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A Clockwork Orange
A Clockwork Orange
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A Clockwork Orange

A Clockwork Orange

1971
Drama, Sci-fi
2h 16m
A savage and satiric morality play centering on Alex, who fights, robs, rapes and kills like any conscienceless predator. Captured and imprisoned, he undergoes treatment to condition him "safe", a "clockwork orange" healthy and whole on the outside - but crippled within by reflex mechanisms beyond his control.

Directed by:

Stanley Kubrick

Screenwriter:

Stanley Kubrick, Anthony Burgess

Starring:

Malcolm McDowell, Patrick Magee, Michael Bates, Warren Clarke, John Clive, Adrienne Corri, Miriam Karlin, Carl Duering, Clive Francis, Paul Farrell, Aubrey Morris, Michael Gover

Genres:

Drama, Sci-fi, Suspense/Thriller, Crime

AKA:

Stanley Kubrick's A Clockwork Orange

Countries:

UK, USA

Language:

English
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A Clockwork Orange

1971
Drama, Sci-fi
2h 16m
Your probable score
Ratings & Reviews Cast Collections Similar Stats Trailer
Avg Percentile 71.18% from 20139 total ratings
Ratings & Reviews Cast Collections Similar Stats Trailer

Ratings & Reviews

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eveeluneveelun
Rated 22 Feb 2007
100
99th
Brilliant, savagely cynical, perceptive, funny, perpetually relevant - this movie, for me, perfectly demonstrates the power of the film medium at its highest potential. The comments on virtue, free will, redemption, religion, government, radicalism, and the human spirit are accurately and beautifully expressed through McDowell's sublime performance and Kubrick's impeccable and meticulous direction.
Rated 22 Feb 2007
farzanFarzan
Rated 09 Feb 2007
99
99th
A Clockwork Orange is easily one of the greatest, and yet strangest and controversial films of all time. When you sit down and watch this film, you will have a large variety of emotions going through you. You'll watch this film and be disturbed about what you see, and yet you can't help but laugh at some of the things they say. It's truly a unique experience. Kubrick paints a perfect portrait of the future, filled with memorable scenes and a great score. Unique and Different.
Rated 09 Feb 2007
boobjuiceBoobjuice
Rated 29 May 2008
60
57th
Decent, but I get sick of seeing it treated as some sort of gold standard of film by self-satisfied nihilist nerd boys suffering from misplaced aggression and the woeful tendency to see detached, casual violence as the hallmark of coolness. Much like the cult of "Fight Club", I think that if you find a tattered 'Clockwork Orange' poster in some asshole's dorm room, you can safely assume they missed the point and merely think the movie's "fuckin' badass, dude".
Rated 29 May 2008
jimmynmujimmynmu
Rated 27 Jan 2007
97
98th
A Clockwork Orange always evokes interesting feelings. On one hand it's dark and frightening, but on another it's both funny and colourful. In A Clockwork Orange it's the atmosphere that creates the strongest emotions with me; the powerful music, fine acting and strong direction from Kubrick are all quite memorable.
Rated 27 Jan 2007
doctor7doctor7
Rated 24 Feb 2007
93
96th
Honestly this is one of the most terrifying films I've ever seen in my entire life. Even though it's not depicted as real, in fact it's downright surreal, the sheer subject matter and how it's delt with is just downright nauseating at times, which I believe is exactly what Kubrick was going for. There's also some great subtle black humour throughout the film which really adds to the overall tone of the film.
Rated 24 Feb 2007
nathan_sNathan S
Rated 09 Feb 2007
6
99th
A film of considerable ideological complexity regarding the psychology of its depraved protagonist, the politics of a dystopian society, and the moral implications of social engineering. This is quintessential Kubrick, demonstrating his utter disregard for the formal rules of cinema, a wicked sense of satirical humor, and a generally dim view of humanity. McDowell is a brilliant casting choice, the language is unique, and the synthesized score is just ecstasy.
Rated 09 Feb 2007
whomperizewhomperize
Rated 14 Aug 2007
94
97th
A Clockwork Orange contains possibly the most unique, impossible-to-imitate atmosphere of all-time. It revels in making the viewer absolutely comfortable with uncomfortability, and makes an incredibly bold statement about the true nature of punishment and censorship. Nobody did or will ever do it like Kubrick.
Rated 14 Aug 2007
billyshearsBillyShears
Rated 09 Sep 2020
95
96th
Is this where yeet came from my droogs, let’s yolo up some bread real horror show. Pointless to throw another hot Clockwork Orange Kubrick take into the void but guys I don’t think Alex is a good person!!!
Rated 09 Sep 2020
shmendrekShmendrek
Rated 10 Jul 2007
2
33rd
God, what a problematic film. Kubrick omits the novel's original ending (in which Alex chooses good without conditioning) in favor of pure nihilism and the triumph of evil. Throw in some unnecessary and exploitative rape scenes, some pornographic violence, and score it to classical music and voila! The emperor wears no clothes!
Rated 10 Jul 2007
jebJeb
Rated 21 Jul 2008
100
98th
Extraordinary on every level. A really strange and amazing movie. The best film I've ever seen, and one of the most influential movies in cinema. Incredible imagery and a timeless masterpiece that anybody could watch over and over again. Anybody who hasn't seen it should definitely check it out right now!
Rated 21 Jul 2008
lisa_iilisa-
Rated 30 Jul 2013
7
92nd
yes, the film does ponder the dichotomy of freedom of choice, but kubrick's interpretation is less about the options themselves as the fundamental shittiness that underlies life no matter the path taken. simply put, this film most cleanly expresses kubrick's misanthropy. it is then understandable that many hate it, despite the phenomenal delivery of its message, juxtaposing bright colours, bastardised cockney and ludwig van against rape, violence and control.
Rated 30 Jul 2013
pickpocketPickpocket
Rated 23 Feb 2007
5
44th
Really disgusting movie on all fronts. The first time I saw it I was blown away but after a few more viewings its safe to say this film is overrated - especially by goofy college aged losers. It tries to be too much and just doesn't work out. Watch Kubrick's other shit.
Rated 23 Feb 2007
suture_selfSuture Self
Rated 12 Jul 2012
10
96th
Hi hi hi. Why didn't I realize this was hilarious the first time I saw it? Distorted faces, clown-like makeup, clashing color schemes, very theatrical acting, and of course, non-stop irony, especially after Alex's reformation, which turns the world topsy turvy. Criminal buddies are now cops, hobos are the ones doing the ass-kicking, muscle men answer the door instead of helpless women, and Alex is domesticated instead of feral. Yet the world remains twisted. Maybe even worse off?
Rated 12 Jul 2012
nathandarkoNathanDarko
Rated 29 May 2009
100
99th
I think everything was excellent circumscribed by other users. Everyone who only have one spark on interest in making movies needs to see A Clockwork Orange ( and of course all the other Kubrick's ) This is the paragon for a perfect Movie.
Rated 29 May 2009
childintimechildintime
Rated 10 Jan 2009
90
98th
insane
Rated 10 Jan 2009
moribunnyMoribunny
Rated 14 Aug 2007
10
5th
Pompous, didactic, an absolutely incompetent attempt at social commentary as none of the characters resemble human beings in the least, and most of the dialogue is ridiculous.
Rated 14 Aug 2007
saucyjacksaucyjack
Rated 21 May 2007
96
99th
A slight departure from Burgess' phenomenal novel, Kubrick's ability to convey the human psyche--and its eventual unraveling--is unsurpassed. The use of nadsat (the language in the film) is hard to get used to, but not a hindrance to the storytelling. Somehow pulls off the unbelievable task of satirizing corporal punishment and producing a commentary on the subjects themselves, all with the signature Kubrick visuals.
Rated 21 May 2007
teddedonTedDedon
Rated 19 Mar 2007
98
98th
A Clockwork Orange is a strange mix of brilliance and bizarre. It's a film that certainly isn't for everyone but this artistic masterpiece is the kind of movie that pushes you to think each and every scene in a new way. There are engaging themes all throughout the movie that challenge your moral standings on criminality and how you can go about changing yourself.
Rated 19 Mar 2007
alex_watkinsAlex Watkins
Rated 10 Feb 2007
5
91st
Alex may be awful, but so is everybody else; Alex just isn't hypocritical about it. See the prison guard's bluster and rigid adherence to duty, followed by his sneering/leering during Alex's pitiable display of the Ludovico effects. Or the opportunism of Alex's crippled victim, replaced only by insatiable bloodlust. To say nothing of the synthesis of high art and base instinct, which only Alex understands can exist. At least Alex is doing what he wants. Alas: what he wants is to rape and rob.
Rated 10 Feb 2007
carpetgiantCarpetgiant
Rated 06 Jan 2015
84
59th
There was something wrong with my DVD and I spent about 45 minutes staring at an orange rectangle on a black screen while weird music played. After seeing other movies by Kubrick, I just didn't question it.
Rated 06 Jan 2015
jswinderjswinder
Rated 21 Jan 2009
100
99th
All characters are tensed, worked over, shouting. Every word rings loud in it's cynicism and joyous cruelty. The sadism that is Alex, leaves it's residue in every frame and vibrant note. The dialogue tunes you into a odd world of characters, all of them outrageously unfamiliar - it is a world driven to madness. We uncover the intimacy in violence; our innate fixation with it, and the indirect meaningless whims of anything but it. How do you extinguish or explain a force that has shaped mankind?
Rated 21 Jan 2009
prophet92Prophet92
Rated 03 Dec 2008
100
99th
Blindingly, beautifully sick, a Clockwork Orange works on a number of levels. It's difficult to tell what's worse, the terrifying casual nature of the initial violence or the horrifying attempts to rid the world of it. A Clockwork orange is uncompromisingly unique, unflinchingly violent, and undeniably among Kubrick's finest.
Rated 03 Dec 2008
anomalyAnomaly
Rated 23 Dec 2007
99
99th
A bombastic, disturbing exploration of morality and the odd relationship between society and violence. Once again, as is to be expected from Kubrick, the craft delivers in spades, from the gripping acting to the unreal primitive techno score. Kubrick was at his best when he could plan every single detail out, but here he shows he can also succeed at doing something quickly with a low budget. Watching this provides one of the most unique experiences film can offer.
Rated 23 Dec 2007
amerigoamerigo
Rated 07 Jul 2007
100
99th
A seamless integration of every possible part of the film-making process--cinematographic aesthetics, the acting performances, the narrative itself, the soundtrack--all fitted together with such grace in a beautiful Gestalt whole. Kubrick created a profound tour de force of a film, with images that are not simply memorable, but haunting. It's as deeply disturbing on the umpteenth re-watch as it was on the first.
Rated 07 Jul 2007
magbMagb
Rated 14 Feb 2007
95
94th
Personally I like the book a little bit more, but the fact that the movie offers a slightly different and equally compelling take on things (especially concerning the end) makes both versions essential.
Rated 14 Feb 2007
hellboy76hellboy76
Rated 21 Sep 2010
79
94th
Brilliant, bizarre and years ahead of its time. Banned in Britain the "ultra violence" seems a bit tamer now, but still shocking and beautiful satire.
Rated 21 Sep 2010
icarusIcarus
Rated 11 Dec 2008
75
49th
I most appreciate Kubrick's formal conceits--the beautifully framed shots, the dystopian vision, the sets, the choice of music. However, the deep nihilism of the film, combined with its easy portrayal of mindless sex and violence, is troubling. Neither the Alex of science (choice removed by conditioning) nor the Alex pre/post-science (choices limited to evil) seems to have any real choice in the matter. Always choosing evil seems the same as having no choice at all.
Rated 11 Dec 2008
theficionadotheficionado
Rated 18 Nov 2008
100
97th
Kubrick's style of direction gives his movies a sort of antiseptic feel, adding an absurd aloofness to Strangelove and an alien touch to 2001. But when done in the service of the farcical uber-violence of A Clockwork Orange, the effect is mostly alienating; Kubrick's refusal to denunciate his anti-hero -- the film's fundamental amorality -- is challenging, no doubt, but it adds up to a complex rumination on determinism and choice.
Rated 18 Nov 2008
eee_e
Rated 29 Sep 2008
35
38th
Zzzzzzz not for me. It's themes are intriguing to say the least, but it is just a complete mess. The cinematic equivalent of that really drunk guy at parties who has something really important to say, but can't even form the correct sentences. "Ehhhh gang violence... rape... the youth of today... imprisonment... the government!!!"
Rated 29 Sep 2008
tedted
Rated 26 Jul 2008
20
2nd
Boring. And I found it impossible to sympathize with Alex, whose motivation for violence is completely unexplained.
Rated 26 Jul 2008
halfjapaneseHalfJapanese
Rated 31 Dec 2007
55
17th
Just not a very good movie. The sets and atmosphere are nice, but most of the rest of it is just very sterile and uninteresting.
Rated 31 Dec 2007
martintellerMartinTeller
Rated 14 Aug 2007
80
66th
While I still appreciate the mastery of it -- the set design, choice of music, shot composition, the perfect casting of Malcolm McDowell, the brilliant black humor -- little flaws are beginning to make themselves known to me. Nothing major, but I realize now the film is not as perfect as I once thought. For one thing, there are times when it feeds you its message all too obviously (the final conversation with the minister, for example).
Rated 14 Aug 2007
kojilessKojiless
Rated 14 Aug 2007
94
97th
Proving, once again, that eyeliner on crazy British youths is quite possibly one of the most frightening things we'll ever see.
Rated 14 Aug 2007
feublofeublo
Rated 23 Aug 2019
90
90th
The story alone, delivers a tormenting tragedy in the mind of a free will, unlikeable, moral character. Kubrick's visuals are piercing and spot on with my imagination from the book. Couldn't be more satisfied.
Rated 23 Aug 2019
twincinematwincinema
Rated 24 Jan 2015
80
75th
Beyond the ultraviolence, the film plays with the idea of morality, or rather, the inner/outer boundaries of morality (if one can even make that distinction), as well how close the fascism of the state closely mirrors Alex's friends. Beautiful film.
Rated 24 Jan 2015
leonardisLeonardis
Rated 18 Jul 2013
99
99th
Very weird and sometimes disturbing, but A Clockwork Orange catches the right idea of how bad man can really be thanks to Kubrick's directing. McDowell is incredible and the screenplay is excellent. Worth watching. That being said, it's a great movie. one of my favorites.
Rated 18 Jul 2013
paxtonPaxton
Rated 10 Feb 2012
93
93rd
I prefer a few less rapes in my entertainment, but this is a strong film that doesn't shy away from violence. McDowell is brilliant.
Rated 10 Feb 2012
kramyessevKramYessev
Rated 17 Sep 2011
85
96th
One of the most quotable films of all time? Expertly done on every level (as to be expected from a Kubrick film) but obviously the most notable aspect is Malcolm McDowell's mesmerizing performance. The only really negative comment I have is that once you've read Burgess' superior novella the film doesn't hold up as well, although the ending of Kubrick's film is undeniably more effective and enjoyable than Burgess' final cathartic chapter which is thankfully missing from the movie.
Rated 17 Sep 2011
markjpMArkjp
Rated 29 Mar 2011
95
97th
Other films (and books) have dealt with similar subjects, but none as memorable as this great satirical look on how society handles issues of violence, punishment and revenge. With out-of-this-world cinematography and a stellar soundtrack, more than a handful of scenes are bound to stick with you for good.
Rated 29 Mar 2011
guy-piranhaguy piranha
Rated 21 Feb 2011
85
95th
the strange tale of a thug, rapist and murderer, who is conditioned to be a "good" person. its philosophical attempt to weigh free will against safety and stability is a tough nut, as it clearly favors free will, yet puts a person in focus who is infinitely dislikable. kubrick surely knew how to set up a moral conundrum, but in the end it's clear: liberty means everyone. the assholes, too.
Rated 21 Feb 2011
barthalenBarthalen
Rated 02 Aug 2010
82
87th
The sets, costumes, actors, music and cinematography are all top notch. Great use of slow motion and sped-up movement. Still, the story has few redeeming values and it doesn't lend itself well to a rewatch. A powerful and uncomfortable experience the first time, though.
Rated 02 Aug 2010
recklessmessrecklessmess
Rated 11 Feb 2010
92
98th
Because of this movie, I actually thought all Brits dressed this way...or like Dame Edna.
Rated 11 Feb 2010
mangoluver4umangoluver4u
Rated 21 Dec 2009
100
94th
A gang of guys go around raping and murdering people in bowler hats and wearing jock straps. Then have a ice cold glass of milk. Ahhh refreshing!
Rated 21 Dec 2009
bmuniseBmunise
Rated 11 Nov 2009
97
91st
I wish Malcolm McDowell starred in more good movies than he did.
Rated 11 Nov 2009
pepsi_manPepsi-Man
Rated 18 Sep 2009
1
11th
I like Kubrick and this is no slouch in the visual and filmmaking departments. Otherwise, I cannot stand a single frame of this piece of shit masquerading under the guise of "satire." I get the message and I can see what Burgess and Kubrick were going for with it, but that doesn't make it good, unless of course their only desire was to absolutely repulse the viewer, in which case they hit the ball out of the galaxy. Aside from that, the writing is clunky and atrocious.
Rated 18 Sep 2009
okkervilOkkervil
Rated 31 Jul 2009
93
98th
Forget all the hype and focus on more than the violence, then learn to accept it for what it is. Brilliantly shot, fantastically written and McDowell in his only film where he doesn't make me want to punch him in the face. Kubrick's least subtle, but most effective film.
Rated 31 Jul 2009
launchLaunch
Rated 31 Jul 2009
100
99th
Stanley Kubrick's terrifying adaption of Anthony Burgess' novel set in futuristic Britain immerses us in a world that after dark is terrorized by teenagers. Malcolm McDowell is spectacular as juvenile deliquent Alex DeLarge. This film, though largely misunderstood because of its "ultra-violence" asks the viewer to what extent does the government benefit society and the importance of choice. Possibly Kubrick's best film.
Rated 31 Jul 2009
brandt64brandt64
Rated 14 Jun 2009
95
94th
Great film on the nature of criminality and authoritarianism. Asks us to what extent does the government really benefit society. Kubrick's detached, impersonal style of directing results in something that is misunderstood by many and which remains highly controversial to this day. That aside, it's a perfect mix of unforgettable directing, screenwriting, and visuals. A classic.
Rated 14 Jun 2009
abunchofcatsABUNCHOFCATS
Rated 28 Apr 2009
98
99th
One of the most disturbed movies I've seen. Utterly engaging in just about every way with a phenomenal lead performance.
Rated 28 Apr 2009
omgfridgeomgfridge
Rated 18 Apr 2009
10
97th
Purely unforgettable. Strange and brutal to many extents. This film is something that cannot be missed.
Rated 18 Apr 2009
fredericg54frederic_g54
Rated 01 Apr 2009
10
97th
(after repeat viewings) I think the 1st act may pose a problem for some; Haters find it pointless, while lovers find it unrelentingly scary. A film that visualizes violence in a rather hypnotic and outlandish way, while in perfect harmony with an electrifying soundtrack. Not sure I liked the direction, 'Barry Lyndon' or 'The Shining' serve as an appropriate counterpoint. Still, 'A Clockwork Orange' makes for an unforgettable experience and Kubrick's place in (cinematic) history is well deserved.
Rated 01 Apr 2009
nearphotisonNearphotison
Rated 27 Feb 2009
96
99th
Kubrick again shows how he is a master of film. McDowell is great as Alex and a very convincing sociopath. Ultimately a tragic film about society, it's much more intellectually stimulating than would be evident at a first glance.
Rated 27 Feb 2009
brutalbrianBrutalBrian
Rated 18 Jan 2009
100
99th
Yes I rated this 100%. This film is perfect on so many levels because of how it deals with the way we perceive things, government and its relationship to people, and a completely perverse use of "Singing in the Rain", I still love the scene its used in all these views later as I did upon first watching it. This film also has an amazing score as well as some of the first electronic music ever. Its carictures on society still stand tall all these years later. This is truly a "MUST SEE" film.
Rated 18 Jan 2009
inhmninhmn
Rated 12 Jan 2009
99
92nd
ultra-violence , ultra-joy, ultra-McDowell ! Best Kubrick for me probably
Rated 12 Jan 2009
gritGrit
Rated 18 Jul 2008
85
91st
A Clockwork Orange combines intense and carefully designed imagery with an equally gripping and disturbing plotline set to the soundtrack of the great works of classical music. The concept is symbolic, highly polished and totally unique using unusual patterns of speech, graphic scenes and a sinister commentary to chill the viewer while still allowing them to make a independant decision about the often grotesque and, on occasion, black comedy moments. However it's flawed and not for everybody.
Rated 18 Jul 2008
va3hVa3H
Rated 05 Jul 2008
100
99th
Kubrick infuses his stylistic art style and talent for thoughtful storytelling into an amalgam of a satire and dystopian view of the future. Dealing with themes such as: free-will, social issues, criminality and justice. Kubrick challenges the audience to defended their own beliefs, and perhaps, re-evaluate their own moral values. In addition, McDowell portrayal of Alex is as chilling as mesmerizing, and truly is one of the greatest performances in cinematic history.
Rated 05 Jul 2008
bellamyrbellamyr
Rated 02 Jan 2008
89
92nd
Compelling and sinister, breathtaking and disturbing a terrible view of a possible future. The cinematography is uniquely striking and the use of classical music during scenes of gratuitous violence is both dramatic and stunningly effective in a shocking way.
Rated 02 Jan 2008
kirjatKirjat
Rated 14 Aug 2007
80
50th
A source of inspiration for study of human soul. Freaky, scary, tragical. And visually perfect. Yummy!
Rated 14 Aug 2007
triffidtriffid
Rated 14 Aug 2007
93
93rd
I don't think "A Clockwork Orange" can be commented on in just two or three sentences. This film is so unique you'll have to watch it and decide for yourselves. I personally think it is awesome.
Rated 14 Aug 2007
djrossdjross
Rated 14 Aug 2007
78
90th
2021 re-watch: Given that the world is more caught than ever in contradiction-filled debates about the natural or the cultural origin of the problems of modern life, and given that half a century later therapeutic practices not dissimilar to those shown here are used in the USA to treat or pretend to treat pedophilia, this satire about the individual, collective and institutional propensity for irrational and rationalised sadism would seem to have a reasonable claim of contemporary relevance.
Rated 14 Aug 2007
lachapellelachapelle
Rated 14 Aug 2007
72
39th
Good film, disturbing but good. Everyone should see this film at least once. Malcolm McDowell is just freaking creepy!
Rated 14 Aug 2007
easydiffeasydiff
Rated 14 Aug 2007
31
21st
Antiseptic and impersonal, like most Kubrick films. Too clinical for my tastes.
Rated 14 Aug 2007
beneBene
Rated 04 Aug 2007
90
96th
Disturbing yet brilliant calssic
Rated 04 Aug 2007
meanmikhailmeanmikhail
Rated 19 May 2007
100
91st
Kubrick was a brilliant director, and the reason I became interested in films, and this is close to his best.
Rated 19 May 2007
stainStain
Rated 07 Apr 2007
100
95th
Absolutely unforgettable movie of ideas, however unsubtle those ideas may be or how they are presented. If you really do love humankind, you have to love Alex too as a not unrepresentative part of it
Rated 07 Apr 2007
cinematicespCinematicESP
Rated 18 Jan 2007
98
99th
C'mon. It's A Clockwork Orange. It gets impossibly more brilliant every time I see it.
Rated 18 Jan 2007
scholar69420Scholar69420
Rated 04 Nov 2023
89
97th
I read the book first, and i can say that the surreal style would’ve benefited from true ultra-violence. The physical violence is nowhere near frequent enough to desensitise, and o my brothers it should be far more graphic. The sexual violence in the film is properly shocking and impactful, but the book still went further. Those girls from the threesome, book Alex got them drunk pre-raping, and they were 10. The drowning scene was a suitably long oner, but the accompanying beating looked soft.
Rated 04 Nov 2023
thatyoungmthatyoungm
Rated 01 Oct 2023
86
37th
Definitely a bold piece of cinema, but on repeated viewings, it doesn't hold up that well. Kubrick uses his mastery of shot creation and montage to drive home the film's more subversive points about censorship and morality, but the film is at its silliest when it gets too preachy. There's also more terrible over-acting than I remember, but that could have been a directorial choice, knowing Kubrick. Still an important film for its era and you will never look at Singin' in the Rain the same way
Rated 01 Oct 2023
karlsonkarlson
Rated 13 Aug 2022
60
23rd
As much as I would like to value this classic as one would expect of a Kubrick-standard, i don't. It does ample care for quality. As a movie it doesn't survive the test of time: it uses too many theatrical tricks and is interesting at best as a historic example of a messy production with an urgent agenda for conscience and morality, that exceeded the shock threshold of that time, was brought to the screen and became legendary.
Rated 13 Aug 2022
jbutler2021jbutler2021
Rated 07 Mar 2021
8
68th
interesting take on free will vs. safety in the context of a repulsive main character who is a complete menace to society. my understanding is to watch this before reading the book because kubrick didn't include the final chapter of the book, so whether the book is better or not it's better to wait until after watching the movie to read it.
Rated 07 Mar 2021
yoshinarutoYoshinaruto
Rated 11 Sep 2018
70
71st
For the most part, it isn’t enjoyable. But it’s so unique and odd that “enjoyable” isn’t a requirement. It’s a thinking man’s movie and it’s brutal for its time, so it may be more of a film for movie buffs than it is the general audience, but it’s just about required viewing for lovers of classic Cinema.
Rated 11 Sep 2018
thehynesthehynes
Rated 11 Jul 2017
62
75th
Not a baddiwad cine to viddy. It's funny how the colours of the real world only seem really real when you viddy them on the screen
Rated 11 Jul 2017
daigoroDaigoro
Rated 08 Jul 2017
6
42nd
Completely sick and disgusting, in other words exactly what I expected. Not quite as smart as it thinks it is though, and some of the acting is too ridiculously over the top even when unnecessary. I suspect I'll hate it if I ever watched it again.
Rated 08 Jul 2017
ieuandpIeuanDP
Rated 11 Mar 2017
60
39th
It's annoying when anti-heroes like this become fashionable. People drawn to them always seem to appropriate the film's justifications for misanthropy, but the film itself never actually convinces you of society's role in cultivating it. His childish sadism just feels really innate, so you never sympathise with him. It's a completely visionless dystopia too - like a world of lazily retrofitted IKEA showrooms.
Rated 11 Mar 2017
bratingsbratings
Rated 02 Nov 2016
91
82nd
An equally disturbing and thought-provoking commentary on the existence of violence in civilized society, Stanley Kubrick's A Clockwork Orange benefits tremendously from its haunting visuals, musical score, and over-the-top performance from Malcolm McDowell.
Rated 02 Nov 2016
catredcatred
Rated 28 May 2015
98
91st
must see!:)
Rated 28 May 2015
dardandardan
Rated 05 May 2015
45
38th
Nauseating. Kubrick fans: he intended it for it to be nauseating. Ok then.
Rated 05 May 2015
rttntomatoesrttntomatoes
Rated 23 Dec 2013
89
73rd
Disturbing and thought-provoking, A Clockwork Orange is a cold, dystopian nightmare with a very dark sense of humor.
Rated 23 Dec 2013
cipher067Cipher067
Rated 20 Apr 2013
98
99th
(The movie: YES SIR! - A remake?: NO SIR!!!)
Rated 20 Apr 2013
natehill88natehill88
Rated 21 Jan 2013
100
97th
Another masterpiece from Kubrick. Perfect adaptation from Burgess's novel is still a shock at times (although it's hard to see what all the controversy in Britain was about). McDowell is fantastic as Alex, and the score by Wendy Carlos is one of the best ever.
Rated 21 Jan 2013
veeqdeeveeqdee
Rated 15 Aug 2012
60
46th
too disturbing for my little head i guess
Rated 15 Aug 2012
staryarabbistaryarabbi
Rated 30 Dec 2011
95
96th
perfect crititic of modernity with outstanding visual expression
Rated 30 Dec 2011
freshFresh
Rated 18 Jul 2011
91
78th
Disturbing and thought-provoking, A Clockwork Orange is a cold, dystopian nightmare with a very dark sense of humor.
Rated 18 Jul 2011
pray4mojopray4mojo
Rated 03 May 2011
92
58th
Kubrick's A Clockwork Orange is widely misunderstood us a vindication of violence as oppose to what it truly is a satire of it. One is not supposed to empathize with Alex, one is actually supposed to be revolted by his actions. If the the film seems sympathetic toward Alex it's only because it is told through his voice. Your supposed to be upset by the images on screen. It is also a commentary on the state of criminal rehabilitation and how the system consistently fails at it.
Rated 03 May 2011
nobletNoblet
Rated 22 Mar 2011
79
67th
On one hand, I love the visual design. Strange, bright colors everywhere. Oddly shaped chairs and cars and purple hair. It's a future 70's dystopia. I also liked the ridiculous slang that Alex talks with, though I can see how it would annoy some people. On the other hand, everything just seemed...pointless. I mean, I've seen (and loved) plenty of movies where there are no good guys, but I just found it hard to care really. I think the main themes of the movie flew over my head.
Rated 22 Mar 2011
afx237viafx237vi
Rated 02 Mar 2011
75
77th
Impressive and shocking in equal measures, but a lot to take in after one viewing. My initial impression is that it's a great satire that somehow manages to skewer all sides of the political spectrum at the same time - no mean feat. The visuals are amazing. Vibrant and garish and disorienting, perfectly matching the hyper-real intensity of the world Alex inhabits.
Rated 02 Mar 2011
shaqfilmclubShaqFilmClub
Rated 11 Feb 2011
93
53rd
1 Shaqtacular
Rated 11 Feb 2011
alon_reterAlon Reter
Rated 22 Dec 2010
60
47th
Next time you watch a Lady Gaga video look for kubrick references. And now the actual film - it feels kind of morally dubious and it's not as lifechanging as people usuaully say it is, but it's a decent film. I love the ending. It's great as a platform for debates and just practicing film analysis in cinema classes in highschools, and somehow it still manages to spark controversy even though I don't belive the "messege" or the violence are shocking. The analysis is better than the actual film.
Rated 22 Dec 2010
age_jellemaAge Jellema
Rated 17 Nov 2010
86
98th
It's still a modern film when you see it today. I bet it was a revolution in 1971. Original, strange, satiric. McDowell was great.
Rated 17 Nov 2010
sirstuckeySirStuckey
Rated 21 Aug 2010
50
23rd
It's well made, but I'll be damned if I didn't find this to be one of the more disturbing movies I've ever seen. Having the main character be a complete bastard can be tough, but if there is going to be a point where we are supposed to feel sorry for him you should probably give him some good qualities besides him liking Beethoven. Maybe I missed the boat on this movie and it's genius, but I will never watch it again so I guess I'll never know.
Rated 21 Aug 2010
billkerwinbillkerwin
Rated 18 Dec 2009
92
89th
A powerful film, but pulls its punches by making Alex too sympathetic (at least compared to the Burgess novel).
Rated 18 Dec 2009
bownBown
Rated 08 Aug 2009
89
91st
One of the best social satires in film history, taking a brutal look at the hypocrisy and vulgarity present in all elements of its dystopian society. The line about prisons being needed in the future for political prisoners is especially telling. Some of the freakiest and best production design of all time, and an incredible lead performance from McDowell.
Rated 08 Aug 2009
freqflyerfreqflyer
Rated 31 Jul 2009
90
95th
One of the most interesting yet dark movies I have seen.
Rated 31 Jul 2009
jordandcfcJordanDcFc
Rated 05 Jul 2009
90
95th
Unbelievable. The only word to describe this film. The music, the language, the scenery, the costumes. Everything about this film is mindblowing. Malcolm McDowell plays Alex DeLarge perfectly and the supporting cast aren't bad either. Ultra violence and rape accompanied by Beethoven: Mind blowing.
Rated 05 Jul 2009
sumanaustinsuman.austin
Rated 15 Jun 2009
95
97th
This is a classic and my favorite Kubrick movie. The best part was the satire involved in this movie and it looked as fresh as a new release. It was dark, disrturbing yet innovative and the 'singing in the rain' scene is my favorite scene!
Rated 15 Jun 2009
seryxaSeryxa
Rated 09 Apr 2009
25
43rd
A repulsive film in which intellectuals have found acres of social and political meaning; the average judgment is likely to remain that it is pretentious and nasty rubbish for sick minds who do not mind jazzed-up images and incoherent sound.
Rated 09 Apr 2009
velikiVeLiKi
Rated 17 Mar 2009
90
71st
What impressed me the most in this movie, was the main protagonist's vocabulary - the distinct combination of English, Russian and Cockney rhyming captivated my attention to the very end of the movie. Alex's morale, the question of good vs evil and his angle on it is what prevails in this movie. You have to hate him, but you cannot feel sorry for him. The chaos, and the alternative 60's futuristic England makes the movie truly unforgettable experience.
Rated 17 Mar 2009
deastmandeastman
Rated 11 Mar 2009
95
93rd
I've always thought there was something suspicious about drinking milk straight. Rape Scene Rating: 10
Rated 11 Mar 2009
antitoxicantitoxic
Rated 25 Feb 2009
34
37th
Well good execution. But for what ? It's not a comedy and still have no purpose.
Rated 25 Feb 2009
bowfingerbowfinger
Rated 21 Feb 2009
25
19th
This movie can't hold a candle to the novel, it's so very overrated. Don't rank this movie without reading the book!
Rated 21 Feb 2009

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