Cleo from 5 to 7 (1962)
Cleo, a singer and hypochondriac, becomes increasingly worried that she might have cancer while awaiting test results from her doctor.
AKA: Cléo de 5 à 7
Directed By: Agnès Varda
Written By: Agnès Varda
Starring: Anna Karina, Sami Frey, José Luis de Villalonga, Jean-Claude Brialy, Corinne Marchand, Antoine Bourseiller, Dominique Davray, Dorothée Blank, Michel Legrand, Eddie Constantine, Jean-Luc Godard, Loye Payen
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Cleo from 5 to 7 belongs to 69 collections
1. 1001 Movies You Must See Before You Die (public: moderated by kozan26 - 198 stars)
2. Criterion Collection (public: moderated by caffe - 143 stars)
3. Female Directors (public: moderated by PeaceAnarchy - 75 stars)
4. Roger Ebert: Great Movies (public: moderated by PeaceAnarchy - 73 stars)
5. Features under 91 minutes (public: moderated by epiphany - 43 stars)
6. They Shoot Pictures 1,000 Greatest Films (2008 revision) (public: moderated by Scottathon - 38 stars)
7. Jonathan Rosenbaum's Top 1000 Movies (public: moderated by PeaceAnarchy - 35 stars)
8. They Shoot Pictures 1,000 Greatest Films (2010 revision) (public: moderated by MMAlpha - 32 stars)
9. They Shoot Pictures 1,000 Greatest Films (2014 revision) (public: moderated by Jehan - 27 stars)
10. They Shoot Pictures 1,000 Greatest Films (2012 revision) (public: moderated by PeaceAnarchy - 25 stars)
11. Female protagonist (public: moderated by djross - 22 stars)
12. 24 hour (or less) timeframe (public: moderated by djross - 19 stars)
13. French New Wave (public: moderated by Spunkie - 17 stars)
14. List: Empire's five star movies (public: moderated by KasperL - 17 stars)
15. They Shoot Pictures' Recommended Viewing (public: moderated by Cinephile - 17 stars)
16. They Shoot Pictures 1,000 Greatest Films (2017 revision) (public: moderated by iconogassed - 17 stars)
17. They Shoot Pictures 1,000 Greatest Films (2013 revision) (public: moderated by rant1229 - 16 stars)
18. The Story of Film: An Odyssey (public: moderated by rant1229 - 15 stars)
19. They Shoot Pictures 1,000 Greatest Films (2011 revision) (public: moderated by PeaceAnarchy - 14 stars)
20. Sight and Sound 2012 (public: moderated by DavidB - 13 stars)
21. Best of criticker: Drama (public: moderated by avgcrtckr - 13 stars)
22. Slant Magazine's 100 Essential Films (public: moderated by nexus - 12 stars)
23. Best film of top directors (public: moderated by avgcrtckr - 11 stars)
24. International Dictionary of Films and Filmmakers (public: moderated by PeaceAnarchy - 9 stars)
25. Harvard University's Suggested Film Viewing List: Narrative Films (public: moderated by dardan - 8 stars)
26. BFI Film Classics (public: moderated by MMAlpha - 7 stars)
27. TSPDT Top 200 Directors: Best Film (public: moderated by PeaceAnarchy - 6 stars)
28. They Shoot Pictures 1,000 Greatest Films (2007 revision) (public: moderated by Scottathon - 4 stars)
29. List: The Essential 100 by TIFF (expert panel) (public: moderated by KasperL - 4 stars)
30. Real time (public - 3 stars)
31. Edward Copeland's Ray Memorial 100 (public: moderated by theficionado - 3 stars)
32. Films divided into chapters (public: moderated by djross - 3 stars)
33. TIFF Essential 100 (public: moderated by theficionado - 3 stars)
34. 501 Movie Directors (public: moderated by PeaceAnarchy - 2 stars)
35. Roger Ebert's 4-Star Movies (public: moderated by KirkJiggler - 2 stars)
36. Sight and Sound 2002 (Single Vote) (public: moderated by PeaceAnarchy - 1 star)
37. Cats (public: moderated by Svengali - 1 star)
38. En Sevdiğim 50 Fransız Filmi (public: moderated by mentosibo - 1 star)
39. Michel Legrand (composer) (public: moderated by djross)
40. Cannes 1962 Official Selection (public: moderated by djross)
41. Character name in title (public: moderated by Pickpocket)
42. Mubi Europe (public: moderated by Svengali)
43. gork movies to get (private: gork - 1 star)
44. Woman Protagonist (private: shalev - 1 star)
45. List: The Essential 100 by TIFF (private: KasperL - 1 star)
46. allah (x4) bu nasıl sevmek (private: egebasaran - 1 star)
47. Djross film as art (private: djross - 1 star)
48. Djross 1962 top ten (private: djross)
49. Lesinrocks - top 100 french movies (private: Thegoodboy)
50. 1962: Year in Review (private: polanski28)
51. Zevahir (Kasım '12) (private: parcaliham)
52. Filmspotting Ratings Project: Week 9 (private: PeaceAnarchy)
53. 1: Must-see (Not in English) (private: KasperL)
54. Antagony & Ecstacy: The Best Films of All Time (private: Nroo)
55. My Criterions (private: Matthew Parkinson)
56. Tom's Movies (private: tomwalsh)
57. Filmstruck Wishlist (private: kendell)
58. Forrest Watch List (private: ForrestQ)
59. Djross French feature films I've seen (private: djross)
60. m-canon (private: horazalra)
61. Italian cinema (private: Hadleyreis)
62. 3fd (private: rnest)
63. 100 (private: ehk2)
64. Films Dunstan Owns (private: Dunstan-xxx)
65. toucé (private: rnest)
66. seen (private: gamzeknc)
67. French cinema (private: Hadleyreis)
68. Cast aAwayAdam (private: rnest)
69. Major Directors - Yet to See (private: sosadetz)
Browse the full list of collections
| Date | User | Rating | |
| Jan 18 | CineLounge | 70 31% |
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| Jan 11 |  |
Lemonya | 90 81% |
| Jan 10 | KamilPPP | 45 11% |
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cemhakimoglu | 80 43% |
| Jan 06 | guliszs | 80 66% |
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| Jan 05 | jcousteau | 9 73% |
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istavritos | 90 96% |
| Dec 18, 2019 | meesh | 55 63% |
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| Dec 09, 2019 | DSonla | 75 63% |
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jal90 | 70 49% |
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AlexBrisson | 87 80% |
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porzano | 60 68% |
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mcbaguette | 75 57% |
| Nov 03, 2019 | babil7 | 90 81% |
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| Nov 01, 2019 | baranc | 90 90% |
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slowdive | 84 89% |
| Oct 31, 2019 | jcJ0UG | 100 0% |
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homeros | 76 29% |
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matthewmj336 | 87 54% |
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le mami | 75 75% |
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| Oct 18, 2019 | ivanfreire | 82 85% |
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voyagiac | 85 76% |
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szgmng | 90 68% |
| Oct 13, 2019 | bnmller | 100 84% |
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yukselsardag | 70 31% |
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Bruno125 | 90 90% |
| Oct 04, 2019 | Florin92 | 70 68% |
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| Sep 23, 2019 | gigo | 80 54% |
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julesfmb | 65 58% |
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Karr | 75 40% |
| Sep 12, 2019 | Tharpedge | 65 30% |
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balvares | 90 95% |
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Mr.Kubrick | 70 53% |
| Sep 05, 2019 |  |
ecenurcelik | 94 69% |
| Sep 03, 2019 | Fillmore | 74 52% |
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| Aug 31, 2019 | Candiru | 100 99% |
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| Aug 22, 2019 | gurkov | 60 38% |
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| Aug 17, 2019 |  |
ludymylla | 92 87% |
| Aug 16, 2019 |  |
EbelC | 60 47% |
| Aug 12, 2019 |  |
Neonman | 78 57% |
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As a photographer, Varda is able to stage just about each shot so thoughtfully, as well as incorporate the everypeople of the streets. The central character, otherwise, is a bit of a rollercoaster to digest, who we should empathise with due to her anxieties, but also comes cross as a vain and egocentric little white girl (and the film seems to know this). This existential horror film has quite a lot to end on, and ends the landing casually, but not as difficultly as it could've.
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| Aug 10, 2019 | Panunzio | 79 77% |
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| Aug 09, 2019 |  |
bal3x | 70 71% |
| Aug 05, 2019 | orcun21 | 83 87% |
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| Jul 30, 2019 |  |
Joe Deering | 75 70% |
| Jul 27, 2019 | fatyoshi | 90 95% |
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| Jul 24, 2019 | proometheuss | 62 7% |
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| Jul 16, 2019 |  |
zmoats | 95 95% |
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Astounded, stirred, and deeply enamored by the final twenty minutes of the film. For such a existential high to make its bed with the simplicity in human connection drives home such an ever present beauty in the way Varda films the city of Paris and the lives therein.
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| Jul 15, 2019 | 7SnZLp | 100 68% |
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| Jul 04, 2019 |  |
windmeresfan | 80 68% |
| Jul 01, 2019 | dr_Robert | 3 38% |
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| Jun 18, 2019 | mikeparasol | 95 96% |
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feyzamisty | 96 61% |
| Jun 15, 2019 | dlrkrbck | 90 75% |
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| Jun 12, 2019 |  |
Nangijala | 80 81% |
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omeremre | 85 89% |
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Zoltan | 65 56% |
| May 27, 2019 | Slowjoe | 60 37% |
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| May 25, 2019 |  |
maborosi | 81 82% |
| May 17, 2019 | sandman248 | 50 31% |
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| May 12, 2019 |  |
MoonLoop | 82 48% |
| May 01, 2019 | victorniglio | 7 13% |
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| Apr 29, 2019 |  |
wunderboyxD | 80 49% |
| Apr 24, 2019 | tay88 | 98 77% |
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| Apr 23, 2019 | AHALE80 | 90 0% |
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monclivie | 86 91% |
| Apr 22, 2019 | RodopLu | 46 12% |
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natebarrios | 70 54% |
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selingoknar | 79 67% |
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Ericmss | 90 88% |
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Ozcan | 78 33% |
| Apr 15, 2019 | bidola | 90 92% |
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| Apr 14, 2019 |  |
Roz | 75 54% |
| Apr 06, 2019 |  |
closedmouth | 90 86% |
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The moments of quiet observation, the taxi ride; an extremely sensual and present film. Cleo is irritating at first, until her assistant's inner monologue indicates the film's self-awareness, and then she takes off that stupid wig and everything is basically perfect from then on.
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| Apr 05, 2019 |  |
nickv | 71 66% |
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kuzronk | 80 94% |
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Nathan | 85 88% |
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utkuka | 75 62% |
| Apr 01, 2019 | Vahid.A.R | 100 0% |
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buttercup | 8 78% |
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filay | 80 80% |
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devrimozkan | 78 91% |
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fyodor16 | 93 81% |
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Spekho | 74 27% |
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AsiaEagles | 81 70% |
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Batty | 85 85% |
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dormice | 75 56% |
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ergunbaydi | 94 85% |
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sinempierre | 100 97% |
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yaniv | 85 91% |
| Feb 26, 2019 | mmarczi | 80 43% |
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| Feb 23, 2019 |  |
gunaraf | 90 90% |
| Feb 23, 2019 | eihVvs | 90 0% |
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| Feb 22, 2019 |  |
ilker | 80 67% |
| Feb 21, 2019 | MortSahlFan | 40 3% |
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| Feb 21, 2019 |  |
fluland | 90 89% |
| Feb 20, 2019 | chengming | 65 48% |
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This moves so much (and gives a great view of Paris in the 60's in the process) that it should be hard to make it uninteresting, and yet all the talking really doesn't do much for me.
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| Feb 20, 2019 | mcakmak | 85 78% |
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| Feb 15, 2019 |  |
voneverec | 65 31% |
| Feb 13, 2019 |  |
jeanhuxley | 90 92% |
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finchereznor | 80 66% |
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gamzeknc | 79 42% |
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punpun | 90 96% |
| Jan 31, 2019 |  |
twincinema | 85 86% |
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What the heck was going on in France in 1962? A man eating living frogs? A dude with a sword in his arm? Those dudes are cool as heck.
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| Jan 30, 2019 |  |
frederic_g54 | 9 89% |
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More than just a selfish cry for attention, Cleo's existential crisis is marked by a yearning for a genuine human connection, something I think anyone can relate to. While hopelessly flawed, she’s anything but unlikable, a memorable character who despite her self-centeredness manages to invite the audience's sympathy. Varda's dialogues and direction are top notch.
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| Jan 23, 2019 |  |
hsncomert | 90 94% |
| Jan 20, 2019 | Faruk O. | 85 48% |
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jokevv | 70 75% |
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Carlos | 100 99% |
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buddhalou | 70 50% |
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ElsaH | 93 96% |
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hentroboss | 90 85% |
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redboots | 80 75% |
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| Dec 27, 2018 | Elephant | 90 76% |
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sonya semyon | 95 90% |
| Dec 23, 2018 | knives | 67 26% |
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| Dec 20, 2018 | xacviant | 85 76% |
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Quite delightful, full of life despite being concerned with the fear of death. But how could Paris in the summer be otherwise?
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| Dec 17, 2018 |  |
gunay | 95 70% |
| Dec 17, 2018 | teaoverlord | 4 47% |
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| Dec 15, 2018 | jentze | 90 89% |
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caga | 73 65% |
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biskotin | 80 76% |
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vitruvian | 90 76% |
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dumbjaw | 78 87% |
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Kerc | 20 54% |
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ShaunLewis54 | 88 84% |
| Oct 29, 2018 | ladyfragile | 25 1% |
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skinnylegend | 68 77% |
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meltemcilik | 70 73% |
| Oct 01, 2018 | spencerquinn | 87 92% |
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| Sep 30, 2018 |  |
SheWas | 67 71% |
| Sep 30, 2018 | TheBreather | 85 82% |
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| Sep 24, 2018 |  |
Icarus | 95 96% |
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Such a rich film, thematically and visually. Life, death, life. Isolation and connection. Aimless, purpose. There is much here to take in. And visually, the film never ceases to engage, with its regular use of close up, jump cuts, and naturalistic style. I am especially smitten with one cut near the end, Cleo and Antoine on a bench, then cut to extreme wide shot, a Lebanon cedar in the background. Beautifully and affectingly done.
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| Sep 23, 2018 |  |
serinkuytu | 90 88% |
| Sep 21, 2018 | ce8 | 79 88% |
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| Sep 19, 2018 | coldesser | 80 0% |
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sakaerka | 82 55% |
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90sCoffee | 73 47% |
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| May 09, 2018 | Grandaddy | 80 89% |
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| May 07, 2018 | Siegel Hans | 90 96% |
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| May 03, 2018 | Pratchett3 | 8 73% |
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was really good until that f'ing guy showed up toward the end
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| May 01, 2018 | John Milton | 80 87% |
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| Apr 28, 2018 | shanebarlow3 | 93 95% |
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| Apr 26, 2018 |  |
Oliveira | 90 91% |
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Blair | 87 76% |
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ozdemirb | 90 91% |
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| Apr 01, 2018 | Ummagumma | 85 69% |
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gozdebal | 80 79% |
| Mar 29, 2018 | Malcym | 6 53% |
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| Mar 27, 2018 | rojatume | 57 16% |
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| Mar 25, 2018 |  |
dissociative | 20 13% |
| Mar 23, 2018 |  |
ott | 86 87% |
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Mais c'est juste cléo de 5 à 6:30 bof! Light on existentialism and illness. Pretty great look on gaze dynamics and even better look on whipped-cream-paris-chanteuse-laadidaa.
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| Mar 22, 2018 |  |
BadCosmonaut | 7 87% |
| Mar 21, 2018 | skydog | 75 34% |
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| Mar 21, 2018 | apsays | 79 81% |
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| Mar 15, 2018 |  |
RavynLoony | 96 98% |
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scott.mcc | 80 86% |
| Feb 27, 2018 | Omar96amri | 86 77% |
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| Feb 26, 2018 | SamLoveitt | 90 80% |
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| Feb 23, 2018 |  |
daffodil907 | 79 86% |
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inmate | 75 42% |
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mnzeric | 9 96% |
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| Feb 04, 2018 | allneonslike | 90 98% |
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| Feb 03, 2018 | DougieD | 90 74% |
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| Jan 11, 2018 |  |
gonuldurmaz | 85 75% |
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Kayyum | 80 87% |
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Kobaruon | 50 34% |
| Dec 30, 2017 |  |
Eric WK | 85 82% |
| Dec 21, 2017 | bennick218 | 75 45% |
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| Dec 20, 2017 | Systematicer | 70 69% |
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| Dec 13, 2017 |  |
SpeedlimiT | 68 59% |
| Dec 13, 2017 |  |
brkshn | 95 98% |
| Dec 05, 2017 |  |
larmor | 74 68% |
| Nov 29, 2017 | Cocoa | 50 26% |
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| Nov 28, 2017 |  |
moonsmilk | 10 95% |
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Cool that Agnes Varda made a movie about male gaze and the specific way men see women decades before the male gaze even became a term.
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| Nov 27, 2017 |  |
greekgrits | 89 88% |
| Nov 26, 2017 |  |
antoniah | 76 62% |
| Nov 24, 2017 | njm1211 | 94 67% |
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| Nov 17, 2017 |  |
FancyMike | 5 89% |
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Wow. I need to see more from her but on first viewing this might just put Varda ahead of her French New Wave contemporaries for me. Cléo is one of the most fully realized characters I've ever seen on film and there is an emotional depth to it all that I've been missing in other New Wave works. That shot of Cléo and Antoine walking at the end is perfect
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| Oct 09, 2017 | Robusti | 80 76% |
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| Oct 01, 2017 | sandrikoti | 100 83% |
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| Sep 10, 2017 | mrknrb | 95 42% |
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| Sep 07, 2017 |  |
trippingly | 100 93% |
| Sep 02, 2017 | romanorway | 5 33% |
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| Sep 01, 2017 | izwt936g | 96 93% |
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| Aug 16, 2017 |  |
MadNurhopsi | 45 74% |
Displaying 1 to 250 of 951 total ratings: Prev | Next
| Average Percentile 70.01% from 951 Ratings |  |
