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Twin Peaks

Twin Peaks

Twin Peaks

2017 - 2017
Drama, Suspense/Thriller
TV Series
1h 0m
A continuation of the original Twin Peaks series (1990-1991).Summary by BeeDub)
You've rated 0 of 18 episodes in this series

Created by:

David Lynch
David-Lynch
David Lynch
167 total credits
Lynch's films are known for surreal, nightmarish and dreamlike images and meticulously crafted sound design.
Read more
, Mark Frost
Mark-Frost-b
Mark Frost
19 total credits
Mark Frost has 19 credits at Criticker, including: Fantastic Four, Fantastic Four: Rise of the Silver Surfer, Twin Peaks: Fire Walk with Me and Twin Peaks
Read more

Directed by:

David Lynch
David-Lynch
David Lynch
167 total credits
Lynch's films are known for surreal, nightmarish and dreamlike images and meticulously crafted sound design.
Read more

Writers:

David Lynch
David-Lynch
David Lynch
167 total credits
Lynch's films are known for surreal, nightmarish and dreamlike images and meticulously crafted sound design.
Read more
, Mark Frost
Mark-Frost-b
Mark Frost
19 total credits
Mark Frost has 19 credits at Criticker, including: Fantastic Four, Fantastic Four: Rise of the Silver Surfer, Twin Peaks: Fire Walk with Me and Twin Peaks
Read more

Starring:

Naomi Watts
Naomi-Watts
Naomi Watts
81 total credits
Naomi Ellen Watts is a British-born Australian actress. Watts began her career in Australian television, where she appeared in commercials and series, including the Home and Away, Brides of Christ and Hey Dad..!. Her first film role was in the 1986 drama For Love Alone. Later, she had a major supporting role in the coming of age film Flirting, and was cast in the 1996 horror film Children of the Corn IV: The Gathering...(Wikipedia)
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, Ray Wise
Ray-Wise
Ray Wise
84 total credits
Raymond Nicolas "Ray" Wise (born August 20, 1947) is an American actor, known for his roles as Leland Palmer in Twin Peaks, as Leon C. Nash, right-hand henchman to villain Clarence Boddicker in the science fiction classic RoboCop, and recently as the Devil in the CW television series Reaper...(wikipedia)
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, Kyle MacLachlan
Kyle-MacLachlan
Kyle MacLachlan
64 total credits
The "boy next door, if that boy spent lots of time alone in the basement," is how Rich Cohen described Kyle MacLachlan in a 1994 article for "Rolling Stone" magazine. That distinctly askew wholesomeness made MacLachlan a natural to become famous as the alter ego of twisted director David Lynch. Born and a raised in Yakima, Washington, MacLachlan graduated from the University of Washington in 1982. The darkly handsome actor made his feature debut when he starred in the big-budget David Lynch adaptation of Frank Herbert's Dune (1984), but only enjoyed real success after appearing in a second Lynch project, the moody and perverse classic Blue Velvet (1986).
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, Laura Dern
Laura-Dern
Laura Dern
78 total credits
In the mid-1980s she gained critical acclaim for roles in films by Peter Bogdanovich (Mask) and David Lynch (Blue Velvet, Wild at Heart). Dern's starring role in Blue Velvet appeared to be a breakthrough but her next notable film took almost four years to be released, Wild at Heart, also directed by Lynch. Dern's affiliation with Lynch has continued with her recent role in Inland Empire.
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, Grace Zabriskie
Grace-Zabriskie
Grace Zabriskie
65 total credits
Grace Zabriskie has 65 credits at Criticker, including: Armageddon, Gone in 60 Seconds, The Grudge, Wild at Heart and Twin Peaks: Fire Walk with Me
Read more
, Sheryl Lee
Sheryl-Lee
Sheryl Lee
30 total credits
Sheryl Lynn Lee (born April 22, 1967) is an American film, stage, and television actress. After studying acting in college, Lee relocated to Seattle, Washington to work in theater, where she was cast by David Lynch as Laura Palmer and Maddy Ferguson on the 1990 cult TV series Twin Peaks and in the 1992 spin-off film Twin Peaks: Fire Walk with Me. After completing Twin Peaks, she returned to theater, appearing in the title role of Salome on Broadway opposite Al Pacino.(Wikipedia)
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, Miguel Ferrer
Miguel-Ferrer
Miguel Ferrer
61 total credits
Miguel Ferrer has 61 credits at Criticker, including: RoboCop, Iron Man 3, Mulan, The Manchurian Candidate and Hot Shots! Part Deux
Read more
, David Lynch
David-Lynch
David Lynch
167 total credits
Lynch's films are known for surreal, nightmarish and dreamlike images and meticulously crafted sound design.
Read more
, Mädchen Amick
Mdchen-Amick
Mädchen Amick
40 total credits
Mädchen Amick has 40 credits at Criticker, including: Twin Peaks, Priest, Twin Peaks, Sleepwalkers and Trapped in Paradise
Read more
, Dana Ashbrook
Dana-Ashbrook
Dana Ashbrook
23 total credits
Dana Ashbrook has 23 credits at Criticker, including: Twin Peaks, Ghost Dad, Waxwork, Sundown: The Vampire in Retreat and She's Out of Control
Read more
, Michael Horse
Michael-Horse
Michael Horse
21 total credits
Michael Horse has 21 credits at Criticker, including: Twin Peaks, Passenger 57, The Call of the Wild, The Cowboy and the Frenchman and House of Cards
Read more
, Kimmy Robertson
Kimmy-Robertson
Kimmy Robertson
4 total credits
Kimmy Robertson has 4 credits at Criticker, including: Twin Peaks, The Last American Virgin, Secrets from Another Place: Creating Twin Peaks and The Vacation
Read more

Franchise:

Twin Peaks

Genres:

Drama, Suspense/Thriller, Crime, Mystery

AKA:

Twin Peaks: The Return

Country:

USA

Languages:

English, French
IMDb
Update history
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Twin Peaks

2017 - 2017
Drama, Suspense/Thriller
TV Series
1h 0m
Ratings & Reviews Seasons (1) Cast Collections Similar Stats Trailer
Avg Percentile 79.78% from 1034 total ratings
Ratings & Reviews Seasons (1) Cast Collections Similar Stats Trailer

Ratings & Reviews

(1034)
Compact view
Compact view
backwardsuitbackwardsuit
Rated 22 May 2017
93
99th
Yes this is pure uncut Lynch heroin. My mind was in a state of perpetual blowing up & my face was frozen in a dorky grin. Meticulously unsolves Laura Palmer's murder & envelops it in beautifully layered mystery as it was always meant to be. Hilarious, intriguing, bewildering, horrifying, heartbreaking, pulpy & classy often simultaneously. A willful compendium of Lynch's most harrowing & dreamlike work that is as deeply human as it is absurd & bizarre. The finale is existential shock & awe.
Rated 22 May 2017
mentaculusMentaculus
Rated 06 Sep 2017
95
95th
Every Sunday for 20 weeks, Lynch took my brain off its stem, grilled it like a hamburger patty at the RR and put it back where the hole in my soul happened to be. Often self-indulgent and always infuriating, this TP does something unexpected nowadays: it never met your expectations. Not once. That alone would be great, but I am touched by Lynch's humanism - how death, real and imagined, time that passes, is greeted with an open hand and generosity of spirit. Like Laura, it's our saving grace.
Rated 06 Sep 2017
djrossdjross
Rated 12 Jan 2018
82
94th
Herculean effort by Lynch to create what in some ways is a summation of his entire oeuvre. In 1990 something dark lay beneath the surface of Americana; in 2017 that darkness has spread and is far more out in the open. Many many excellent moments and aspects, and conjoins disparate elements in a remarkable way, Lynch showing (as he did in 1990) how much more is possible for TV than has ever been attempted. A second viewing could lead to a higher score. Demands to be seen on high-grade equipment.
Rated 12 Jan 2018
darklingDarkling
Rated 14 Jun 2017
100
99th
Humanity's best achievement.
Rated 14 Jun 2017
alex_watkinsAlex Watkins
Rated 30 Apr 2019
6
98th
Possibly the finest work of David Lynch's career, which means it ranks with the best film or television ever made. Frankly wipes the floor with anything else I've seen on TV. That ending is legitimately bone-chilling.
Rated 30 Apr 2019
hellboy76hellboy76
Rated 16 Sep 2017
79
94th
You can't go home again. I was confused and disturbed and angry and happy and bored but mostly I was entertained because I had no idea what was going to happen next. Not once. And I can't remember the last time that happened, particularly in a television series. Such a huge part of me wanted all my favorite characters to just pick up where they left off, but honestly, I think that show would have sucked. Lynch proved he is still no ones yes man, and blew me away, again.
Rated 16 Sep 2017
neonmanNeonman
Rated 04 Sep 2017
90
92nd
An entirely different beast to the original show, Lynch and Frost shit on fan service with this TV-series adaptation of Lost Highway. This is a dark, labyrinthine, indigestible, and very often surreal experience with some semblances of storylines (some of which end questionably), but importantly all the while continuing on with the tale of good and evil followed on from Laura's story in the original show. Not everything is great (Monica Bellucci dream?!), but high quality Lynch is back.
Rated 04 Sep 2017
moonsmilkmoonsmilk
Rated 21 Jun 2017
10
95th
I don't know what I expected, but this is somehow even better than the original series. Lynch is here to punish prestige TV and I am completely on board.
Rated 21 Jun 2017
rosenritterrosenritter
Rated 22 May 2017
10
98th
It's self-indulgent and has little regard for the viewer's expectations and desires of a Twin Peaks continuation, and I'm iffy on some of the creative decisions such as the sparse use of music, but surely there is no arguing this return is the most fantastic television event of all time? I've come into every episode so far expecting anything and still been surprised, and left with images I never thought I'd see in my life.
Rated 22 May 2017
overratedoverrated
Rated 17 Sep 2017
100
99th
Raises more questions than it answers and confounds expectations. Events that were built up for 25 years are resolved anticlimactically, and characters that have nothing to do with the central plot are introduced & discarded. Time is more the focus than saving or defeating anyone, Lynch using the decades-long interval of encroaching wrinkles & haggardness to great effect. The whole experience is phenomenal, this new TP having more in common with LH, MD & IE than black coffee & cherry pie.
Rated 17 Sep 2017
pratchett3Pratchett3
Rated 04 Sep 2017
10
96th
the ending of this was hauntingly sublime. I'm still not over it.
Rated 04 Sep 2017
thedicemanTheDiceman
Rated 17 Aug 2017
90
99th
Lynch unleashed,love it more. Gotta light? Complete series.
Rated 17 Aug 2017
schnofelschnofel
Rated 23 May 2017
23
7th
A stream-of-consciousness idea dump for Lynch, who flatters the audience's willingness to feel dark and edgy, as if a dive into a stale underworld excuses all of his mannerisms. Instead of the original Twin Peaks community we find what feels like the hallucinations of a dying man on his sickbed, remixing the horrors of his psyche. But if badly paced amateur theater and jittery, self-devouring faces are your idea of surrealism/a good time, have at it. (PS: Great last scene).
Rated 23 May 2017
redactedredacted
Rated 20 Oct 2017
96
98th
Lynch takes us down a forever self-generating labyrinth where somehow things are tied together that should never be. This season exists somewhere between brave, confident & experimental filmmaking which works given the expertise at the helm. I particularly enjoyed the Dougie subplot, as it's so relatable to the sometimes mindless feeling day to day grind, as well as the various reintroductions of the characters from the original. Lynch given carte blanche is a gift for us all. Encore pls.
Rated 20 Oct 2017
bolivarbolivar
Rated 29 Sep 2017
90
98th
only for the first few episodes I must give this a very high ranking. only in david lynches brain can something like this be imagined. sadly, it lost momentum about halfway. a stricter performance in the editing room would have done this season a service. gotta light?
Rated 29 Sep 2017
janusjanus
Rated 23 Sep 2017
90
94th
Sublime throughout. 25 years later it's the weirdest show on TV again; it remains to be seen if it will be likewise as influential. Despite modest viewership, TV bigwigs should take the hint that enlisting and trusting auteurs is the ticket to pushing the medium in new directions as crowd-pleasing, payoff-driven "prestige" shows written by a roomful of people lose their edge, become exceedingly common, and start to face backlash.
Rated 23 Sep 2017
kasperlKasperL
Rated 19 Jul 2017
85
94th
If theorizing about enigmatic puzzles such as 'Mulholland Dr.' and 'Lost' is your thing, then this might be the motherload. I was hooked!
Rated 19 Jul 2017
redflagredflag
Rated 27 Dec 2020
99
96th
The agonizing slow burn. The horrors in the darkness. The comedic triumph. Then everything turns itself inside out. A scream in the night. A house on a hill. "What year is this?" Then more darkness, nothing. "Is it past...or is it future?" "There are more things in heaven and Earth, Horatio, than are dreamt of in your philosophy." Anti-Proustian.
Rated 27 Dec 2020
lintonmyroxylintonmyroxy
Rated 19 May 2020
96
99th
Every scene that seems to be running long ends up paying off (NYC apartment, FBI cig break). Lynch's imagery is manically abstract but still coherent and tangible. Most human interactions are realistic and mundane while some surreal moments are beautifully romantic (Fireman creating Laura). Those inhabiting the other dimension are so powerful, but their existence seems so menial. Whose lives are more important, ours or theirs?
Rated 19 May 2020
yiannosYiannos
Rated 02 Jun 2019
75
85th
Primarily addresses the difficulty, even the impossibility, of the 'return', so fans who complain that it isn't like the original series are missing the point. There are some uneventful moments, but the temporal discontinuities create a strong sense of psychic dislocation, and the nightmarish black and white segment in episode 8 is full of striking images that rank among Lynch's best work. Ultimately, Season 3 is a testament to the unique power of his imagination that remains fertile in old age.
Rated 02 Jun 2019
staryarabbistaryarabbi
Rated 28 Oct 2018
95
97th
Hello-o-oooooooo
Rated 28 Oct 2018
frederikaFrederikA
Rated 15 Dec 2017
90
96th
Fucking glorious!
Rated 15 Dec 2017
frankswildfrankswild
Rated 14 Nov 2017
100
99th
My mind goes to this daily. There are things in it that come into my mind for reasons that I know and reasons that I don't know.
Rated 14 Nov 2017
karamazovkaramazov.
Rated 22 Sep 2017
33
42nd
Mostly not good, but the Wally Brando scene was honestly some of the funniest shit I've ever seen tho'.
Rated 22 Sep 2017
chadisdangerchadisdanger
Rated 19 Sep 2017
95
99th
In this golden age of TV, where we're oversaturated with boundary pushing shows to the point where it's impossible to keep up with it all, Lynch and Frost actually manage to fuck the game up all over again. Even as a huge Lynch (& Twin Peaks) fan I was confounded, challenged and mesmerized on a weekly basis. Daring, terrifying, hilarious, intimately human yet mind-fryingly surreal, sometimes all at the same time. The balls on Lynch, Frost and Showtime to make this. Incredible.
Rated 19 Sep 2017
kebapcheKebapche
Rated 04 Sep 2017
99
99th
This was great. Some of the first episodes were really boring, but this modern day 2017 Twin Peaks feeling just grew on me. Coming back to the classical Twin Peaks format would have been a huge mistake.
Rated 04 Sep 2017
hisblobhisblob
Rated 29 Jun 2017
20
13th
cinematic trolling via nonsense
Rated 29 Jun 2017
sproostsproost
Rated 02 Mar 2024
100
99th
7 Years ago i loved season 3, but with some connotations on duller stretches. After a full rewatch and 7 years of maturing i guess, these connotations have evaporated. From the first to the last second, The Return not only severely entertained me, but also deeply inspired me and yes, even made me feel Understood in a way - not only as a consumer of the art form, but also on a deeper level as a person relating to the world. I think, art that does that, that's a once or twice per lifetime event.
Rated 02 Mar 2024
joojooJooJoo
Rated 10 Jul 2021
2
16th
Episode 1, 8, and some of the final episode are phenomenal. I am still shocked how poor the rest of this is. Comes close to a near total miss rate of attempted humor throughout this interminable series with the Catatonic Cooper bits possibly being my least favorite bits of all seasons. Justify this cringe cause I could just go on and on with how many moments throughout felt this awkward - https://m.youtube.com/watch?v=SfGOOL6j_F8
Rated 10 Jul 2021
wasnotwhynotwasnotwhynot
Rated 15 Oct 2020
100
96th
everything you ever loved was made by committee, so finally there's a committee to create a giant middle finger and jam it into your eye
Rated 15 Oct 2020
zachreviewsZachReviews
Rated 17 Jul 2020
95
86th
Wait a minute! Wait a minute! You know? This is...excuse me...a DAMN fine David Lynch production.
Rated 17 Jul 2020
mixmaxtermixmaxter
Rated 06 Apr 2020
95
97th
The Good Shit. first person night headlight driving is iconic for some reason
Rated 06 Apr 2020
xakkmasterXakkMaster
Rated 21 Jan 2020
90
88th
It's unbelievably frustrating, but also impossible to deny how wonderful some parts are. Part 8 in particular is chaotic art of the highest order.
Rated 21 Jan 2020
groovysoulsGroovy_Souls
Rated 05 Jan 2020
90
90th
Granted, I didn't wait 25 years for The Return, but what a return it is. Lynch proves that he's gone off the deep end, but that he's still interested in making film that breaks boundaries and explores the in-between places. Episode 8 alone is worth a million points. A fantastic continuation, even if it varies in quality from time to time. Everything is there for a reason.
Rated 05 Jan 2020
theescapistTheEscapist
Rated 25 Sep 2019
31
0th
Abysmal. Not a patch on the original series. What a waste of 18 hours. Almost all characters are annoying, boring, one-dimensional caricatures. Most scenes are completely pointless and infuriating. The humour falls flat 90% of the time and everything that was bad in the original series is amplified here to the max while everything that made the original so great is only sparsely used here and seldom reaches the same level of quality. Truly terrible, should've been 4 hours instead of 18.
Rated 25 Sep 2019
vv238vv238
Rated 09 Nov 2018
98
99th
Twin Peaks: The Return is something of a miracle. You can never go home again: the words etched into David Lynch's brain during the entire production. It's nostalgic, yes, but it's also horrifying, hilarious, absurd, ponderous, frustrating, awe-inspiring, and also very gentle. It's like he managed to combine every element of his entire career into a single, unbroken string of wonderful idea after another. It's easy for me to say that this is his magnum opus and one of the greatest series ever.
Rated 09 Nov 2018
silent_discosilent disco
Rated 21 Aug 2018
100
99th
Infinite intertwining paths, but everything leads back to the Palmer house, coursing with the electricity of fear and suffering, a nexus through which abuse and trauma rattle so intensely it feels possessed. A decaying coffin full of cigarette butts and broken glass, an atomic bomb. The town can feel it, the world can feel it. It's all still happening, again and again. There is no her to “save” anymore, you can't change what happened, you can't go home again, what home was there even to go to?
Rated 21 Aug 2018
5z5qjrcfm25Z5qjRCfM2
Rated 03 May 2018
10
5th
Mistakes inscrutability for depth. Lynch's head is too far up his own ass with this one. Go watch The Cremaster Cycle if you're looking for an art film that takes a week to watch. At least Barney has a wealth of compelling images.
Rated 03 May 2018
hotdogdragonhotdogdragon
Rated 03 Nov 2017
0
2nd
Fuck off, David Lynch
Rated 03 Nov 2017
dumptruk4lifDumptruk4Lif
Rated 21 Sep 2017
82
57th
Well, I could tell it was made by Lynch, but I ain't gonna see this shit again unless it's condensed down to 5 hours. What exactly was the point of all the characters meandering and taking forever to do the simplest of things? And now Twin Peaks is even more of a variety show by having a new musical guest each week, all of which are lethargic and moribund. There's cool Lynchian things in it, but it's purposeless, there's never going to be an explanation, so there's nothing to gain from it.
Rated 21 Sep 2017
vandelay1Vandelay1
Rated 05 Sep 2017
73
83rd
good 3rd season
Rated 05 Sep 2017
snallygastersnallygaster
Rated 05 Sep 2017
72
80th
Well, it's over. I've never dove into the voluminous Twin Peaks analysis out there, so I'm very much a casual fan, but it seems to me that Twin Peaks 2017 isn't a continuation or sequel to Twin Peaks; it's a series *about* Twin Peaks (and more). Lynch is drawing on the world of Twin Peaks to explore something about... I'm not sure. Dreams, imagination vs reality, fiction and fantasy, myth-making & memory... Something along those lines. I'll write more when season 4 comes out in 2043.
Rated 05 Sep 2017
zanginZangin
Rated 28 Jul 2017
100
99th
The ending is very Lynchian to say the least, I'm still not sure how I think of it yet. Still, part 16 is easily the best episode of any work of television that I have ever seen. This series deserves a 100 for that alone.
Rated 28 Jul 2017
titanomaquiaTitanomaquia
Rated 27 Apr 2025
58
70th
pretentious and nonsensical in the right kind of ways
Rated 27 Apr 2025
rightestratingsrightestratings
Rated 24 Feb 2025
15
14th
there's one good episode. no one should have let lynch do his own special effects, but at least I can say I've never seen anything quite like it.
Rated 24 Feb 2025
cherroristcherrorist
Rated 12 Dec 2024
65
34th
Sort of eh, like most of the stuff these days. Evil Kyle McLachlan is superb, though. Makes you wonder if that should have been his thing more often, him being so unexpectedly menacing.
Rated 12 Dec 2024
danny42Danny42
Rated 25 Nov 2024
75
65th
I was really looking forward for this one, but I didn't like it as much as the original series. It's too long, there's too much filler, it didn't need to be 18 episodes long. a lot of the episodes are extremely boring. There's some cool ideas, but it's just not as good as the original.
Rated 25 Nov 2024
dunetailsdunetails
Rated 30 Sep 2024
100
98th
You're never going to see a more stunning and unpredictable TV series. It was incredible getting a shot of this in my veins every week.
Rated 30 Sep 2024
brrrpbrrrp
Rated 19 Feb 2024
75
76th
I couldn't get on board with the instant celebration of this as another Lynch masterpiece from the get go. I think there is a lot that went kind of awry here, and it's almost a mess, but a fascinating one. This is why I persist in my belief that people like Lynch should be allowed free reign, and proper megalomaniac artists should be set loose on the world, to botch their visions.
Rated 19 Feb 2024
shockularSHOCKULAR
Rated 03 Aug 2023
92
96th
Like a lot of Lynch, I have no clue what 85% of this was, but I loved it. LOVE Cole's character. Cooper's character for the first 15 episodes reminded me of an even more dialed up Peter Sellers in Being There. Great stuff. Not sure I love it more than the original series, but it's amazing. First couple of episodes kind of struck me like Fire Walks with Me in that they're a lot more aggressively and consistently weird in a way I didn't love but after that, great.
Rated 03 Aug 2023
scribScrib
Rated 23 Aug 2022
75
65th
Frequently frustrating. Endlessly unsatisfying. Pretty good. Maybe. The bastard exists in its own bubble. The bubble is impenetrable, but at least you can see through well enough to take a guess on what it's all about. Me? I'm gonna reserve my guess until later down the line.
Rated 23 Aug 2022
twillistwillis
Rated 15 Jul 2021
90
92nd
Astonishing.
Rated 15 Jul 2021
feublofeublo
Rated 05 Jun 2021
95
97th
Best. Season. Of. Television!
Rated 05 Jun 2021
feritdgnferitdgn
Rated 24 May 2021
85
92nd
3. Sezon — The Return: 85
Rated 24 May 2021
calexicoCalexico
Rated 14 Feb 2021
90
91st
Captivating, evasive. The Rebekah Del Rio Roadhouse concert haunts me.
Rated 14 Feb 2021
mojojoestarMojoJoestar
Rated 15 Jan 2021
65
41st
I feel like there is WAY too much filler in this. Should've made it a tighter 8 episode event. As it stands, it's an 18 hour slog. There's some real good stuff in there, but you'll have to swim through the boring and pointless shit to get to it.
Rated 15 Jan 2021
carlosproCarlospro
Rated 13 Sep 2020
85
92nd
talvez o lynch precise de algum filtro? muito boa, mas prefiro a dos anos 1990
Rated 13 Sep 2020
muutanetmuutanet
Rated 10 May 2020
89
95th
Haunting, mystic, puzzled, and mesmerising as David Lynch productions all the way. The best part is that you can find your own interpretation of the plot. There is no one truth out there.
Rated 10 May 2020
tatarbeytatarbey
Rated 30 Apr 2020
97
98th
1990 ve 1991 de ilk iki sezonu yayınlanan, 2. sezon son bölümünde karakterin bir başka başka karaktere 25 yıl sonra görüşürüz demesinin üzerinden 25 yıl geçtikten sonra üçüncü ve son sezonu ile geri dönen bir efsane. İlk 2 sezonu izlediyseniz ve 1992 yapımı Fire Walk with Me, 2014 yapımı The Missing Pieces filmlerini izlediyseniz sizin için çok başka anlamlar ifade edecek bir David Lynch şahaseri. Hakkında çok şey söylenebilir ama buraya sığmaz :)
Rated 30 Apr 2020
kalmah7Kalmah7
Rated 04 Mar 2020
95
98th
For the last time
Rated 04 Mar 2020
offlineozofflineoz
Rated 16 Jun 2019
100
98th
A continuation of the most audacious, frightening, original, innovative TV show in history. Not only did it get better without network constraints, it let Lynch be free to do whatever he wanted. Its not a show its an 18 hour long film. Peak Lynch, essentially perfect, nothing else came or will ever come close.
Rated 16 Jun 2019
mcgreigmcgreig
Rated 31 Oct 2018
99
89th
If you can re-watch all the earlier Twin Peaks stuff before watching this, then this is amazing. Otherwise, you'll probably find it tedious and pretentious.
Rated 31 Oct 2018
kito1kito1
Rated 07 Jul 2018
70
73rd
David Lynch tries to clean up his mess.
Rated 07 Jul 2018
nilkynarfynilkynarfy
Rated 01 May 2018
99
98th
Could have been a 100, but that one band blatantly stole from my favorite Sonic Youth song. I know what the verses from 'Wish Fulfillment' sound like, plagiarist! I don't review television shows. I'm noting Twin Peaks 2017 because it was the best TV show I have ever seen, and I've seen Barney Miller!
Rated 01 May 2018
menialretconMenialRetcon
Rated 02 Apr 2018
83
91st
Not really designed for binge watching- reducing it by four hours (or even making it half as long) would help there. There are some terrible visual effects and one amazing sequence in 'Gotta Light'- did they skimp on the budget for most of the run time in order to be able to afford that desert aerial shot? The bad 2D After Effects are outdone by the oddity of what I think were supposed to be several day-for-night shots. Chrysta Bell has some very odd mannerisms. I think it is half a joke.
Rated 02 Apr 2018
holsgrholsgr
Rated 02 Mar 2018
9
97th
David more lucid than ever. The level of abstraction achieved in this third season is overwhelmingly surreal.
Rated 02 Mar 2018
atim2ATiM2
Rated 25 Jan 2018
100
97th
The perfect example of the unbelievable genius of David Lynch - this 18-hour monster of a show should be the most boring thing anyone's ever seen. And yet it is inexplicably completely memorizing, and probably the most flawless thing ever put on television.
Rated 25 Jan 2018
cetincelikcetincelik
Rated 28 Dec 2017
100
99th
2017'de TV'de başımıza gelen en güzel şey! Keşke devam etse.
Rated 28 Dec 2017
dmcrimsonDMCrimson
Rated 15 Nov 2017
88
98th
David Lynch's pinnacle and the most daring auteur TV we'll ever see
Rated 15 Nov 2017
auhasarderikauhasarderik
Rated 16 Sep 2017
8
80th
Touching, beautiful and surreal. And, Lynch has never been this funny. Flawed and infuriating as it may be, there will never be anything like it again. Take it or leave it.
Rated 16 Sep 2017
kavuKavu
Rated 11 Sep 2017
90
94th
Possibly even better than the first two seasons, due to less bad comedy.
Rated 11 Sep 2017
jakeaestheteJakeAesthete
Rated 04 Sep 2017
46
42nd
It has moments that echo Lynch's earlier brilliance, but more often than not it's the same murky bullshit that has comprised all of his post-Twin Peaks work. As such, it should perhaps best be approached simply as new David Lynch film using (some) characters and motifs from the original series, rather than as a true continuation of said series per se. I do give Lynch credit for completely disregarding what fans might have expected, let alone the norms of "prestige television" for that matter.
Rated 04 Sep 2017
errol246Errol246
Rated 30 Aug 2017
7
99th
It's the best thing I've ever seen. Can't think of much else to say right now, might write a more thorough review later.
Rated 30 Aug 2017
rossRoss
Rated 08 Jun 2017
80
84th
Despite its flaws, mainly too little of Agent Cooper, this is my favorite season of Twin Peaks. Many of the "trivial" side characters works much better than earlier, and there is plenty of room for interpretation.
Rated 08 Jun 2017
Twin Peaks - Season 1
Twin Peaks - Season 1 (2017) - S1
Season 1 - New mysteries unfold 25 years after the shocking death of homecoming queen Laura Palmer in a quaint northwestern town. (CBS)
Something missing? Seasons are generated automatically, when individual episodes are added to the database. If a season is missing, please consider submitting an episode from it, and the season will be created!

Cast & Info

Created by:

David Lynch
David-Lynch
David Lynch
167 total credits
Lynch's films are known for surreal, nightmarish and dreamlike images and meticulously crafted sound design.
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, Mark Frost
Mark-Frost-b
Mark Frost
19 total credits
Mark Frost has 19 credits at Criticker, including: Fantastic Four, Fantastic Four: Rise of the Silver Surfer, Twin Peaks: Fire Walk with Me and Twin Peaks
Read more

Directed by:

David Lynch
David-Lynch
David Lynch
167 total credits
Lynch's films are known for surreal, nightmarish and dreamlike images and meticulously crafted sound design.
Read more

Writers:

David Lynch
David-Lynch
David Lynch
167 total credits
Lynch's films are known for surreal, nightmarish and dreamlike images and meticulously crafted sound design.
Read more
, Mark Frost
Mark-Frost-b
Mark Frost
19 total credits
Mark Frost has 19 credits at Criticker, including: Fantastic Four, Fantastic Four: Rise of the Silver Surfer, Twin Peaks: Fire Walk with Me and Twin Peaks
Read more

Starring:

Naomi Watts
Naomi-Watts
Naomi Watts
81 total credits
Naomi Ellen Watts is a British-born Australian actress. Watts began her career in Australian television, where she appeared in commercials and series, including the Home and Away, Brides of Christ and Hey Dad..!. Her first film role was in the 1986 drama For Love Alone. Later, she had a major supporting role in the coming of age film Flirting, and was cast in the 1996 horror film Children of the Corn IV: The Gathering...(Wikipedia)
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, Ray Wise
Ray-Wise
Ray Wise
84 total credits
Raymond Nicolas "Ray" Wise (born August 20, 1947) is an American actor, known for his roles as Leland Palmer in Twin Peaks, as Leon C. Nash, right-hand henchman to villain Clarence Boddicker in the science fiction classic RoboCop, and recently as the Devil in the CW television series Reaper...(wikipedia)
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, Kyle MacLachlan
Kyle-MacLachlan
Kyle MacLachlan
64 total credits
The "boy next door, if that boy spent lots of time alone in the basement," is how Rich Cohen described Kyle MacLachlan in a 1994 article for "Rolling Stone" magazine. That distinctly askew wholesomeness made MacLachlan a natural to become famous as the alter ego of twisted director David Lynch. Born and a raised in Yakima, Washington, MacLachlan graduated from the University of Washington in 1982. The darkly handsome actor made his feature debut when he starred in the big-budget David Lynch adaptation of Frank Herbert's Dune (1984), but only enjoyed real success after appearing in a second Lynch project, the moody and perverse classic Blue Velvet (1986).
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, Laura Dern
Laura-Dern
Laura Dern
78 total credits
In the mid-1980s she gained critical acclaim for roles in films by Peter Bogdanovich (Mask) and David Lynch (Blue Velvet, Wild at Heart). Dern's starring role in Blue Velvet appeared to be a breakthrough but her next notable film took almost four years to be released, Wild at Heart, also directed by Lynch. Dern's affiliation with Lynch has continued with her recent role in Inland Empire.
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, Grace Zabriskie
Grace-Zabriskie
Grace Zabriskie
65 total credits
Grace Zabriskie has 65 credits at Criticker, including: Armageddon, Gone in 60 Seconds, The Grudge, Wild at Heart and Twin Peaks: Fire Walk with Me
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, Sheryl Lee
Sheryl-Lee
Sheryl Lee
30 total credits
Sheryl Lynn Lee (born April 22, 1967) is an American film, stage, and television actress. After studying acting in college, Lee relocated to Seattle, Washington to work in theater, where she was cast by David Lynch as Laura Palmer and Maddy Ferguson on the 1990 cult TV series Twin Peaks and in the 1992 spin-off film Twin Peaks: Fire Walk with Me. After completing Twin Peaks, she returned to theater, appearing in the title role of Salome on Broadway opposite Al Pacino.(Wikipedia)
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, Miguel Ferrer
Miguel-Ferrer
Miguel Ferrer
61 total credits
Miguel Ferrer has 61 credits at Criticker, including: RoboCop, Iron Man 3, Mulan, The Manchurian Candidate and Hot Shots! Part Deux
Read more
, David Lynch
David-Lynch
David Lynch
167 total credits
Lynch's films are known for surreal, nightmarish and dreamlike images and meticulously crafted sound design.
Read more
, Mädchen Amick
Mdchen-Amick
Mädchen Amick
40 total credits
Mädchen Amick has 40 credits at Criticker, including: Twin Peaks, Priest, Twin Peaks, Sleepwalkers and Trapped in Paradise
Read more
, Dana Ashbrook
Dana-Ashbrook
Dana Ashbrook
23 total credits
Dana Ashbrook has 23 credits at Criticker, including: Twin Peaks, Ghost Dad, Waxwork, Sundown: The Vampire in Retreat and She's Out of Control
Read more
, Michael Horse
Michael-Horse
Michael Horse
21 total credits
Michael Horse has 21 credits at Criticker, including: Twin Peaks, Passenger 57, The Call of the Wild, The Cowboy and the Frenchman and House of Cards
Read more
, Kimmy Robertson
Kimmy-Robertson
Kimmy Robertson
4 total credits
Kimmy Robertson has 4 credits at Criticker, including: Twin Peaks, The Last American Virgin, Secrets from Another Place: Creating Twin Peaks and The Vacation
Read more

Franchise:

Twin Peaks

Genres:

Drama, Suspense/Thriller, Crime, Mystery

AKA:

Twin Peaks: The Return

Country:

USA

Languages:

English, French
IMDb
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