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Frances Ha
Frances Ha
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Frances Ha

Frances Ha

2013
Comedy, Drama
1h 26m
Greta Gerwig stars as Frances, an apprentice in a dance company who wants so much more than she has but lives life with unaccountable joy and lightness. This modern fable from Noah Baumbach (The Squid and the Whale, Greenberg) explores youth, friendship, class, ambition, failure and redemption. (tiff.net)

Directed by:

Noah Baumbach

Screenwriter:

Greta Gerwig, Noah Baumbach

Starring:

Greta Gerwig, Patrick Heusinger, Charlotte d'Amboise, Juliet Rylance, Grace Gummer, Mickey Sumner, Adam Driver, Lindsay Burdge, Justine Lupe

Genres:

Comedy, Drama

Country:

USA

Languages:

English, French
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Frances Ha

2013
Comedy, Drama
1h 26m
Your probable score
Ratings & Reviews Cast Collections Similar Stats Trailer
Avg Percentile 62.53% from 2851 total ratings
Ratings & Reviews Cast Collections Similar Stats Trailer

Ratings & Reviews

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hawkinsHawkins
Rated 14 Feb 2020
68
41st
Appears to fulfill some hipster fantasy of whimsically travelling to Paris to spiritually rejuvenate from the soul-eroding profession of dancing. I was almost on board via Gerwig's performance but the film always felt a little too precious about itself to really connect with.
Rated 14 Feb 2020
cmonsterCMonster
Rated 18 Jun 2014
15
5th
Gonna go out on a limb and say this wasn't a comedy. Maybe it was if it was from a retarded alternative comic who acts like their sardonic dead pan instantly makes them clever and sarcastic when it really just makes them boring since they don't actually have any good jokes. I want to cut both writers' fingers off so they can never write again. Then I can purchase a crossbow to shoot my eyes out because then I'll never have to see another film that can pretend its deep by being black and white.
Rated 18 Jun 2014
bownBown
Rated 03 Jan 2014
88
88th
Baumbach and Gerwig apply Godard's 'make a movie to criticise another movie' statement to basically the entire mumblecore movement and succeed in leaps and bounds. Frances is rather typically flawed but her genuine enthusiasm makes her immensely likeable, and her travels are very charming to watch, with her eventual settling down an extremely satisfactory conclusion. Almost effortlessly captures a light, cheerful mood where so many other films have tipped over into annoying.
Rated 03 Jan 2014
peaceanarchyPeaceAnarchy
Rated 06 Dec 2013
84
77th
I wanted to love this and I'm not quite sure why I didn't. I still liked it a lot, it was funny and expectedly awkward, but there was something inauthentic about the whole thing that undermined the otherwise very naturalistic performances. Individually every scene works, but as a whole something rings false, but I can't quite put my finger on it.
Rated 06 Dec 2013
djrossdjross
Rated 08 Aug 2013
60
63rd
Quite a few good moments in this ode to female friendship, but after a while the character study runs a little dry, and the absence of narrative progression comes to seem something less than a virtue. The protagonist's little triumphs in the final scenes, however low-key the presentation, seem conventional and predictable, almost as if the director has begrudgingly come to accept the inevitability of bowing to the dictates of Hollywood storytelling.
Rated 08 Aug 2013
xakkmasterXakkMaster
Rated 09 Sep 2020
73
47th
A well made and often interesting observational film, though I found Frances (and many of her acquaintances) fairly unrelatable & frustrating. I'm sure there are flighty and rudderless people like this in the world, I just tend to avoid them. However, there's some interesting commentary on class and social media impact on personal relationships to be found, which grounds things a bit. Gerwig's acting is great, despite my complaints about her character. The ending adds a few points for me.
Rated 09 Sep 2020
cosmicmonkeyCosmicMonkey
Rated 18 Sep 2019
85
86th
I watched this in the middle of a weeks-long depressive episode, and you know what? I actually felt better. Frances taught me that it's okay to not have everything figured out, to be awkward at dinner parties, to fail at things and try again. I think on a deeper level this film has a criticism of the spiritual emptiness and alienation of late capitalism, but on a surface level, it's one of the sunniest, most inspiring, most feel-good movies I've ever seen. So, thanks, Frances.
Rated 18 Sep 2019
judo_koalaJudo Koala
Rated 11 Nov 2015
45
9th
More navel-gazing mumblecore bullshit that reminds us New York City is still the center of the universe, while the children of celebrities pretend to understand what it's like to not be the child of a celebrity, often riding that fine line between parody and sincerity for much of its duration (though trailing more into the latter as the film progresses, thankfully).
Rated 11 Nov 2015
bernardobrumbernardobrum
Rated 07 Mar 2014
60
15th
It's like an episode of Friends directed by Godard
Rated 07 Mar 2014
anomalyAnomaly
Rated 18 Dec 2013
58
26th
Makes the baffling decision to give no real emotional setup, and thus no weight, to the friendship that sets everything off, making it seem like a huge waste of time. Every one of their conversations is flat-out boring, and the conversations with others just go in circles. Some glimmer of Frances' character potential appears in her more impulsive moments, such as the Paris trip, but it's not enough to turn this around.
Rated 18 Dec 2013
indyatmnINDYATMN
Rated 27 Sep 2013
73
33rd
Critics must hold somewhat scattered NYC hipsters in especially high regard given the level of praise heaped on this. The 1st 30 minutes of unfunny dithering unspool like an inside joke between snarky Williamsburg 20-somethings & its hard 2 imagine any1 other than Lena Dunham acolytes enjoying it. Fortunately things become relatable & acquire a much needed sense of urgency when the movie actually becomes about SOMETHING (i.e. coming 2 terms w/ the realization that ur reach has exceeded ur grasp)
Rated 27 Sep 2013
mikehMikeH
Rated 01 Aug 2013
48
6th
This film has taught me a valuable lesson in not relying too much on film critics and the dangers of the critic 'herd mentality'. This was like an episode of Friends without any jokes. It was bland, self-indulgent and pretentious - like listening to somebody moan about their psychological issues for 90 mins. A much better alternative to this would be to watch the brilliant Laura Dern in Enlightened, which has sadly been cancelled...
Rated 01 Aug 2013
stuie299stuie299
Rated 21 Jun 2013
100
99th
A movie so effortlessly enjoyable that it makes you question why you ever liked movies that weren't this perfect. The directing, acting, cinematography, and music were all so perfect. Just...PERFECT!
Rated 21 Jun 2013
thesaberfoolTheSaberfool
Rated 19 Jun 2013
44
35th
Frances is a (mostly) likable, quirky and charming character - an aimless 27-year-old whose dream job as a dancer isn't going to work out, whose roommate/best friend is moving out, and who just generally needs to get her shit together. So, for an hour and a half, we watch her come to terms with these facts and, in the end, get her shit together. Meanwhile, she has (mostly) uninteresting conversations with her (mostly) uninteresting and unlikable friends. A good character given nothing to do.
Rated 19 Jun 2013
xacviantxacviant
Rated 01 Jun 2013
83
61st
What starts off as awfully twee (to my eyes, at least) develops into an amusing--and relatable--look at Frances' (Greta Gerwig) struggles with roommates, employment, and her own awkwardness. Gerwig co-wrote the script with director Noah Baumbach, and it's a very honest portrayal both of the New York hipster set and of the emotional conflicts Frances must deal with--in other words, Gerwig wrote herself a good role, and is excellent in it. The B&W cinematography results in some lovely shots.
Rated 01 Jun 2013
paxtonPaxton
Rated 01 Feb 2023
79
75th
Life sure can be life sometimes.
Rated 01 Feb 2023
glumpy99glumpy_99
Rated 07 Aug 2022
63
24th
Too affected and precious by half and too in love with its characters, and their self-indulgent quirks/whines, to bring much practical insight to their situations and mind-sets. The silky B&W cinematography makes it a pleasure to look at, providing a beautiful showcase for Gerwig, who inhabits her flighty and frustrating character convincingly; her and her friends would not be out of place in a 70s Woody Allen effort (and the MANHATTAN shout-out makes that comparison unavoidable).
Rated 07 Aug 2022
twincinematwincinema
Rated 30 Dec 2019
90
92nd
It's amazing what time will do. When I first saw this, I disliked it for the same reasons I loved it on my second viewing.
Rated 30 Dec 2019
deaddillydeaddilly
Rated 29 Nov 2019
75
59th
Greta's character is so well-written that it scared me how much she reminded me of some people I know.
Rated 29 Nov 2019
hellsditchhellsditch
Rated 04 Dec 2014
86
87th
Someone's a fan of Woody Allen! Shoot, there are plenty worse things to be. But, you know, that's unfair to Baumbach because what he does here with these characters and this woman's story is really his own wonderful, little thing. As a newcomer to his work, he definitely has my attention. Gerwig, however, has had it for awhile now. Refreshing to spend some time with a flawed character who you may actually enjoy spending time with. A genuinely funny, lively and beautifully shot shaggy dog story.
Rated 04 Dec 2014
yiannosYiannos
Rated 23 Jul 2014
63
54th
It's an interesting mix of the French New Wave, mumblecore and the 70's films of Woody Allen. Unlike 'Tiny Furniture', this is a competently acted, aesthetically pleasing, and keenly observed look at the growing pains of a young woman dealing with the frustrations of not having her personal and professional life sorted. It's nice to see an awkward female character that is arguably more annoying than cute, but despite its episodic structure, the final reel is disappointingly conventional.
Rated 23 Jul 2014
suture_selfSuture Self
Rated 18 Dec 2013
5
42nd
I would have liked this movie more had it not been for the ending, which seems to confirm that our protagonist is 'special' and 'deserving', which isn't necessarily false, just typical of a story about an aimless person finally finding their ground. It's cool that this was shot with a $2k camera, though.
Rated 18 Dec 2013
kasperlKasperL
Rated 12 Dec 2013
70
65th
Not without a certain mojo. But ultimately undateable.
Rated 12 Dec 2013
spunkieSpunkie
Rated 13 Nov 2013
65
76th
To my surprise, I liked it for Gerwig more than Baumbach.
Rated 13 Nov 2013
bofbof
Rated 13 Aug 2013
81
86th
The impossible equation: grow the fuck up, and be true to yourse
Rated 13 Aug 2013
fredericg54frederic_g54
Rated 07 Jul 2013
9
90th
I wish I had a friend like Greta Gerwig, so I'd have someone whom I could play chess, engage in frivolous conversations and accidentally start a forest fire with.
Rated 07 Jul 2013
sidehackersidehacker
Rated 07 Jun 2013
83
86th
Okay, this one's hard to talk about because as much as I enjoy it, I realize it's dependent on "connecting" with the protagonist. Feeling like your friends have their lives in order and yours is a hopeless mess hits close, and it gives the film emotional meat beyond the "struggling 20somethings in New York" bones. I guess you could say this is like a glossy mumblecore, but there's a sweetness and admiration for the characters that's missing from the forced pathos of Swanberg.
Rated 07 Jun 2013
jakeaestheteJakeAesthete
Rated 06 Jun 2013
74
73rd
Points off for the Carax "Modern Love" rip-off/homage. Also is it weird that i felt like this was designed for me to relate to but i feel like i relate to Greenberg much more/basically hated all of these New York asshole characters? Felt maybe more Gerwig than Baumbach/blatant Allen cira-Manhattan homage. Basically higher-tier mumblecore with better cinematography. Still way better than Lena Dunham.
Rated 06 Jun 2013
rurusmasherRuruSmasher
Rated 14 Dec 2020
95
90th
Greta Gerwig brings such buzzing energy and such heart to the character of Frances and she is more than matched by Baumbach's filmmaking. The story of a person who's a mess might not seem fresh, but the familiar beats are treated with such specificity and humour that I enjoyed myself thoroughly watching it.
Rated 14 Dec 2020
homo_ludensHomo Ludens
Rated 29 Nov 2020
80
37th
Love will tear us apart
Rated 29 Nov 2020
milkacowmilkacow
Rated 21 Oct 2019
35
7th
?ZM?R GÖZTEPEN?ND?R!
Rated 21 Oct 2019
sagesledgeSageSledge
Rated 25 Mar 2018
80
59th
"Frances Ha" is an overwhelming depiction of what it's like to transition through a period of life that many use to "find themselves", without the aid of the people who meant the most to us through our formative years. It shows the closest of friends being pulled apart, as well as their inevitable gravitation back to one another, and nothing convinces me that Greta Gerwig has her finger on the collective pulse of an entire generation more than the honesty and heartache of its portrayal here.
Rated 25 Mar 2018
feublofeublo
Rated 15 Jan 2018
80
58th
Something really admirable about Frances' innocent, quirky and awkward character that made me enjoy the movie. Although it is a typical starving artist in the city story, it still hits home on the millennial era of people trying to figure out their lives. Frances' makes it possible to believe one can sustain joy and their youth despite adversities they may face. A refreshingly honest take on growing up. Great soundtrack to top it off.
Rated 15 Jan 2018
nathan_sNathan S
Rated 12 Oct 2015
3
45th
A young film, finding warmth and passion in a generation so often lamented for being aimless and aloof. It's a tradition for dumb old people to complain about the youth, but this film speaks to a particular time, place, and perspective.
Rated 12 Oct 2015
macswellMacSwell
Rated 03 Oct 2015
45
18th
Frances is a whiny, talentless twenty-something whose problems, though relatable, are scarcely sufficient to build this kind of sympathetic character study around, and Gerwig's grating performance only makes this all-the-more apparent. While there are a number of lovely little moments scattered throughout (occasionally stolen from better movies), this simultaneously basks in its own self-importance too readily, making the drama far less inviting than that of Baumbach's previous works.
Rated 03 Oct 2015
doughbarondoughbaron
Rated 08 May 2015
80
80th
Baumbach's directing and editing here takes on a frenetic energy that perfectly mirrors Gerwig's performance without calling attention to itself. His best film since Squid and the Whale.
Rated 08 May 2015
michaelsmichaels
Rated 15 Jan 2015
40
16th
Downer. The lead character is a lethargic bore, and the movie feels poorly structured with little narrative and disconnected scenes.
Rated 15 Jan 2015
jenner1407jenner1407
Rated 04 Jan 2015
90
97th
I didn't want to embrace the final few minutes because the ends were tied a little too neatly, but dammit if they still don't make me cry.
Rated 04 Jan 2015
tjekhovTjekhov
Rated 27 Oct 2014
50
40th
Noah Baumbach has to be the most overrated director in the 21st century. I just don't get it.
Rated 27 Oct 2014
ecitizeneCitizen
Rated 26 Sep 2014
70
70th
I quite enjoyed this. Greta Gerwig is indomitable, sweet and playful. I was increasingly invested in her quirky role. Writing is witty, vulnerable and surprising. The supporting cast is wonderful, except for the boyfriend. The black and white format subtracts from it somewhat. Favorite parts were her dancing through the streets & peeing in the subway. The characters and situations felt authentic but sometimes the delivery was slightly forced. Also an interesting examination of female friendship.
Rated 26 Sep 2014
carsonwidCarsonWid
Rated 19 May 2014
71
61st
There were many things I liked about this film, none of which included the plot.
Rated 19 May 2014
wwallce4prezWWallce4prez
Rated 16 Feb 2014
80
73rd
I feel the only hope for someone to like this film is have some connection with the main character, which can be tough. Without that, Frances is a less interesting cast member of Girls. It is endearing without needing to put forth much effort. Baumbach has proven his knack for writing a certain type of character that I would like to know...from a distance.
Rated 16 Feb 2014
ryan_luedersRyan Lueders
Rated 10 Feb 2014
35
4th
Frances Sigh. This movie starring Greta Gerwig is so pointless. It was like watching Greta's movie "Greenberg" again but with a gender swap. I love Gerwig but these pointless films that just follow people around in their boring lives needs to stop...
Rated 10 Feb 2014
wezzoWezzo
Rated 14 Jan 2014
90
79th
Frances is a wonderful character, offering so many facets to explore, and Greta Gerwig and Noah Baumbach do a great job of investigating the dichotomy of the twentysomething New Hipster who deserves more out of life, but won't grow up to earn it. Bonus points for beautiful B&W cinematography, excellent support from Adam Driver, and the kind of beautifully sharp dialogue I wish I could write.
Rated 14 Jan 2014
alex_watkinsAlex Watkins
Rated 07 Jan 2014
4
70th
I have some reservations about Frances' sudden turnaround at the end, but it's otherwise excellent - Frances is both empathetic and at the same time incredibly frustrating, often for the same reasons e.g. her short-sightedness and stubborn refusal to ground herself. It's often like watching Woody Allen: The (Post) College Years. The B&W cinematography is really great.
Rated 07 Jan 2014
stradivariusStradivarius
Rated 06 Jan 2014
80
70th
Enjoyable characters that occasionally strain credibility
Rated 06 Jan 2014
bonyevitchbonyevitch
Rated 30 Dec 2013
20
6th
I didn't really care about the titular character. She's privileged and filled with manufactured strife.
Rated 30 Dec 2013
walkaboutwalkabout
Rated 27 Dec 2013
75
82nd
I want to be surrounded by people who burst into tears when Frances and Sophie smile at each other at the end of this little gem of a movie...
Rated 27 Dec 2013
derekstarDerekstar
Rated 17 Dec 2013
100
96th
The throwaway line spoken about Adam Driver's character, "he's into transportation," had me crying from laughter. Also, I was on the razor's edge between crying and not crying for the entire last 10 minutes of the film. The emotional kind of crying, this time. It's so good. I could easily see myself falling into the trap of rewatching this movie ever year or two.
Rated 17 Dec 2013
ocelotOcelot
Rated 11 Dec 2013
65
64th
The scene in which Frances tries to buy a ticket to Puss in Boots as Every 1's a Winner plays is one of the best scenes in any movie. I wish the rest was as great.
Rated 11 Dec 2013
katieevanskatieevans
Rated 04 Dec 2013
86
90th
au contraire; extra points for the carax "modern love" homage. extra extra points for greta's existence.
Rated 04 Dec 2013
moribunnyMoribunny
Rated 25 Nov 2013
65
65th
Clearly owes more to Gerwig than to Baumbach. I didn't like the editing.
Rated 25 Nov 2013
driscarpindriscarpin
Rated 16 Nov 2013
80
64th
Primeiro filme que vejo do Baumbach (se não contar os roteiros com Wes Anderson) e gostei... Há muito tempo não via um filme leve como esse, estava até desacostumada. Com direito a icônica referência a Leos Carax, François Truffaut e ao cinema francês em geral.
Rated 16 Nov 2013
nuotionuotio
Rated 13 Nov 2013
64
80th
Sort of like Truffaut's Antoine Doinel films mixed with HBO's Girls where French new wave meets NYC hipster scene. Frances Ha is an impressive addition to Baumbach's already strong filmography and while it contains a flawed, sometimes irritating protagonist like his previous films, Frances is more sympathetic and joyful.
Rated 13 Nov 2013
eric_wkEric WK
Rated 10 Nov 2013
90
89th
Baumbach's finest achievement, which is saying more than I realized when I first said it. But really.
Rated 10 Nov 2013
guvolefouguvolefou
Rated 02 Nov 2013
75
54th
Başka Sinema - Rexx: Sinemayı seven bir film, orası kesin. Ciddi bir konuyu hafif, uçucu bir üslupla anlatırken, sempatik ve samimi diyalogları, sevilesi karakterleri ve nostaljiyle moderni birleştiren ilginç atmosferiyle ağızda hoş bir tat bırakıyor.
Rated 02 Nov 2013
markjpMArkjp
Rated 28 Aug 2013
85
80th
I guess Noah Baumbach and Greta Gerwig aren't excactly covering new ground as much as they're dancing elegantly over familiar territory with this. In the hands of lesser talents this could've easily been another round of "twentysomethings-having-trouble-getting-their-shit-together", but Gerwig is superbly charming when not having her shit together and Baumbachs directing helps this feel fresh and new. Witty, heartfelt, charming. Wish I didn't have my shit together in NYC instead of Copenhagen.
Rated 28 Aug 2013
cagedwisdomcagedwisdom
Rated 23 Aug 2013
50
38th
Too bad the protagonist is mostly unrelatable and unlikeable. You're 27, broke, a pretty shitty dancer, and you're obviously not going to make it. So just stick with the dancing and don't try to at least supplement your income with anything outside of that. Then travel to Paris for a day on credit even though you know it's a terrible idea and you have nothing to do there. I don't think I've met anyone who acts this irrationally. Otherwise, a fine film. But it was ruined for me.
Rated 23 Aug 2013
moraesfelipemoraesfelipe
Rated 10 Aug 2013
64
56th
Such an adorable, sincere and cool take on friendship and lonerism and loserism by Baumbach. Not since Bridesmais we had the pleasure to see this kind of confidence in a comedy about girls. Greta shines in every frame, even though it all looks like downhill. She's not a good dancer, she gets drunk too easily, she's lost her best friend to a dude that wears old baseball hats, she broke up with her boyfriend because of a silly fight -- but, see, she is a 27 year old undateable tall and kind soul.
Rated 10 Aug 2013
mojojojoMojo_Jojo
Rated 01 Aug 2013
74
93rd
This could have fallen down the twee hole, but somehow avoids it and ends up becoming the thing that inspired me to quit my job and take up the life of an unsuccessful twenty-something dancer.
Rated 01 Aug 2013
briansteelbriansteel
Rated 15 Jul 2013
88
14th
A movie so honest it hurts, and a good amount of the hurt will also come from laughing.
Rated 15 Jul 2013
jazzalohaJazzaloha
Rated 11 Jun 2013
68
58th
Gerwig, an interesting actor, plays a millennial Annie Hall/Mary Tyler-Moore. It's a film that feels like it could really launch her career, but it's spotty--particularly the humor: some moments are flat while others come to life and click on all cylinders. The film inexplicably moves back and forth between these moments. I did like how it avoids Hollywood cheesiness and predictability, but something is missing as well. I also like the non-militant feminist vibe. ps:75
Rated 11 Jun 2013
caprimodecaprimode
Rated 03 Jun 2013
95
95th
It starts out flighty, yet fun, but then the final act packs the emotional wallop that you want from a Baumbach movie. Gerwig (and her script) are charming, and it has great ideas about the changes in friendship and relationships that come with being in your late 20's... something that really resonates with me right now. Best of 2013 (so far).
Rated 03 Jun 2013
yesistastyyesistasty
Rated 25 May 2013
95
88th
It's always refreshing to see a film that perfectly captures the feeling of being young and aimless. Fantastic storytelling.
Rated 25 May 2013
myfavchordsmyfavchords
Rated 26 Jul 2024
78
72nd
Greta Gerwig gives an outstanding performance in this film. The script isn't plot heavy but it does contain some interesting characters. This movie works do to the lead performance by Gerwig. Overall I would recommend this film.
Rated 26 Jul 2024
dowd-prospectDowd Prospect
Rated 25 Jul 2024
68
54th
30 something has trouble growing up. Relatable if you are a college educated white.
Rated 25 Jul 2024
nathanbatesNathanBates
Rated 18 Apr 2024
60
35th
I watch movies to live life vicariously through other people, to have experiences I'll never have. There's something fascinating about that just-grown-up age where all possibilities are there, and that's well done here (if, at times, a little vacuous). But it's far too unfocused for my taste, and even the wrap-up ending which I'd usually prefer seems not quite cohesive.
Rated 18 Apr 2024
kenmeistersKenMeisters
Rated 12 Apr 2024
82
88th
Fittingly placed in the millennial meltdown section of Mubi. Great performances and a hilarious title.
Rated 12 Apr 2024
kavuKavu
Rated 06 Apr 2024
82
76th
Looks older than it is. Hey I guess that's like the protagonist, right? Sympathetic and well acted.
Rated 06 Apr 2024
joelwatchesmoviesjoelwatchesmovies
Rated 02 Apr 2024
9
92nd
Oh, Frances. We love you. All of your awkwardness and charm, your dreams and anxieties, your poorly planned trips to Paris where you spend most of your only day there sleeping. The B&W look feels a bit stifling to the story but everything else is pitch-perfect, including Gerwig as the slightly off-key lead, the natural script (the return home montage hit home), and the tight edit (love the unannounced time jumps). Perfect climax (a tearjerking look [at] the value of friendship) and final shot.
Rated 02 Apr 2024
boomdiddlyboomdiddly
Rated 28 Jan 2024
55
36th
Girls: The Movie
Rated 28 Jan 2024
st_bernaSt. Berna
Rated 04 Jan 2024
80
71st
Filmin genelini biraz yapmacık buldum aslında. Karakterler biraz zorlama ve inandırıcılıktan uzak gibi. Ama Frances Ha, dünya sinemasının en ilginç kadın karakterlerinden biri gerçekten de. Ezikliği, yenikliği, şapşallığı, sivriliği, -bazen gıcıklığı- ve sevimliliğiyle. Finalini de tutarlı bulmadım. Ama bunlara rağmen filme yüksek bi puan verişim de tutarsız. :) Demek ki yeterince tatmin etmese de "iyi bir film" hissiyatı bırakmış. Bazı filmlerde oluyor bana öyle.:)
Rated 04 Jan 2024
ceekay19Ceekay19
Rated 21 Oct 2023
80
81st
Frances: "Sometimes it's good to do what you're supposed to do when you're supposed to do it."
Rated 21 Oct 2023
moviepoopmoviepoop
Rated 12 Oct 2023
80
71st
criticker'a girdiğim 800'üncü film
Rated 12 Oct 2023
glifosfatoglifosfato
Rated 04 Oct 2023
84
90th
a relatable, subtle and touching look at the life of a woman in her late 20s who seems to be stuck in place in her career and relationships while her friends are moving forward. trying to live like a college student forever is a path to unhappiness, a reality of adult life that can be hard to learn and harder still to face. this struck close to home.
Rated 04 Oct 2023
rihreyrihrey
Rated 31 Aug 2023
73
96th
She just wants to watch Puss In Boots like the rest of us.
Rated 31 Aug 2023
tehdudeteh_dude
Rated 18 Jan 2023
0
8th
as uninspiring as a movie will ever get
Rated 18 Jan 2023
hakan_gulHakan Gül
Rated 02 Mar 2022
83
82nd
Modern yaşantı içindeki insanın bunalımlarını ve ilişkilerini gerçekçi bir üslupla anlatmış
Rated 02 Mar 2022
closedmouthclosedmouth
Rated 31 Jan 2022
80
69th
I was liking it but not really feeling it until the dinner scene. It really came together, how genuinely, unintentionally awkward she is, and how she’s constantly trying not to be, and you just can’t help but root for her to get there, to say the right thing. Suddenly I felt it all
Rated 31 Jan 2022
adam_p_dAdam P-D
Rated 05 Jan 2022
60
71st
Jean-Luc Godard and Woody Allen are supposed to be a big deal but after a dozen or so films from each of them I've never quite got beyond a feeling of irritation and disappointment. This movie seems to combine their styles but instead of resulting in my worst nightmare, manages to find their strengths and leave me somewhere beyond irritation and disappointment.
Rated 05 Jan 2022
seethruskinSeethruskin
Rated 30 Aug 2021
5
81st
Like The Comedy (I think Frances Ha is less acidic and directly mean spirited) from the same year, it’s not afraid to show the narcissism of this generation of people. A lot funnier than I remember it being, but kind of mid tier Baumbach
Rated 30 Aug 2021
metismetis
Rated 06 Aug 2021
75
59th
emmmmm??????/????????
Rated 06 Aug 2021
hssnozdagghssnozdagg
Rated 28 Jul 2021
52
20th
Çok sıradan be
Rated 28 Jul 2021
akatemossfanAKateMossFan
Rated 10 Jul 2021
35
63rd
paulofilmopaulofilmo
Rated 12 Jun 2021
68
38th
oohf. see claudia weill's "girlfriends" instead.
Rated 12 Jun 2021
lalyndonlalyndon
Rated 12 May 2021
75
67th
The ending and the process of Frances getting it together is a bit rushed and predictable, but still a sweet, relatable, engaging movie.
Rated 12 May 2021
overratedoverrated
Rated 29 Nov 2020
66
72nd
I should dislike this more for being a pale imitation of "Manhattan", but Gerwig reminded me a lot of a friend I have who used to be a complete trainwreck so I was amused. Best watched if you're a twenty-something Jewish-adjacent asexual with rich parents.
Rated 29 Nov 2020
lexieLexie
Rated 01 Sep 2020
80
81st
I have a crush on Greta Gerwig now
Rated 01 Sep 2020
asiaminorasiaminor
Rated 28 May 2020
88
93rd
Frances çocuksu kıskançlığı, hırsı ve sevimliliğiyle, hiçbirşey değişmeyecekmişçesine Sophie ile sonsuza kadar beraber yaşamak isterken, Sophie herşeyin değişmek üzere olduğunun çoktan farkına varmıştır. Frances Sophie hevesiyle savrulurken, Sophie de kendi çıkmazlarında Frances ile nefes alır. Frances büyümek zorunda olduğunu sonunda öğrenecektir Sophie sayesinde.
Rated 28 May 2020
thatyoungmthatyoungm
Rated 17 Apr 2020
92
94th
Frances Ha will resonate with anyone who's ever felt stuck at any point in their life. Through a remarkable performance by Greta Gerwig, Baumbach creates a stark and honest portrayal of a young woman trying to discover what it means for her to be an adult. I would say it's a movie about growing up for someone who's already a "grown up." It's funny, sweet, and a little tragic, but, all in all, filled with so many little familiar moments that it's nearly perfect in execution.
Rated 17 Apr 2020
timon88Timon88
Rated 14 Mar 2020
81
84th
If you like Baumbach and Gerwig (and if you're reading this, you probably do), you'll love this. Utterly charming.
Rated 14 Mar 2020
toddsaltertoddsalter
Rated 08 Mar 2020
89
59th
Something about her loneliness in life was haunting and thought-provoking. But overall I just didn't find it inspiring enough to rate it any higher. And just a side note... Awkward people are AWESOME!!!
Rated 08 Mar 2020
despovoadordespovoador
Rated 24 Feb 2020
65
46th
*runs in a modern lovely manner*
Rated 24 Feb 2020
andygloverandyglover
Rated 19 Feb 2020
94
50th
I imagine this is exactly what's it's like to be a fictional twenty-something New Yorker. Great and often funny dialogue, classic Noah Baumbach. Great Gerwig's character is complex and interesting. Also, Kylo Ren is in it. "Lets do something fun! We could go to a movie?" "Movies are so expensive now..." "Yeah, but you're at the movies!" (First viewed: 07/14/2015)
Rated 19 Feb 2020
peyrinpeyrin
Rated 14 Jan 2020
80
81st
I feel like this is a completely different film when you watch it while younger than Gerwig's character vs. when you're older. But this is probably also true for many other Baumbach fuck-up characters. Great stuff either way
Rated 14 Jan 2020
kubrickkkubrick._.k
Rated 04 Dec 2019
88
60th
I like things that look like mistakes.
Rated 04 Dec 2019
ramyRamy
Rated 25 Oct 2019
50
40th
The quirkiness is unbearable, but as annoying as the characters were, I didn't completely hate this.
Rated 25 Oct 2019
ddrudgesd_drudges
Rated 21 Sep 2019
40
44th
Goes for Goddard but ends up a soulless imitation. There are some scenes where we accidentally stumble onto something emotive, but they are coincidental and the movie mostly just feels artificial.
Rated 21 Sep 2019
angrypierreangrypierre
Rated 04 Sep 2019
81
77th
Took me a little while to tune into this film, as there isn't really much to it beyond the breakdown of an important friendship. Eventually though, gritting teeth through the more awkward scenes, I think I get it. Can easily see this dividing opinion.
Rated 04 Sep 2019
sinemysinemy
Rated 02 Sep 2019
80
81st
bildungsroman tarzı, klasik-modern ultra düşük bütçeli bağımsız film monokrom sinematografi selüloit grenli ve yumuşak Inside Llewyn Davis filmi ile olan benzerliği bağlamında insana sürekli ''Sen kimsin?'' sorusunu sorduruyordu film. Uzay hızı, kendi kendine değer veren önerileri, tatlı sadakat yığını ve küçük şehir kalbinin, büyük şehirde özgürce atmaya çalışması düşleri ile yarı çılgın, yarı acı maskeleyici karakterimiz Frances Ha.
Rated 02 Sep 2019

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