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Triangle of Sadness
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Triangle of Sadness

2022
Drama
2h 27m
A pair of models find themselves at a crossroads in their careers.
Directed by:
Ruben Östlund Ruben Östlund
Written by:
Ruben Östlund Ruben Östlund
Starring:
Woody Harrelson Woody Harrelson Zlatko Buric Zlatko Buric Oliver Ford Davies Oliver Ford Davies Iris Berben Iris Berben Amanda Walker Amanda Walker Jean-Christophe Folly Jean-Christophe Folly Vicki Berlin Vicki Berlin Henrik Dorsin Henrik Dorsin Harris Dickinson Harris Dickinson Arvin Kananian Arvin Kananian Charlbi Dean Charlbi Dean Dolly De Leon Dolly De Leon
More
Genre:
Drama
Countries:
France, Greece, Sweden, UK, USA
Languages:
English, French, Swedish, German, Tagalog, Greek, Akan
imdb More information at IMDb
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Triangle of Sadness

2022
Drama
2h 27m
Your probable score
Ratings & Reviews Cast Collections Similar Stats Trailer
Avg Percentile 59.28% from 1213 total ratings
Ratings & Reviews Cast Collections Similar Stats Trailer

Ratings & Reviews

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mentaculusMentaculus
Rated 05 Feb 2023
39
14th
Pretty much sums up the film year at the moment: overlong, indulgent, and feigning depth when it’s just as ignorant as the systems and people it’s trying to take down. Many individual scenes shine but there isn’t much connective tissue to cohere the experience. Another theme of the year: it’s just mean. Comedy and satire is meant to “punch up” but this punches everything it sees - performative grievance theatre, all vomit and circumstance, signifying nothing.
Rated 05 Feb 2023
fredericg54frederic_g54
Rated 01 Oct 2022
8
78th
What should've been the most interesting part is played out in long-winded fashion, but the rest of the film delivers plenty of laughs and the ending sealed it for me. Cinema would be far less exciting were it not for directors like Ruben Östlund.
Rated 01 Oct 2022
sellissellis
Rated 21 Oct 2022
91
90th
Pretty thoroughly perfect. There’s maybe one scene that could be shorter in the final 15 mins but I don’t mind it honestly. Ostlund carefully provides these moments of characterization to make the satire just relatable enough to make our laughing hurt deeper. I like how the first chapter transitions from the themes/world of The Square to this new direction. It’s like Haneke with the subject matter of Bunuel. Ostlund has made something more commercial here without losing his boldness. Excellent.
Rated 21 Oct 2022
hawkinsHawkins
Rated 24 Mar 2023
71
47th
And here we have a gourmet Survivor episode, classic schadenfreude refined for a more sophisticated palate, quite exquisite. The social commentary has a rich, earthy complexion with a playfully bitter aftertaste. Delightful! *vomits*
Rated 24 Mar 2023
drrobertdr_Robert
Rated 01 Nov 2022
2
12th
Unfocused and too long. The last hour or so, I’m mostly waiting for it to end, but when it fors, the ending is a disappointment. The main theme is global inequality, but this story is as shallow as the song. It is not all bad and there are some funny scenes. The verdict is 2, but it’s a strong 2.
Rated 01 Nov 2022
guy_piranhaguy piranha
Rated 26 Nov 2022
70
69th
So basically we better learn to fish and make a fire or we're fucked.
Rated 26 Nov 2022
p_u_l_pP u l p
Rated 26 Nov 2022
79
87th
Parasite for misanthropes.
Rated 26 Nov 2022
bofbof
Rated 24 Dec 2022
75
71st
Östlund gonna Östlund, smug distance and all. There's something to be said for how increasing success has allowed him to go from satirizing teacher's lounges to multi-millionnaire yachts and finding much the same hipocrisy everywhere. Does it need to be 2 1/2 hours? No, but then, part of it is having to sit in the awkwardness, and driving jokes past the point where we can comfortably pat ourselves on the back.
Rated 24 Dec 2022
yesistastyyesistasty
Rated 26 Oct 2022
71
21st
Plenty of amusing moments. Extremely broad, obvious satire. Satire should offer you a perspective that challenges you instead of reaffirming what you already think.
Rated 26 Oct 2022
paxtonPaxton
Rated 24 Mar 2023
70
65th
Gave me the barf poops. Pretty fun.
Rated 24 Mar 2023
seethruskinSeethruskin
Rated 10 Nov 2022
4
51st
I mean it’s a tad on the nose right? Basically having a guys monocle fall into his own puke and shit while he says well I never is a bit much, but who am I to hate on a guy keeping shit humour alive. How many movies this year will have an old lady dying in and rolling in shit and puke
Rated 10 Nov 2022
leonardisLeonardis
Rated 02 Mar 2023
82
39th
Perhaps it was false expectations that soured my opinion of this a bit, but I thought it was way too long. I didn’t find it all that funny either save for a few good moments. It is well made though. The acting is great, the production is really good, and I love the way it was shot. The ending saved it a bit for me as well. This is just one of those movies that I have more appreciation for rather than love. Lots of passion and work went in to this though, so I still recommend checking it out.
Rated 02 Mar 2023
ofterdingenOfterdingen
Rated 28 Sep 2022
75
87th
So Ruben Östlund went straight from elegant satire (The Square) to extremely blunt. I like it because he probably did exactly what he wanted to. And I was truly entertained despite the weaker third part.
Rated 28 Sep 2022
twincinematwincinema
Rated 16 Feb 2023
70
52nd
I am not sure if I enjoyed this, but this film went in a few unique directions (the Refused needle drop scene, for example). So, an unenjoyable unique film? Sounds like a fun (150 minute) time.
Rated 16 Feb 2023
kuroelKuroel
Rated 01 Oct 2022
83
95th
Parables are laid thick in this satire that illustrates our human condition that is extremely susceptible to corruption. Even if childishly on the nose, I cannot help but to be in awe of this derogatory spectacle. This is some of the best dialogue writing I’ve seen in years. All the characters are deeply flawed and disgustingly opportunistic but still so very relatable, human and endearing. I’ve absolutely met these people in real life. My highest rated movie of the year.
Rated 01 Oct 2022
kasperlKasperL
Rated 26 Sep 2022
80
86th
About as good as 'The Square' and 'Force Majeure', and while nothing here outshines the first half of the latter, I was engaged throughout 'Triangle of Sadness'.
Rated 26 Sep 2022
aaautinAAAutin
Rated 24 Nov 2022
97
99th
(BILETANIC)
Rated 24 Nov 2022
ericamblerericambler
Rated 11 Oct 2022
86
91st
Savage, repulsive, shameless, so-true-it’s hilarious takedown of post-capitalism.
Rated 11 Oct 2022
jlfmJLFM
Rated 29 Oct 2022
78
78th
Subtlety is overrated! Or at least that’s an argument that’s easy to make when the film in question keeps shooting bullseyes in its soft targets. As far as Neon-distributed Palme d’Or winning class-system satire/comedies featuring an erupting toilet go, this doesn’t compare favorably to Parasite, but I had a really good time all the same.
Rated 29 Oct 2022
anilscnanilscn
Rated 29 Oct 2022
40
30th
Started great, ended worst. Stop making this kind of absurdist shits. This is not real life. cinema must show to us real life. At least a little bit. I am just ok with "satire". Just this
Rated 29 Oct 2022
staryarabbistaryarabbi
Rated 09 Dec 2022
65
47th
Östlund is getting better in his politics in that this time, unlike his previous movies, he points out where virtue may reside, in a surprisingly politically incorrect way. The russian shitseller (Putin) becomes the ship's captain (overtaking sleepy Joe) due to his realism, thougness, and cynicism (he doesn't vomit). The Filippino lady is virtuous too as she doesn't believe in any fake, moralized good of the rich as she makes the model her sex-slave. Apart from those, cinematically unimportant.
Rated 09 Dec 2022
zarkonZarkon
Rated 26 Oct 2022
80
53rd
My initial reaction was tepid, based on a number of scenes where the rich and privileged served as low-hanging targets of derision and shallow satire. But I've warmed up to it a little in the days following the viewing. It has its fair share of clever moments where the hierarchy (triangle) is inverted, whether it's male models making less than their female counterparts, or the captain avoiding food poisoning because he ate a burger instead of the bougie course meals.
Rated 26 Oct 2022
bownBown
Rated 08 Dec 2022
83
67th
If this movie had lived up to its full potential it would be GOAT-level but the last section is about twice as long as it needs to be and it’s a little messy and kind of flounders around the central theme instead of just going for it but when it’s at its best, which is pretty much most of the first 60%, it is fuckin unbelievable.
Rated 08 Dec 2022
djrossdjross
Rated 29 May 2023
60
62nd
The humour is broader than in Östlund’s previous two films and the general approach a little more scattershot, with the result being that, even though the story contains major and unexpected shifts, somehow the whole thing seems to become less interesting as it moves along. There are pleasures to be had, but it ends up as something of a disappointment.
Rated 29 May 2023
darrenDarren
Rated 22 Nov 2022
73
61st
It’s a movie that makes it very obvious what it’s doing. When it’s not rubbing your nose in shit and puke it’s showing you the easiest tokens of excess (and Ulysses which like you don’t need to show your influences but I like to Leo point at screen as much as anyone). Satire gets very muddled once they leave the boat. You can sense Ostlund reaching for something smarter but it mainly ends up being a both sides uhhhh everyone has the ability to be bad person even if they’re poor. Which like eh
Rated 22 Nov 2022
thervealThe_Rveal
Rated 06 Oct 2022
40
79th
The pitiless gaze of Östlund’s camera, recalling contemporaries like Michael Haneke or Ulrich Seidl, has a deadpan effect that perfectly complements the desperate and absurd goings-on in front of it. Triangle of Sadness doesn’t leave audiences with much to unpack thematically—again, fish in a barrel—but it’s clear-eyed and hilarious about the systems that enforce societal inequities and what might happen if they were ever to unravel.
Rated 06 Oct 2022
amazedemonamazedemon
Rated 18 Jan 2023
66
70th
The 1st act is a bit of a chore but Östlund sets up his cinematic thesis on money, power, gender dynamics & society in a masterful fashion. At ~150 min the film is long (with moments where you feel it) but mostly it's engaging in either a fun, gross or topic-starting way. My favourite moment was the quote-off between Harrelson & Buric. The 3rd act signals a theme of fixed societal roles that people are desperate to fulfil to the point of overlooking anything better & it plays out as expected.
Rated 18 Jan 2023
mattorama12mattorama12
Rated 26 Mar 2023
69
58th
The stuff that works here--the comedy, the class criticism, and the photography--is really nice. But it's really dragged down by the pacing, which made things feel tedious when it seems like it should have been fun.
Rated 26 Mar 2023
brellbrell
Rated 12 Mar 2023
37
65th
the aristocrats! haha I'm so funny, y'see, it works on multiple levels, let me explain the joke. so–
Rated 12 Mar 2023
yorgoyorgo
Rated 18 Nov 2022
69
26th
quite a disappointing movie from ostlund. entertaining at times but the movie drags in the second half. repetitive humour, too obvious satire, very flat dialogues, etc.
Rated 18 Nov 2022
jschlanskyJSchlansky
Rated 16 Mar 2023
90
91st
Contrary to what it says on the tin, this actually made my triangle quite happy
Rated 16 Mar 2023
eric_janeric-jan
Rated 04 Dec 2022
80
88th
Brilliant 3-part movie filled with dark humor. What is the most masterful about it is that you actually lose the protagonist at the second part. I still have a question about the final scene with the young guy running through the bushes and getting cuts, and the final scene with the 2 women felt a little too dark and out of place. The yacht scenes were just amazingly funny, plus all the crew that was trying to stay as helpful as they could hehehe
Rated 04 Dec 2022
jacobclark12jacobclark12
Rated 26 Feb 2023
89
85th
Rich people get sick and go boom. No subtext here, but the lack of subtlety and just sheer bravado of this thing is something to behold.
Rated 26 Feb 2023
luordluord
Rated 22 Feb 2023
55
34th
It has all the subtlety this kind of movie always has, the writing isn't particularly stellar, but it at least tries to be nuanced. Emphasis on tries.
Rated 22 Feb 2023
gnalkhereGnalkhere
Rated 19 Feb 2023
85
82nd
Dolly De Leon towered above all
Rated 19 Feb 2023
teemukeskteemukesk
Rated 18 Dec 2022
86
89th
The surprise of the year. Such a well-written and beautifully crafted satire. Not subtle at all, but the bluntness works wonders. All the characters are clever and have a purpose, and the attention to detail is remarkable. My only negative is that the third act did drag in some parts, contrary to the second act which nailed the pacing.
Rated 18 Dec 2022
skapskap
Rated 23 Oct 2022
80
57th
I guess there will be a "circle" in Ostlund's next film's title.
Rated 23 Oct 2022
vinegarbobVinegarBob
Rated 20 Jan 2023
40
17th
This is a sometimes drama that's not very dramatic, an occasional comedy that's not very funny and a desperate satire that's so unsubtle as to be completely uninteresting. We also have mostly unlikable characters not doing much of anything except being snarky and bickering with each other, and a central section specifically designed to turn your stomach, resulting in a rough couple of hours. Woody Harrelson and Zlatko Buric are kind of amusing in their scenes together but that's about it.
Rated 20 Jan 2023
sadmanSadman
Rated 25 Oct 2022
75
45th
Coming into an Östlund-film, I am looking for a story that will make me uncomfortable, something that will prick and prod at my own masculinity or Western/Scandinavian hypocrisy, making me laugh to suage the truthful sting of his bite. This movie did not deliver in this regard, being neither as funny or as savage as I would have liked. Perhaps it is simply because its' targets are so constantly talked about it takes a lot for it to feel new or interesting.
Rated 25 Oct 2022
badfurdayBadFurDay
Rated 01 Apr 2023
8
87th
It's a good movie. A bit self-indulgent for an artsy movie director to be making satire of the world that enables him, but it works regardless. Östlund has proven that he knows how to make black comedy better than most.
Rated 01 Apr 2023
howler19howler19
Rated 12 Mar 2023
43
39th
Not one of Östlund's strongest. Subtlety was never his thing, but this time his overt messaging is also a bit too cynical and overtold.
Rated 12 Mar 2023
kabinicieglencekabinicieglence
Rated 18 Nov 2023
93
91st
östlund abim yapıyor bu sporu sağ olsun. abartılı kusmuk şovu olmasa 100'ü vardı.
Rated 18 Nov 2023
teftef
Rated 27 Nov 2022
80
54th
It's exploitation all the way down.
Rated 27 Nov 2022
stuie299stuie299
Rated 10 Mar 2023
70
31st
Triangle of Sadness is a unfunny comedy filled with extremely obvious satire. The characters are undeveloped, and unlikable. The whole thing is way too long. Now I didn't completely hate it. Why? The cinematography is somewhat good, and the acting is ok. But beyond that I fail to grasp what people liked about this film. IDK, maybe it just comes down to the fact that this is supposed to be a satirical comedy, and it never really made me laugh or think.
Rated 10 Mar 2023
glumpy99glumpy_99
Rated 09 Jan 2023
84
73rd
Will certainly require a second viewing to properly gauge Östlund’s intentions vs delivery, but at first glance it works as a gleefully nasty satire, (with a sometimes too savagely blunt tone). First act is a wonderfully intense two-hander, before giving way to a second act payoff which is a masterpiece of scatological vulgarity to rival Mr. Creosote! (Harrelson’s dead pan reaction shots are invaluable). Loses some steam in the final act, but overall still a fascinating and challenging film.
Rated 09 Jan 2023
chengmingchengming
Rated 16 Mar 2023
70
62nd
Östlund is a highly talented filmmaker, and so everything he does is at least entertaining to look at. I'd have preferred him to develop more on the subtle psychological examination of Force Majeur than on the grotesque satire bits of The Square though, which he takes to an extreme here. The "criticism" particularly in the weak last part remains utterly shallow.
Rated 16 Mar 2023
daveypdaveyp
Rated 29 Apr 2023
73
32nd
Pretty entertaining and goes in directions I wasn't expecting, with a good cast. Quite original. There's nothing particularly deep about it's take down of the rich and pompous but it's solid.
Rated 29 Apr 2023
onyedionyedi
Rated 20 May 2023
40
17th
Bu kadar ahmakça ve göze soka soka yapılan bir komedi / eleştiri ancak eşşşşşek Cannes jürilerinin hoşuna giderdi.
Rated 20 May 2023
neonmanNeonman
Rated 30 Dec 2022
87
86th
An assaultive film, with the right kind of snideness in its satire. It doesn't just shit on the elite and call it a day, but it explores a number of ironies and face-keeping that they must deal with in a contained and ultimately very unpleasant situation. The final act really ties together the class issues, delving into a primitive idea of commerce. All while tackling a number of topics with fierce reserve, this film is roaringly hilarious -- not for those with weak stomachs.
Rated 30 Dec 2022
zanginZangin
Rated 28 Dec 2023
77
77th
The difficulty of this film is that its split into three modestly connected but very tonally distinct parts and as such some pieces naturally feel more compelling than others. Overall though, the whole piece comes together quite well - its fun, thematically cogent, always moving in unexpected directions, and it all comes together to form a biting satire that's relevant but never redundant.
Rated 28 Dec 2023
dawdlingpoetDawdlingPoet
Rated 14 Sep 2023
60
28th
This film reminded me of two other satirical films of recent years - Greed, with Steve Coogan and The Menu, with Ralph Fiennes and Anya Taylor-Joy. Its very much a dark comedy and its certainly quirky. Its maybe a little obvious what happens when you think back but there you go. Its not without its amusing moments, though I certainly wouldn't (personally) classify it as an 'out and out' comedy film, more like a bleak drama with a heavy emphasis on upper class satire? or some such.
Rated 14 Sep 2023
bzymusbzymus
Rated 26 Dec 2022
89
89th
audiovisual 90 acting 90 overall feeling 86 avg ~89
Rated 26 Dec 2022
fra_paolofra paolo
Rated 22 Feb 2023
26
16th
Almost all 27 points belong to the first part. Maybe I'll give 1 or 2 to the third part. Consider yourself warned.
Rated 22 Feb 2023
kavuKavu
Rated 09 Oct 2022
69
46th
Witty and funny at times, but too long for its own good and drags on in the end. Second act was superb.
Rated 09 Oct 2022
closedmouthclosedmouth
Rated 13 May 2023
70
41st
Weaker than his previous two, but still highly entertaining. The situations as they’re presented are pretty hilarious and compelling, but there are some serious plausibility issues with the way those situations come about that broke my suspension of disbelief a few times. “This is fucking hilarious but why is it happening?”
Rated 13 May 2023
sylviesylvie
Rated 30 Mar 2023
45
21st
Better than what Ostlund shot before. The chapter on the island really saves this film. But the sections before that are pretentious. The people who appreciate Ostlund's films and feel that he is making a smart commentary are the very people he is portraying in the first place. Pick a side, for God's sake.
Rated 30 Mar 2023
darknightsDarkNights
Rated 16 Dec 2022
65
56th
Un film de riches, avec des riches, qui se moquent de leurs propres privilèges, diarrhées et vomis au menu. Ou alors un film avec des riches, destinés aux pauvres qui paieront pour comprendre à quel point leur condition sociale est destinée à se vautrer, pour préserver les intérêts des plus riches. Le film a été ovationné à cannes, c'est donc la première théorie qui tranche. C'est bien fait, c'est rigolo, Harris Dickinson est très beau, mais j'ai l'impression que le réal se fout de ma gueule.
Rated 16 Dec 2022
yoshinarutoYoshinaruto
Rated 25 Jan 2023
50
23rd
The first half is decent, but the last hour drags on far too long. I can see how it got a Best Director nomination, but the Original Screenplay and especially the Best Picture nomination are a bit surprising. It being labeled a comedy felt weird as it didn’t seem particularly joke heavy. Overall I’m pretty sure there’s better films out there that satirize the rich.
Rated 25 Jan 2023
khamulKhamul
Rated 08 Mar 2023
70
41st
Somehow very mild in all aspects. I didn't mind it but I have no idea why it's received so much praise. A perfectly ok film but not great and definitely a bit all over the place and far too long.
Rated 08 Mar 2023
christofchristof
Rated 28 Dec 2022
88
89th
After watching several seasons of Below Decks I felt that they had looked directly into my own private fantasy of seething resentment towards the idle, useless rich...and I loved every minute of it!
Rated 28 Dec 2022
semioticussemioticus
Rated 08 Jan 2023
84
84th
It is an Ostlund movie so you get everything you asked for and then some. He strikes his brushes more broadly when it comes to societal criticism this time, and it mostly works quite well. Also for the first time in his young career, the movie has a tidy and timely ending! One of the best movies of the year for sure.
Rated 08 Jan 2023
filliganFilligan
Rated 08 Mar 2023
75
32nd
The first chapter could’ve been completely cut and more intricately weaves into the yacht section, which, let’s be honest, is far and away the most interesting part of the film, where the plot still shambles along like it does the whole film, but the filmmaking itself does the heavy lifting raising tension. The final part feels deflated and disconnected, so zoomed out that it’s difficult to keep caring.
Rated 08 Mar 2023
mushamb0mushamb0
Rated 08 Jan 2023
96
77th
Palm winners always are edgy, this one at least had a message of importance.
Rated 08 Jan 2023
war_machineWar Machine
Rated 29 Dec 2022
68
46th
Ilovehowshittytheirrelationshipislool+lmaothesekindarichpeoplearesopathetic+loldinnerstormjiggle-barf-slidin-hardcorerock/communism/toileteruptslool+lmaogrenade-thinkit'soneofours?+ididalltheworketc+hersexslavelol+resortsokillsher
Rated 29 Dec 2022
greenerGreener
Rated 28 May 2023
70
64th
With throwing away of the subtletly (that was abundant in The Square) came a more public-friendly black comedy. The second act was quite annoying to see not because of how dirty it was but because of how bugging those two capitalist/Marxist pigs were. I liked the other two chapters.
Rated 28 May 2023
st_bernaSt. Berna
Rated 27 May 2023
80
71st
Kara mizah ve hicvin dozu, ilk bölüm hariç biraz fazla kaçmıştı. Bu "parodi" halinin filmin çoğunda hakim oluşu biraz sırıtmış. Yoksa 8,5'dan 9 ederdi.
Rated 27 May 2023
qbotaqbota
Rated 15 Feb 2023
60
56th
Quite funny and surprising to be honest.
Rated 15 Feb 2023
mysticMystic
Rated 25 Sep 2023
5
88th
Masterclass. So many underlying subtexts... Could have watched an hour or two more of it.
Rated 25 Sep 2023
anotherbullanotherbull
Rated 24 Nov 2022
92
68th
Certainly different. Inspiring execution by the director.. Story was mostly lacking
Rated 24 Nov 2022
cinephantomCinePhantom
Rated 12 Mar 2023
50
4th
There are some interesting elements to this movie, but they are outweighed by its lack of coherence, believability, and originality. The character development is weak, and the pacing is uneven. Overall, I would not recommend this movie.
Rated 12 Mar 2023
armilioArmilio
Rated 21 Oct 2023
65
44th
Ostlund it's always so blunt and unsubtle in its satire, i guess his success is because it makes a lot of critics feel smart. The best part is stolen from Monty Python's Mr. Cresote, and the Island part is basically a reverse Swept Away (1974, Lina Wertmüller), but doesn't stand comparison with those inspirations. Nevertheless I can't say the film is not well made, it deliver what it wants to deliver.
Rated 21 Oct 2023
moraesfelipemoraesfelipe
Rated 02 Feb 2023
30
5th
Just unbearably stupid and cynical, specially the mid-section, called Yacht. The only true good thing here is Harrelson's performance as the drunk, laid-back, marxist American captain.
Rated 02 Feb 2023
grilledgrilled
Rated 13 Nov 2022
48
4th
Great concept, terrible execution. Every single scene drags its feet and the film takes far too long to get moving. I like slow burners, but this was more of a tepid smoulder. There were glimpses of the intended message throughout, overrun with excessive gross humour and teeth-pulling dialogue. A tighter edit and more focus on the charicatures of society the cast were playing, and this could have been great. But it's not. Bloated and pretentious in the wrong way, and just boring in the end.
Rated 13 Nov 2022
pdm82PDM.82
Rated 29 Mar 2024
86
50th
A dark comedy satire about power, equality and the struggle for survival. Winner of the Palme d'Or at Cannes, "Triangle Of Sadness" is a worry wrinkle on the face of the privileged and the wealthy. At times disgusting and with a wicked sense of humor, Ruben Ostlund's social commentary satirizes class disparity, power imbalance and the disruption of hierarchy. With emphasis on political philosophy and social criticism, "Triangle" is very unpredictable and in the end will leave you wanting more.
Rated 29 Mar 2024
aalperraaaalperraa
Rated 09 Mar 2023
75
55th
08.03.2023, Falmer/Brighton UK
Rated 09 Mar 2023
carlosproCarlospro
Rated 27 Mar 2023
70
45th
alguns ótimos momentos, mas assim, né Ruben...
Rated 27 Mar 2023
natebarriosnatebarrios
Rated 08 Oct 2022
60
33rd
Dolly De Leon 4ever
Rated 08 Oct 2022
ottott
Rated 28 Oct 2023
75
68th
erfurter latrinensturz 26.7.1184
Rated 28 Oct 2023
oplarsoplars
Rated 15 Aug 2023
70
48th
Just like his other films, this one doesn't appeal to me either. I wouldn't have watched it if I knew he made it.
Rated 15 Aug 2023
moncliviemonclivie
Rated 12 Feb 2023
60
21st
Put 20 or so obnoxious people on one boat and ask them to mingle as awkwardly as possible. Add some shit and vomit flying and you just got yourself Palme d'Or. Also.. 147 minutes and it couldn't even get a proper ending.
Rated 12 Feb 2023
kadikoykadikoy
Rated 01 Nov 2022
60
47th
Narsist 1 komedi. Cannes'da en iyi film ödülünü kazanan film, 3 ana öyküden filmi anlatıyor. İlk öykü 2 sevgili arasında geçen narsist hikayesini izliyoruz. İkinci öyküde yaz tatilini lüks yatta geçiren zenginlerin narsist durumlarını izliyoruz. En eğlenceli kısım da bu eğlence yatında geçiyor. Fakat trajikomik 1 hikaye. Son bölümde ada da geçiyor. Burada Lost dizisi yapıştırmış. Gemiden kurtulanların narsist durumlarını izliyoruz. Kötü değil ama ödüllük de değil. Etrafımı sardın sendeyim hapis.
Rated 01 Nov 2022
quintonjaminQuintonjamin
Rated 12 Mar 2023
80
80th
I thought it was hilarious throughout. The third act had a few plot problems that just took this down a notch. One of my favorites from 2022 so far and, in my eyes, far superior to Force Majeure.
Rated 12 Mar 2023
caspiancaspian
Rated 28 Dec 2022
30
4th
catastrophic flop of inadequate satire. ostlund bites off more than he can chew and spits it out onto expecting arms. barely solicited more than a chuckle or a “so true” here and there, i can’t imagine what was going on when they were writing this given how neatly ostlund has filleted his subjects in the past
Rated 28 Dec 2022
deaddillydeaddilly
Rated 15 Oct 2022
80
72nd
I really wish the 3rd act wasn't such a dud for me. But I think the first 2/3 of this is Ostlund's best and most exhilarating work.
Rated 15 Oct 2022
olivverdysOlivVerdys
Rated 31 Dec 2022
5
16th
A social-political satire about capitalism. Yawn. Another one. European film copying Korean cinema (Parasite/Squid Game) that copied from French or Japanese films. Yuck.
Rated 31 Dec 2022
cetincelikcetincelik
Rated 05 Feb 2023
64
40th
2023'de #IzlediğimFilmler ; 18. Triangle of Sadness (2022) İlk bölüm, malum "kırılmadan" önceki bölüm özellikle çok iyiydi. Toplum içindeki roller ve maskeler üzerine. 6/10
Rated 05 Feb 2023
tarwebroodtarwebrood
Rated 17 Feb 2023
80
69th
2023-02-11
Rated 17 Feb 2023
psimpsim
Rated 17 Apr 2023
82
82nd
I've been thinking about it for quite a while, but in the end I've come to the conclusion that I'm okay with satire lacking subtlety as long as the satire works as well as it does here.
Rated 17 Apr 2023
mandymandy
Rated 29 Oct 2022
8
92nd
Not as savage as previous films by Ostlund but the film provokes a lot of thought about the balance of power in relationships. I enjoyed the open ending and it was very funny in places.
Rated 29 Oct 2022
ricRic
Rated 21 Jan 2023
80
63rd
Extremily effective at what it's going for, that is, all out shameless satire. However, putting the satire of the third act on the same level as that of the first two made me feel a bit resigned, like mankind is shitty all around. And it's disingenuous : showing people with too much money behaving like assholes is just displaying an obvious social reality. While, showing a former maid instating sex slavery because she can is fun, but it's not how shipwreck survivors usually behave.
Rated 21 Jan 2023
sakujoSakujo
Rated 29 Nov 2022
70
24th
Has some pacing issues, but all in all, its weirdness carries it through the finish line.
Rated 29 Nov 2022
slaterman2slaterman2
Rated 04 Mar 2023
74
48th
I watched this with my parents, and during the puking sequence, my mom turned to me, laughing, and asked if this really was nominated for Best Picture. But we all enjoyed it.
Rated 04 Mar 2023
mrcinemaMr.Cinema
Rated 06 Jan 2023
76
95th
Admirable and Thought-Provoking as Expected!!! Ruben Östlund has stablized his position in top young Film makers!!!
Rated 06 Jan 2023
jakeaestheteJakeAesthete
Rated 03 Nov 2022
68
67th
Somehow Todd Field made a better Ruben Östlund movie this year than Östlund did. I dunno, it might grow on me in hindsight, but it feels like a significant step down from The Square. Very easy targets, cheap provocations and gross-out gags, funny but a bit hollow in the end. If Östlund really wanted to ruffle people's feathers he'd just re-release Play and see how 2022 audiences respond to that one.
Rated 03 Nov 2022
rafael_reisRafael Reis
Rated 14 Feb 2023
94
84th
This made me laugh really hard.
Rated 14 Feb 2023
doyler29doyler29
Rated 29 Oct 2022
100
96th
The target of this film is NOT the very rich. At least not directly. The target is power relations, their malleability and absurdity, and our rampant hypocrisy ... ALL of our rampant hypocrisy. The very rich play into this in very obvious ways and are part of what the film is satirizing, but saying that it's obvious that the vey rich are weird and useless is substantially missing the point.
Rated 29 Oct 2022
thatyoungmthatyoungm
Rated 03 Dec 2022
89
73rd
Although a lot of the class warfare themes here have been explored before in other films, the way that Ruben Ostlund blends blistering social commentary with dark humor feels fresh. There are some banal and brutal sequences here spliced with some often poetic ones. The film is essentially broken into three parts and those parts don't always feel like parts of a whole, but individually, there is enough humor and biting commentary to make this one of 2022's better films.
Rated 03 Dec 2022
sdiamasdiama
Rated 20 Jan 2023
1
1st
Why did I lost 2,5 hours of my life watching this no-sense movie? I want my 2,5 hours back!
Rated 20 Jan 2023
scorpusScorpus
Rated 28 Jan 2023
78
65th
While it slows considerably in part three, Triangle of Sadness is a hilarious look at some truly bad individuals
Rated 28 Jan 2023
le_mamile mami
Rated 23 Oct 2022
70
66th
No doubt, this was a hilarious and well-directed film. However, the second part in the boat felt a bit flat. The dialogues and interaction between the captain and the other people but, mostly, with the shit factory owner, were very straightforward, at least. Also, even though I liked the most of the first part, it was not particularly strong. There was not enough room to understand and feel the protagonists. As a result, the ending and the third part happened to be less effective.
Rated 23 Oct 2022

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