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A Clockwork Orange

A Clockwork Orange

1971
Drama, Sci-fi
2h 16m
A savage and satiric morality play centering on Alex, who fights, robs, rapes and kills like any conscienceless predator. Captured and imprisoned, he undergoes treatment to condition him "safe", a "clockwork orange" healthy and whole on the outside - but crippled within by reflex mechanisms beyond his control.
Your probable score
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A Clockwork Orange

1971
Drama, Sci-fi
2h 16m
Your probable score
Avg Percentile 71.23% from 20182 total ratings

Ratings & Reviews

(20182)
Compact view
Compact view
Rated 22 Feb 2007
100
99th
Brilliant, savagely cynical, perceptive, funny, perpetually relevant - this movie, for me, perfectly demonstrates the power of the film medium at its highest potential. The comments on virtue, free will, redemption, religion, government, radicalism, and the human spirit are accurately and beautifully expressed through McDowell's sublime performance and Kubrick's impeccable and meticulous direction.
Rated 09 Feb 2007
99
99th
A Clockwork Orange is easily one of the greatest, and yet strangest and controversial films of all time. When you sit down and watch this film, you will have a large variety of emotions going through you. You'll watch this film and be disturbed about what you see, and yet you can't help but laugh at some of the things they say. It's truly a unique experience. Kubrick paints a perfect portrait of the future, filled with memorable scenes and a great score. Unique and Different.
Rated 27 Jan 2007
97
98th
A Clockwork Orange always evokes interesting feelings. On one hand it's dark and frightening, but on another it's both funny and colourful. In A Clockwork Orange it's the atmosphere that creates the strongest emotions with me; the powerful music, fine acting and strong direction from Kubrick are all quite memorable.
Rated 29 May 2008
60
57th
Decent, but I get sick of seeing it treated as some sort of gold standard of film by self-satisfied nihilist nerd boys suffering from misplaced aggression and the woeful tendency to see detached, casual violence as the hallmark of coolness. Much like the cult of "Fight Club", I think that if you find a tattered 'Clockwork Orange' poster in some asshole's dorm room, you can safely assume they missed the point and merely think the movie's "fuckin' badass, dude".
Rated 09 Feb 2007
6
99th
A film of considerable ideological complexity regarding the psychology of its depraved protagonist, the politics of a dystopian society, and the moral implications of social engineering. This is quintessential Kubrick, demonstrating his utter disregard for the formal rules of cinema, a wicked sense of satirical humor, and a generally dim view of humanity. McDowell is a brilliant casting choice, the language is unique, and the synthesized score is just ecstasy.
Rated 24 Feb 2007
93
96th
Honestly this is one of the most terrifying films I've ever seen in my entire life. Even though it's not depicted as real, in fact it's downright surreal, the sheer subject matter and how it's delt with is just downright nauseating at times, which I believe is exactly what Kubrick was going for. There's also some great subtle black humour throughout the film which really adds to the overall tone of the film.
Rated 14 Aug 2007
94
97th
A Clockwork Orange contains possibly the most unique, impossible-to-imitate atmosphere of all-time. It revels in making the viewer absolutely comfortable with uncomfortability, and makes an incredibly bold statement about the true nature of punishment and censorship. Nobody did or will ever do it like Kubrick.
Rated 09 Sep 2020
95
96th
Is this where yeet came from my droogs, let’s yolo up some bread real horror show. Pointless to throw another hot Clockwork Orange Kubrick take into the void but guys I don’t think Alex is a good person!!!
Rated 10 Jul 2007
2
33rd
God, what a problematic film. Kubrick omits the novel's original ending (in which Alex chooses good without conditioning) in favor of pure nihilism and the triumph of evil. Throw in some unnecessary and exploitative rape scenes, some pornographic violence, and score it to classical music and voila! The emperor wears no clothes!
Rated 21 Jul 2008
100
98th
Extraordinary on every level. A really strange and amazing movie. The best film I've ever seen, and one of the most influential movies in cinema. Incredible imagery and a timeless masterpiece that anybody could watch over and over again. Anybody who hasn't seen it should definitely check it out right now!
Rated 23 Feb 2007
5
44th
Really disgusting movie on all fronts. The first time I saw it I was blown away but after a few more viewings its safe to say this film is overrated - especially by goofy college aged losers. It tries to be too much and just doesn't work out. Watch Kubrick's other shit.
Rated 30 Jul 2013
7
92nd
yes, the film does ponder the dichotomy of freedom of choice, but kubrick's interpretation is less about the options themselves as the fundamental shittiness that underlies life no matter the path taken. simply put, this film most cleanly expresses kubrick's misanthropy. it is then understandable that many hate it, despite the phenomenal delivery of its message, juxtaposing bright colours, bastardised cockney and ludwig van against rape, violence and control.
Rated 10 Feb 2007
5
91st
Alex may be awful, but so is everybody else; Alex just isn't hypocritical about it. See the prison guard's bluster and rigid adherence to duty, followed by his sneering/leering during Alex's pitiable display of the Ludovico effects. Or the opportunism of Alex's crippled victim, replaced only by insatiable bloodlust. To say nothing of the synthesis of high art and base instinct, which only Alex understands can exist. At least Alex is doing what he wants. Alas: what he wants is to rape and rob.
Rated 19 Mar 2007
98
98th
A Clockwork Orange is a strange mix of brilliance and bizarre. It's a film that certainly isn't for everyone but this artistic masterpiece is the kind of movie that pushes you to think each and every scene in a new way. There are engaging themes all throughout the movie that challenge your moral standings on criminality and how you can go about changing yourself.
Rated 21 May 2007
96
99th
A slight departure from Burgess' phenomenal novel, Kubrick's ability to convey the human psyche--and its eventual unraveling--is unsurpassed. The use of nadsat (the language in the film) is hard to get used to, but not a hindrance to the storytelling. Somehow pulls off the unbelievable task of satirizing corporal punishment and producing a commentary on the subjects themselves, all with the signature Kubrick visuals.
Rated 14 Aug 2007
10
4th
Pompous, didactic, an absolutely incompetent attempt at social commentary as none of the characters resemble human beings in the least, and most of the dialogue is ridiculous.
Rated 10 Jan 2009
90
98th
insane
Rated 29 May 2009
100
99th
I think everything was excellent circumscribed by other users. Everyone who only have one spark on interest in making movies needs to see A Clockwork Orange ( and of course all the other Kubrick's ) This is the paragon for a perfect Movie.
Rated 12 Jul 2012
10
96th
Hi hi hi. Why didn't I realize this was hilarious the first time I saw it? Distorted faces, clown-like makeup, clashing color schemes, very theatrical acting, and of course, non-stop irony, especially after Alex's reformation, which turns the world topsy turvy. Criminal buddies are now cops, hobos are the ones doing the ass-kicking, muscle men answer the door instead of helpless women, and Alex is domesticated instead of feral. Yet the world remains twisted. Maybe even worse off?
Rated 14 Feb 2007
95
94th
Personally I like the book a little bit more, but the fact that the movie offers a slightly different and equally compelling take on things (especially concerning the end) makes both versions essential.
Rated 07 Jul 2007
100
99th
A seamless integration of every possible part of the film-making process--cinematographic aesthetics, the acting performances, the narrative itself, the soundtrack--all fitted together with such grace in a beautiful Gestalt whole. Kubrick created a profound tour de force of a film, with images that are not simply memorable, but haunting. It's as deeply disturbing on the umpteenth re-watch as it was on the first.
Rated 23 Dec 2007
99
99th
A bombastic, disturbing exploration of morality and the odd relationship between society and violence. Once again, as is to be expected from Kubrick, the craft delivers in spades, from the gripping acting to the unreal primitive techno score. Kubrick was at his best when he could plan every single detail out, but here he shows he can also succeed at doing something quickly with a low budget. Watching this provides one of the most unique experiences film can offer.
Rated 03 Dec 2008
100
99th
Blindingly, beautifully sick, a Clockwork Orange works on a number of levels. It's difficult to tell what's worse, the terrifying casual nature of the initial violence or the horrifying attempts to rid the world of it. A Clockwork orange is uncompromisingly unique, unflinchingly violent, and undeniably among Kubrick's finest.
Rated 21 Jan 2009
100
99th
All characters are tensed, worked over, shouting. Every word rings loud in it's cynicism and joyous cruelty. The sadism that is Alex, leaves it's residue in every frame and vibrant note. The dialogue tunes you into a odd world of characters, all of them outrageously unfamiliar - it is a world driven to madness. We uncover the intimacy in violence; our innate fixation with it, and the indirect meaningless whims of anything but it. How do you extinguish or explain a force that has shaped mankind?
Rated 06 Jan 2015
84
59th
There was something wrong with my DVD and I spent about 45 minutes staring at an orange rectangle on a black screen while weird music played. After seeing other movies by Kubrick, I just didn't question it.
Rated 14 Aug 2007
94
97th
Proving, once again, that eyeliner on crazy British youths is quite possibly one of the most frightening things we'll ever see.
Rated 14 Aug 2007
80
66th
While I still appreciate the mastery of it -- the set design, choice of music, shot composition, the perfect casting of Malcolm McDowell, the brilliant black humor -- little flaws are beginning to make themselves known to me. Nothing major, but I realize now the film is not as perfect as I once thought. For one thing, there are times when it feeds you its message all too obviously (the final conversation with the minister, for example).
Rated 31 Dec 2007
55
17th
Just not a very good movie. The sets and atmosphere are nice, but most of the rest of it is just very sterile and uninteresting.
Rated 26 Jul 2008
20
2nd
Boring. And I found it impossible to sympathize with Alex, whose motivation for violence is completely unexplained.
Rated 18 Nov 2008
100
97th
Kubrick's style of direction gives his movies a sort of antiseptic feel, adding an absurd aloofness to Strangelove and an alien touch to 2001. But when done in the service of the farcical uber-violence of A Clockwork Orange, the effect is mostly alienating; Kubrick's refusal to denunciate his anti-hero -- the film's fundamental amorality -- is challenging, no doubt, but it adds up to a complex rumination on determinism and choice.
Rated 11 Dec 2008
75
49th
I most appreciate Kubrick's formal conceits--the beautifully framed shots, the dystopian vision, the sets, the choice of music. However, the deep nihilism of the film, combined with its easy portrayal of mindless sex and violence, is troubling. Neither the Alex of science (choice removed by conditioning) nor the Alex pre/post-science (choices limited to evil) seems to have any real choice in the matter. Always choosing evil seems the same as having no choice at all.
Rated 21 Sep 2010
79
94th
Brilliant, bizarre and years ahead of its time. Banned in Britain the "ultra violence" seems a bit tamer now, but still shocking and beautiful satire.
Rated 18 Jan 2007
98
99th
C'mon. It's A Clockwork Orange. It gets impossibly more brilliant every time I see it.
Rated 07 Apr 2007
100
95th
Absolutely unforgettable movie of ideas, however unsubtle those ideas may be or how they are presented. If you really do love humankind, you have to love Alex too as a not unrepresentative part of it
Rated 19 May 2007
100
91st
Kubrick was a brilliant director, and the reason I became interested in films, and this is close to his best.
Rated 04 Aug 2007
90
96th
Disturbing yet brilliant calssic
Rated 14 Aug 2007
31
21st
Antiseptic and impersonal, like most Kubrick films. Too clinical for my tastes.
Rated 14 Aug 2007
78
89th
2021 re-watch: Given that the world is more caught than ever in contradiction-filled debates about the natural or the cultural origin of the problems of modern life, and given that half a century later therapeutic practices not dissimilar to those shown here are used in the USA to treat or pretend to treat pedophilia, this satire about the individual, collective and institutional propensity for irrational and rationalised sadism would seem to have a reasonable claim of contemporary relevance.
Rated 14 Aug 2007
93
93rd
I don't think "A Clockwork Orange" can be commented on in just two or three sentences. This film is so unique you'll have to watch it and decide for yourselves. I personally think it is awesome.
Rated 14 Aug 2007
72
39th
Good film, disturbing but good. Everyone should see this film at least once. Malcolm McDowell is just freaking creepy!
Rated 14 Aug 2007
80
50th
A source of inspiration for study of human soul. Freaky, scary, tragical. And visually perfect. Yummy!
Rated 02 Jan 2008
89
92nd
Compelling and sinister, breathtaking and disturbing a terrible view of a possible future. The cinematography is uniquely striking and the use of classical music during scenes of gratuitous violence is both dramatic and stunningly effective in a shocking way.
Rated 05 Jul 2008
100
99th
Kubrick infuses his stylistic art style and talent for thoughtful storytelling into an amalgam of a satire and dystopian view of the future. Dealing with themes such as: free-will, social issues, criminality and justice. Kubrick challenges the audience to defended their own beliefs, and perhaps, re-evaluate their own moral values. In addition, McDowell portrayal of Alex is as chilling as mesmerizing, and truly is one of the greatest performances in cinematic history.
Rated 18 Jul 2008
85
91st
A Clockwork Orange combines intense and carefully designed imagery with an equally gripping and disturbing plotline set to the soundtrack of the great works of classical music. The concept is symbolic, highly polished and totally unique using unusual patterns of speech, graphic scenes and a sinister commentary to chill the viewer while still allowing them to make a independant decision about the often grotesque and, on occasion, black comedy moments. However it's flawed and not for everybody.
Rated 29 Sep 2008
35
38th
Zzzzzzz not for me. It's themes are intriguing to say the least, but it is just a complete mess. The cinematic equivalent of that really drunk guy at parties who has something really important to say, but can't even form the correct sentences. "Ehhhh gang violence... rape... the youth of today... imprisonment... the government!!!"
Rated 12 Jan 2009
99
92nd
ultra-violence , ultra-joy, ultra-McDowell ! Best Kubrick for me probably
Rated 18 Jan 2009
100
99th
Yes I rated this 100%. This film is perfect on so many levels because of how it deals with the way we perceive things, government and its relationship to people, and a completely perverse use of "Singing in the Rain", I still love the scene its used in all these views later as I did upon first watching it. This film also has an amazing score as well as some of the first electronic music ever. Its carictures on society still stand tall all these years later. This is truly a "MUST SEE" film.
Rated 27 Feb 2009
96
99th
Kubrick again shows how he is a master of film. McDowell is great as Alex and a very convincing sociopath. Ultimately a tragic film about society, it's much more intellectually stimulating than would be evident at a first glance.
Rated 01 Apr 2009
10
97th
(after repeat viewings) I think the 1st act may pose a problem for some; Haters find it pointless, while lovers find it unrelentingly scary. A film that visualizes violence in a rather hypnotic and outlandish way, while in perfect harmony with an electrifying soundtrack. Not sure I liked the direction, 'Barry Lyndon' or 'The Shining' serve as an appropriate counterpoint. Still, 'A Clockwork Orange' makes for an unforgettable experience and Kubrick's place in (cinematic) history is well deserved.
Rated 18 Apr 2009
10
97th
Purely unforgettable. Strange and brutal to many extents. This film is something that cannot be missed.
Rated 28 Apr 2009
98
99th
One of the most disturbed movies I've seen. Utterly engaging in just about every way with a phenomenal lead performance.
Rated 14 Jun 2009
95
94th
Great film on the nature of criminality and authoritarianism. Asks us to what extent does the government really benefit society. Kubrick's detached, impersonal style of directing results in something that is misunderstood by many and which remains highly controversial to this day. That aside, it's a perfect mix of unforgettable directing, screenwriting, and visuals. A classic.
Rated 31 Jul 2009
100
99th
Stanley Kubrick's terrifying adaption of Anthony Burgess' novel set in futuristic Britain immerses us in a world that after dark is terrorized by teenagers. Malcolm McDowell is spectacular as juvenile deliquent Alex DeLarge. This film, though largely misunderstood because of its "ultra-violence" asks the viewer to what extent does the government benefit society and the importance of choice. Possibly Kubrick's best film.
Rated 31 Jul 2009
93
98th
Forget all the hype and focus on more than the violence, then learn to accept it for what it is. Brilliantly shot, fantastically written and McDowell in his only film where he doesn't make me want to punch him in the face. Kubrick's least subtle, but most effective film.
Rated 18 Sep 2009
1
11th
I like Kubrick and this is no slouch in the visual and filmmaking departments. Otherwise, I cannot stand a single frame of this piece of shit masquerading under the guise of "satire." I get the message and I can see what Burgess and Kubrick were going for with it, but that doesn't make it good, unless of course their only desire was to absolutely repulse the viewer, in which case they hit the ball out of the galaxy. Aside from that, the writing is clunky and atrocious.
Rated 11 Nov 2009
97
91st
I wish Malcolm McDowell starred in more good movies than he did.
Rated 21 Dec 2009
100
94th
A gang of guys go around raping and murdering people in bowler hats and wearing jock straps. Then have a ice cold glass of milk. Ahhh refreshing!
Rated 11 Feb 2010
92
98th
Because of this movie, I actually thought all Brits dressed this way...or like Dame Edna.
Rated 02 Aug 2010
82
86th
The sets, costumes, actors, music and cinematography are all top notch. Great use of slow motion and sped-up movement. Still, the story has few redeeming values and it doesn't lend itself well to a rewatch. A powerful and uncomfortable experience the first time, though.
Rated 21 Feb 2011
85
95th
the strange tale of a thug, rapist and murderer, who is conditioned to be a "good" person. its philosophical attempt to weigh free will against safety and stability is a tough nut, as it clearly favors free will, yet puts a person in focus who is infinitely dislikable. kubrick surely knew how to set up a moral conundrum, but in the end it's clear: liberty means everyone. the assholes, too.
Rated 29 Mar 2011
95
97th
Other films (and books) have dealt with similar subjects, but none as memorable as this great satirical look on how society handles issues of violence, punishment and revenge. With out-of-this-world cinematography and a stellar soundtrack, more than a handful of scenes are bound to stick with you for good.
Rated 17 Sep 2011
85
96th
One of the most quotable films of all time? Expertly done on every level (as to be expected from a Kubrick film) but obviously the most notable aspect is Malcolm McDowell's mesmerizing performance. The only really negative comment I have is that once you've read Burgess' superior novella the film doesn't hold up as well, although the ending of Kubrick's film is undeniably more effective and enjoyable than Burgess' final cathartic chapter which is thankfully missing from the movie.
Rated 10 Feb 2012
83
92nd
I prefer a few less rapes in my entertainment, but this is a strong film that doesn't shy away from violence. McDowell is brilliant.
Rated 18 Jul 2013
99
99th
Very weird and sometimes disturbing, but A Clockwork Orange catches the right idea of how bad man can really be thanks to Kubrick's directing. McDowell is incredible and the screenplay is excellent. Worth watching. That being said, it's a great movie. one of my favorites.
Rated 24 Jan 2015
80
75th
Beyond the ultraviolence, the film plays with the idea of morality, or rather, the inner/outer boundaries of morality (if one can even make that distinction), as well how close the fascism of the state closely mirrors Alex's friends. Beautiful film.
Rated 23 Aug 2019
90
90th
The story alone, delivers a tormenting tragedy in the mind of a free will, unlikeable, moral character. Kubrick's visuals are piercing and spot on with my imagination from the book. Couldn't be more satisfied.
Rated 12 Jan 2007
90
92nd
What a strange movie this is. It's got more genitalia than in your average porn movie, but somehow it's not gratuitous, but more of a symbol of the sheer dystopia Alex lives in. It's a fascinating story to analyze and it'll keep you thinking for weeks afterward.
Rated 01 Feb 2007
98
99th
Better than the book. This is a fantastic movie about a criminal who the government attempts to mentally cleanse of his violent ways. They succeed, but unfortunately they let him back into our unchanged, violent, society where his inability to be violent attracts the violence of others.
Rated 15 Mar 2007
90
95th
The most popular Kubrick movie. Works excellent because he just tells the story and lets the audience decide what's good or bad about human nature.
Rated 02 Jun 2007
97
98th
A masterpiece and quite beautiful yet so brutal. Stunning contrast between the calmness of Beethoven battling against extreme violence.
Rated 10 Aug 2007
96
91st
So sadistic and beautiful. One of those movies that is so difficult to watch and just as rewarding. Very smart film that must be watched straight through.
Rated 14 Aug 2007
95
98th
Real horrorshow. Cops out a bit by excising the final chapter of the novel, but this flick is brutal and effective. Every frame is gorgeous.
Rated 14 Aug 2007
94
96th
I really like this movie. It makes a good statement, has some good action, but I'm not sure if it's trying to be too classy or if it's not classy enough.
Rated 14 Aug 2007
95
96th
a disturbing movie really
Rated 14 Aug 2007
95
96th
HELL YES.
Rated 14 Aug 2007
70
61st
Actually, for me this has dated quite badly, though not as bad as when I saw it in 87. One for the nerds amongst you... keep an eye out for a small role by David Prowse, the guy who wears the darth Vader uniform in star wars (the voice of course is the way cool James Earl Jones) Almost forgot, if you look, you can see where the 80's band "Heaven 17" get their name from
Rated 14 Aug 2007
94
86th
Despite the interpretive differences resulting from a folly on the American publisher of the novel at the time, Kubrick has otherwise taken Burgess' words and fitted them perfectly as they would and should look on screen. The Sin City of the seventies when concerning how accurate an adaptation can be.
Rated 14 Aug 2007
94
92nd
Nihilistic, funny and far scarier than you'd expect. A chilling classic.
Rated 14 Aug 2007
94
81st
Kubrick classic. Singin' In The Rain would never have the same meaning after this.
Rated 14 Aug 2007
67
45th
null
Rated 14 Aug 2007
8
93rd
The perfectly selected soundtrack, the darkly quirky, creepy, off-putting nature of the characters, some jet-black comedy, and a bit of the old ultraviolence help the film overcome the cold, perfectionist Kubrickian style that's never been my personal favorite.
Rated 14 Aug 2007
83
91st
A complex piece of art that can be studied endlessly, yet enjoyed as a parable of the moral decay in both the minds of young people as well as the correctional means used upon them.
Rated 19 Aug 2007
97
96th
I've always liked Kubrick's artistic vision. On a technical standpoint, this film is astounding. It goes to show how much having a perfectionist director can pay off. Looking at the film's plot, style, acting (McDowell is just unbelievable), and messages, it's a masterpiece. Frightening, captivating and amusing... this is an amazing piece of cinema.
Rated 19 Aug 2007
100
87th
Classic movie about state control of people, anarchy and the yob culture.
Rated 24 Aug 2007
60
36th
I can appreciate this movie artistically, but it makes me uncomfortable and I'll never watch it again.
Rated 08 Oct 2007
100
99th
Classic. It is a challenge for the mind of the viewer.
Rated 16 Nov 2007
75
81st
makes me all upchucky in my gulliver ~ a classic.
Rated 31 Jan 2008
100
99th
31 Ocak 08 & geceyarisi bitti.Uzerine yazilmasi gerekilen sayfalar, soylenmesi gerekilen o kadar cok soz var ki! Belki de tamamen susup, Kubrick ve Burgess onunde saygiyla egilmeli...Kubrick'in basyapiti.Benim favori Kubrick filmim.Siddet, hic bu kadar guzel gosterilmemisti.Zizek'in dedigi gibi, " Sorun olan bir cok sey, artik kendi panzehiri olmakta..." ... Tipki Alex'e yapildigi gibi...[insanin icindeki siddet yokedilirse, insanin kendisi yokolur.degisime acik degil ama hakli birsekilde!
Rated 19 Mar 2008
20
26th
I know I'm going to tick some people off with this statement but, this is probably the most overrated film of all time. Stanley Kubrick made some good films. "The Shining" and "Full Metal Jacket" are among my favorites. But, "A Clockwork Orange" is not. It's brutal for the sake of brutality and one of my least favorite films of all time. The only time Kubrick did worse was when he made "Barry Lyndon".
Rated 29 Mar 2008
100
89th
Strange, Surreal, and Sweet
Rated 16 Apr 2008
99
99th
Fascinating for so many reasons. Morally I have qualms about parts of it, but intellectually, I get it and freely admit that I simultaneously enjoy the violence as much as the average viewer. Way to make me PHILOSOPHICALLY UNCOMFORTABLE, Stanley. The production design is of course incomparable, and the acting, as with any of his films, is spot-on. See it in HD when you get the chance.
Rated 04 May 2008
95
94th
Another film that just has to be seen.
Rated 06 May 2008
94
95th
A classic view into the life of a sociopath and how society tries to yank him from one end of the spectrum to the other
Rated 09 May 2008
81
74th
I think this is an improvement on the book which, at several points, felt gimmicky and silly(with a ridiculous ending). This brings more of a surreal view on the dystopian world of Alex which I think actually works better. McDowell is fantastic.
Rated 17 May 2008
75
52nd
the characters have no scrap of personality that could be related to, and other than that the idea--instead of being fleshed out--simply has stupid sequences to enforce an irrelevent wackiness.
Rated 28 May 2008
65
28th
Disturbing viewing. I can say I've seen it but it is in that list of films I don't ever want to see again.
Rated 20 Jun 2008
88
89th
Dystopian satire has never been better. A blacker than black comedy done brilliantly by the great Stanley Kubrick.
Rated 30 Aug 2008
87
90th
Not really my cup of tea, I like others by Kubrik better. But I must admit that this movie is brilliantly done, great camera, great storytelling, awesome characters.
Rated 13 Sep 2008
80
82nd
The first three words I uttered after the film ended were "what the f***" I have to be honest in saying that the film went a bit over my head at first, so I read some stuff online to better understand some of the themes. In the end, A Clockwork Orange doesn't appeal to me as much as 2001: A Space Odyssey, but it is still a very captivating movie that makes you sit uncomfortable in your sofa. What is 'good'? How do we define 'choice'? And how should society enforce 'goodness'? Tough questions...
Rated 19 Sep 2008
55
32nd
Completly overrated.

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