viewing this might just put Varda ahead of her French New Wave contemporaries for me. Cléo is one of the most fully realized characters I've ever seen on film and there is an emotional depth to it all that I've been missing in other New Wave works. That shot of Cléo and Antoine walking at the end is perfect
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| Oct 09, 2017 | Robusti | 80 76% |
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| Oct 01, 2017 | sandrikoti | 100 83% |
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| Sep 10, 2017 | mrknrb | 95 42% |
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| Sep 07, 2017 |  |
trippingly | 100 93% |
| Sep 02, 2017 | romanorway | 5 33% |
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| Sep 01, 2017 | izwt936g | 96 93% |
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| Aug 16, 2017 |  |
MadNurhopsi | 45 74% |
| Aug 16, 2017 | Philosofem | 70 45% |
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| Aug 13, 2017 |  |
felipelahm | 80 84% |
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Nothing more modern than living in a big city and thinking you have cancer and few hours left. Cleo drifts through the streets observing magicians (one swallows frogs), people walking (and recognizing her as famous singer), stores -- every car ride is also depicted minute-to-minute, like the brave female taxi driver --, she meets her music producers, a friend who poses naked for artists and men at the park. Part melodrama, part doc about Paris through the eyes of a singer wandering about NOW.
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| Aug 12, 2017 | kaempen | 80 83% |
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| Aug 10, 2017 |  |
mentosibo | 90 95% |
| Aug 05, 2017 |  |
tipieserozge | 90 93% |
| Aug 02, 2017 | ifbrown11 | 87 84% |
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| Aug 02, 2017 | whataboutit | 90 74% |
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| Jul 26, 2017 |  |
Hadzibegovic | 75 60% |
| Jul 23, 2017 | tomatwork | 90 94% |
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| Jul 22, 2017 |  |
Mr. Saturn | 84 74% |
| Jul 11, 2017 | Pythius | 70 57% |
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| Jul 08, 2017 | AllNerves | 82 35% |
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| Jun 30, 2017 | mb9607 | 80 % |
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| Jun 26, 2017 | signorafosca | 79 56% |
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| Jun 24, 2017 |  |
girlfriday | 95 85% |
| Jun 17, 2017 |  |
xmoffx | 4 67% |
| Jun 14, 2017 | Visocchi | 74 11% |
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| Jun 13, 2017 | AHP | 80 69% |
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| Jun 06, 2017 |  |
emrekayhan | 83 69% |
| Jun 05, 2017 |  |
brimaire | 84 76% |
| Jun 04, 2017 |  |
cankutozturk | 78 82% |
| Jun 03, 2017 | szgmng | 85 6% |
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| May 30, 2017 |  |
aymansousa | 60 52% |
| May 29, 2017 |  |
Demorest | 4 75% |
| May 22, 2017 |  |
jgreenwood | 75 72% |
| May 22, 2017 |  |
djross | 80 89% |
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Death or transformation: a phenomenology of perception as conditioned by intentionality, and an account of the potential for something like a caesura in the flow of life's course to lead to psychic rearrangement. Simple, subtle and quietly affecting, with some great moments (e.g., the instantaneous change of tone in the Legrand scene when she begins to sing "Sans toi"). Varda and Demy seem to share an understanding of how tracking shots possess a strange capacity to generate a mood.
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| May 20, 2017 | barryegan | 90 76% |
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| May 15, 2017 | DrWade42 | 89 90% |
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Displaying 1 to 250 of 924 total ratings: Prev | Next
| Average Percentile 69.63% from 924 Ratings |  |
